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July 3rd
6 shows
60 tapes
Years
1995
21.7k
49 shows
343 tapes
1994
19.2k
85 shows
460 tapes
1993
37.3k
83 shows
656 tapes
1992
35.7k
57 shows
539 tapes
1991
54.1k
78 shows
973 tapes
1990
67.4k
78 shows
1,139 tapes
1989
48.7k
78 shows
1,017 tapes
1988
35.7k
82 shows
882 tapes
1987
54.7k
88 shows
1,029 tapes
1986
18.8k
47 shows
685 tapes
1985
60.2k
73 shows
1,360 tapes
1984
40.8k
67 shows
1,081 tapes
1983
33.4k
71 shows
1,071 tapes
1982
19.8k
63 shows
753 tapes
1981
25.1k
92 shows
868 tapes
1980
65.8k
91 shows
794 tapes
1979
24.7k
79 shows
608 tapes
1978
40.1k
87 shows
592 tapes
1977
145.9k
64 shows
419 tapes
1976
147.9k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
101.4k
42 shows
324 tapes
1973
84.8k
75 shows
445 tapes
1972
39.6k
88 shows
361 tapes
1971
27.7k
82 shows
358 tapes
1970
38.4k
101 shows
376 tapes
1969
23k
112 shows
326 tapes
1968
7k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
4.8k
32 shows
78 tapes
1965
503
2 shows
2 tapes
1966
5/19/66
Beat It On Down The Line
2:34
Standing On The Corner
3:44
Mindbender
3:04
It Hurts Me Too
3:55
Viola Lee Blues
7:55
I Know You Rider
2:51
It's A Sin
3:18
Sick And Tired
3:44
Cream Puff War
4:05
Sittin' On Top Of The World
2:46
Minglewood Blues
4:30
Cold Rain And Snow
3:22
Come Back Baby
6:19
Silver Threads And Golden Needles
2:40
It's All Over Now, Baby Blue
5:03
Good Lovin'
3:38
You Don't Have To Ask
2:58
FIN
View on archive.org
Sources
Taper: Anonomous
33:36
SBD
Rating:
6.00 / 1 rating
Taper:
Anonomous
Transferrer:
SIRMick
SHNID:
gd1966-05-19.136656.set1.sbd.sirmick.flac16
Source:
Set 1 Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)
Taper Notes:
View Notes- This version has been provided by an anonymous source. - The channels were reversed, this has been corrected. - Level adjustments have been made. - All files are tagged Comments: The way that this sounds is more faithfull to Bear's original mix than the Miller seed shnid 106883. From Grateful Dead Guide (deadessays.blogspot.co.uk) There was a dramatic shift in Bear's production technique by the 3/12/66 show. He mentioned a synesthetic experience of seeing music circulating: ìMy knowledge of the true nature of sound dates back toÖone of the rehearsals we had in the house in Watts, when I actually saw sound coming out of the speakers. It was total synesthesiaÖ It was just a unique experience. And it so completely blew my mindÖI went around and inspected it very carefullyÖ And that became the foundation for all the sound work that Iíve done.î http://www.thebear.org/musicintro.html. Whether it was due to this experience or not, sometime in February or early March, Bear changed the way he mixed the Dead: ìI recorded the vocals in the left channel and the instruments in the right, Beatles style.î That remains the basic premise in every Bear production setup from 3/12 through July. edited and mastered SIRMick January 2015