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2005
10/20
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Grateful Dead
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2,080
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284.2k
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891
250
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285
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151
69
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106
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Ace Bandage
13
49
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49
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Adam Deitch
253
83
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116
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Akron/Family
14
40
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43
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American Babies
38
88
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107
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Andrew Bird
149
125
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133
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Andy Frasco & The UN
335
83
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115
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Animal Collective
308
123
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134
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Animal Liberation Orchestra
1.3k
430
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535
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Antibalas
113
81
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92
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Aquarium Rescue Unit
1.1k
159
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236
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Aqueous
184
161
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248
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Assembly of Dust
752
286
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421
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Barefoot Manner
105
102
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107
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Bela Fleck and the Flecktones
1.5k
488
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613
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Ben Kweller
38
32
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35
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Benevento Russo Duo
186
278
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383
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Bernie Worrell
43
7
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7
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Bernie Worrell and the WOO Warriors
26
27
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29
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Bernie Worrell Orchestra
50
19
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27
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Big Something
528
352
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2.2k
17
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62
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Billy Strings
88.6k
539
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Blind Melon
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62
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Blueground Undergrass
94
182
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Dark Star Orchestra
Years
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Today In History
June 30th
Years
2026
3.8k
20
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2025
468
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35
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90
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54
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81
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14
21
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99
26
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30
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59
28
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146
51
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56
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70
36
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39
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9
23
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24
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15
16
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17
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28
7
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8
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1998
2
3
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3
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29
1
show
1
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2005
SBD
12/16
Mr. Smalls Theatre
Millvale, Pennsylvania
3:00:49
2
tapes
12/09
Bergen Performing Arts Center
Englewood, NJ
3:21:29
1
tape
12/03
SBD
9:30 Club
Washington, Washington, D.C.
3:17:59
2
tapes
11/21
SBD
The Haunt
Ithaca, New York
3:06:44
1
tape
11/19
SBD
Electric Factory
Philadelphia, Pennsylvania
3:13:15
1
tape
11/18
SBD
Pearl Street
Northampton, Massachusetts
3:10:10
1
tape
11/16
SBD
Irving Plaza
New York, New York
3:16:11
1
tape
10/20
Mystic Theatre
Petaluma, California
3:00:35
1
tape
10/19
Mystic Theatre
Petaluma, California
3:16:48
1
tape
10/06
SBD
Wilma Theatre
Missoula, Montana
3:28:22
1
tape
8/21
Nelson Ledges Quarry Park
Garrettsville, Ohio
2:55:01
1
tape
8/20
Nelson Ledges Quarry Park
Garrettsville, Ohio
1
3:17:44
1
tape
8/13
Indian Lookout Country Club
Mariaville, New York
4:57:50
1
tape
8/12
House of Blues
Atlantic City, New Jersey
3:23:36
1
tape
8/11
Bottle & Cork
Dewey Beach, Delaware
3:24:53
1
tape
7/17
SBD
Marvin's Mountaintop
Masontown, West Virginia
1:33:17
1
tape
6/17
Forward Hall
Erie, Pennsylvania
21
3:09:42
1
tape
6/07
SBD
Mexicali Live
Teaneck, New Jersey
47
3:43:48
2
tapes
6/06
Mexicali Live
Teaneck, New Jersey
20
3:36:27
1
tape
6/04
SBD
Electric Factory
Philadelphia, Pennsylvania
9
3:31:47
2
tapes
5/30
SBD
Toad's Place
New Haven, Connecticut
2:38:24
1
tape
4/23
SBD
The State Theatre
Falls Church, Virginia
1
3:17:11
1
tape
4/22
The State Theatre
Falls Church, Virginia
3:00:59
1
tape
4/20
The NorVa
Norfolk, Virginia
3:06:41
1
tape
2/25
Crystal Ballroom
Portland, Oregon
3:13:16
1
tape
2/19
KPFA-FM
Berkeley, California
45:09
1
tape
10/20/05
dso2005-10-20d1t01.mp3
3:58
dso2005-10-20d1t02.mp3
5:54
dso2005-10-20d1t03.mp3
6:37
dso2005-10-20d1t04.mp3
7:20
dso2005-10-20d1t05.mp3
6:38
dso2005-10-20d1t06.mp3
8:55
dso2005-10-20d1t07.mp3
14:07
dso2005-10-20d1t08.mp3
8:13
dso2005-10-20d1t09.mp3
9:03
dso2005-10-20d2t01.mp3
6:30
dso2005-10-20d2t02.mp3
6:57
dso2005-10-20d2t03.mp3
7:59
dso2005-10-20d2t04.mp3
12:26
dso2005-10-20d3t01.mp3
11:56
dso2005-10-20d3t02.mp3
23:36
dso2005-10-20d3t03.mp3
8:47
dso2005-10-20d3t04.mp3
5:37
dso2005-10-20d3t05.mp3
10:01
dso2005-10-20d3t06.mp3
16:01
FIN
View on archive.org
Sources
Taper: Bob Cogswell (sunauto@pacbell.net)
3:00:35
Taper:
Bob Cogswell (sunauto@pacbell.net)
Transferrer:
Bob Cogswell
SHNID:
dso2005-10-20.flac16
Source:
Crown SASS P-MK2 PZM + Crown CM-700MP's > Shure FP42 > 744T (24/48) > Audacity (4>2 channel) > Samplitude 7.2 (16/44.1) > FLAC Frontend (level 6) > flac
Taper Notes:
View Notes
Special guest keyboardist Rob Barraco - *with Robin Slyvester (Ratdog) on bass Recording gear used: Crown SASS P Mk 2 stereo PZM (pressure zone microphone) & Crown CM-700 cardioid condensers (2), all mounted on a stand 12 feet tall at the drink rail appr. 60 feet from the stage. The PZM mic was pre-amped via the Sound Devices 744T main mic inputs and the CM-700 cards were pre-amped via a Shure FP-42 mixer and fed into the line in side of the 744T. The recording was made in 24/48 resolution. Post recording: copy & paste the files from the 744T into an external storage device and mix the 4 channels down to 2 stereo channels in Audacity, then finish the mastering in Samplitude 7.2 (tracking, dithering & downsampling, fades). The PZM mic was aimed toward the stage & floor PA stacks, and the CM-700 cards were aimed upward at the upper tier PA stacks (hung from the ceiling). In the mixing, the PZM tracks were at 9db over average while the CM-700s were at 12 db over average, giving the slight empansis to the cardioid tracks.
2 shows
3 tapes