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SBD
7/24
William Randolph Hearst Greek Theatre
Berkeley, California
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Gerald R. Ford Amphitheater
Vail, Colorado
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San Rafael, California
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3/17
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San Rafael, California
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Tamalpais Research Institute
San Rafael, California
38
2:28:17
1
tape
4/24/21
Truckin >
11:30
Bertha
11:16
Only a River
8:00
Ramble on Rose
8:31
Shade of Grey
6:56
West LA Fadeaway
11:39
Desolation Row
11:17
Cassidy
10:55
S2: Me and My Uncle
4:32
Jack Straw >
10:10
New Speedway Boogie >
8:20
Wharf Rat >
10:44
Eyes of the World >
7:12
Big Sandy Creek >
3:05
What's Going On >
2:21
Eyes of the World
3:37
The Other One >
9:45
Stella Blue >
8:58
Goin Down the Road Feelin Bad
9:07
E: One More Saturday Night
5:28
FIN
View on archive.org
Sources
Taper: Slackerini
2:43:23
Taper:
Slackerini
Transferrer:
Slackerini
SHNID:
bw2021-04-24
Source:
Livestream > OBS
Lineage:
WWW Livestream > OBS > Audacity
Taper: Jay H. Taylor for Zann Taylor
2:42:58
Taper:
Jay H. Taylor for Zann Taylor
Transferrer:
MAKU (Music Archive Kaua'i Unlimited)
SHNID:
bwatwb2021-04-24
Source:
LIVE Stream via the WWW > Sound Forge 12 "Record What You Hear"
Lineage:
.WAV 16-48.0 > FLAC 16-44.1
Taper Notes:
View Notes
Set 2 Starts at Track 09 The Band: Bob Weir - Guitar & Lead Vocals Don Was - Bass Jay Lane - Drums & Backing Vocals Jeff Chimenti - Keyboards & Backing Vocals Greg Leisz - Guitar, Dobro, Mandolin, Steel Guitar & Backing Vocals Alex Kelly - Cello Brian Switzer - Trumpet Adam Theis - Trombone Mads Tolling - Violin Sheldon Brown - Woodwinds Matt Michna - Vocals and Guitar Tracks 04 & 10 TRI Studios - the Musicians Playpen: Tamalpais Research Institute (TRI Studios) is a state of the art, world-class audio, video, streaming venue, and recording facility created by legendary Grateful Dead founding member, and 1994 Rock & Roll Hall of Fame Inductee, Bob Weir. This visionary, one-of-a-kind virtual venue provides music fans with unparalleled access to their favorite artists, allowing them to enjoy intimate, live performances in the comfort of their own homes, or anywhere they have Internet access. While TRI allows fans a behind-the-scenes, all-access feel, it simultaneously provides artists with an interchangeable blank canvas on which to perform. Utilizing advanced acoustical technology from Meyer Sound, artists can emulate the acoustic properties of any performance spaces ranging from small nightclubs to a Roman cathedral, Wembley Stadium to Madison Square Garden, or anything in between. This groundbreaking innovation is a creative sandbox that invites artists to experiment with their sound, which further brings together both the artists and their fans. Events at TRI are filmed, directed, mixed and webcast live in HD. "TRI was kind of built on the principle that it was going to be a fun place to be," explains Weir. "The ultimate playpen for a musician." Weir’s intent is to build upon the Grateful Dead’s penchant for experimenting musically and technically in the quest to “make IT better.” For the audience, this means the most intimate connection with the artist possible. “We put the fans in the band. Everyone into the playpen.”
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