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July 5th
4 shows
23 tapes
Years
1995
19.7k
49 shows
343 tapes
1994
21.1k
85 shows
460 tapes
1993
31.3k
83 shows
656 tapes
1992
33.7k
57 shows
539 tapes
1991
49.2k
78 shows
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1990
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1989
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1988
43.7k
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882 tapes
1987
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1986
19.3k
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1985
62.4k
73 shows
1,360 tapes
1984
43.2k
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1983
32.5k
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1982
18.3k
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1981
24.9k
92 shows
868 tapes
1980
60.4k
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794 tapes
1979
24.9k
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1978
34.8k
87 shows
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1977
131.1k
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1976
139.4k
45 shows
298 tapes
1975
6.2k
25 shows
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1974
98.9k
42 shows
324 tapes
1973
84k
75 shows
445 tapes
1972
37.2k
88 shows
361 tapes
1971
30.8k
82 shows
358 tapes
1970
26.6k
101 shows
376 tapes
1969
20.3k
112 shows
326 tapes
1968
6.5k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5.3k
32 shows
78 tapes
1965
474
2 shows
2 tapes
1966
5/19/66
Beat It On Down The Line
2:26
Standing On The Corner
3:40
Mindbender
3:03
It Hurts Me Too
3:56
Viola Lee Blues
7:44
I Know You Rider
2:51
It's A Sin
3:10
Sick And Tired
3:37
Cream Puff War
4:19
Sittin' On Top Of The World
2:22
Minglewood Blues
4:30
Cold Rain And Snow
3:22
Come Back Baby
6:20
Silver Threads And Golden Needles
2:35
It's All Over Now, Baby Blue
5:09
Good Lovin'
3:38
You Don't Have To Ask
3:01
FIN
View on archive.org
Sources
Taper: Anonomous
33:36
SBD
Rating:
6.00 / 1 rating
Taper:
Anonomous
Transferrer:
SIRMick
SHNID:
gd1966-05-19.136656.set1.sbd.sirmick.flac16
Source:
Set 1 Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)
Taper Notes:
View Notes- This version has been provided by an anonymous source. - The channels were reversed, this has been corrected. - Level adjustments have been made. - All files are tagged Comments: The way that this sounds is more faithfull to Bear's original mix than the Miller seed shnid 106883. From Grateful Dead Guide (deadessays.blogspot.co.uk) There was a dramatic shift in Bear's production technique by the 3/12/66 show. He mentioned a synesthetic experience of seeing music circulating: ìMy knowledge of the true nature of sound dates back toÖone of the rehearsals we had in the house in Watts, when I actually saw sound coming out of the speakers. It was total synesthesiaÖ It was just a unique experience. And it so completely blew my mindÖI went around and inspected it very carefullyÖ And that became the foundation for all the sound work that Iíve done.î http://www.thebear.org/musicintro.html. Whether it was due to this experience or not, sometime in February or early March, Bear changed the way he mixed the Dead: ìI recorded the vocals in the left channel and the instruments in the right, Beatles style.î That remains the basic premise in every Bear production setup from 3/12 through July. edited and mastered SIRMick January 2015