1970-05-14 | Grateful Dead | Relisten

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1970

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Studio- Workingman's Dead Outtakes

5/14/70

New Speedway Boogie >

Nobody's Fault But Mine Jam >

New Speedway Boogie >

Not Fade Away >

Turn On Your Lovelight

FIN

View on archive.org

Sources

Taper: Anonomous

8.00 / 2 ratings

gd1970-05-14.136645.s2.sbd.reelmaster.dat.sirmick.flac16

Set 2 Source: Soundboard > Reel Master > DAT (48k)

View Notes- This version has been provided by an anonymous source.
- There is no cassette gen. in the lineage of this documented source.
- This is the COMPLETE electric set.  Dire Wolf and Cold Jordan have never circulated before.
- Level adjustments have been made and speed issues addressed.
- A few high-pitched feed back noises have been removed, and several pops and clicks too. 
- All files are tagged.



edited and mastered
SIRMick
April 2013

Transferrer: Jack Browning

10.00 / 1 rating

gd1970-05-14.set2-partial.sbd.browning.97548.sbeok.flac16

SBD > Master Reel > DAT

DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC)

View NotesCOMMENTS:

This is a combination of SHNID 28716 and an MP3 source of this medley, presumably from
the vault master reels. The MP3 source was released on 5/14/07 as part of David Lemieux's
Tapers Section series at dead.net. The MP3 source was publicly available as a downloadable
file for a short period of time, but I no longer have a copy of it. I put this together
for a party I threw in August of '07, and I am working from memory as to its details.

The MP3 source provides a little tuning and the first few notes of New Speedway Boogie,
which are missing from all soundboard sources for this date. It also supplies the applause,
and the show-ending comments from the stage, including an uncharacteristic outburst from a
band member. I can't say for sure, but I'm almost positive that member was Phil. A friend
of mine was at this show, and the next time I see him, I intend to ask him what might have
prompted it. If anybody who reads this was there and knows, please contact me. It certainly
puts the energy and intensity of what came before in a different perspective.

Oddly, the MP3 source (purportedly from the vault reel) contained a quite noticeable cut
in Not Fade Away. While I never got around to a note-by-note comparison of the MP3 source
and 28716, the NFA from 28716 seems to be intact, or has been repaired in a way that I can
neither hear, nor see in an audio editor.

Also, I seem to recall fixing a brief vocal digisnit in the opening segment of NSB. I wish 
I could provide exact details, but I didn't think I was working for posterity at the time.

This show has always stood in the shadow of the Fillmore East gig the following night. In
my opinion, it more than holds it own with 5/15, and the portion included here is simply
spectacular. It definitely gets my vote for Best Lovelight Ever. I am happy to present this
in a relatively complete form.

2/18/09
Jack Browning
gdtrfb55 (at) gmail.com

Source 3 of 7

gd1970-05-14.sbd-acoustic.clugston.34165.sbeok.shnf

Soundboard of unspecified provenence

View NotesThanks to Gregg Nixon and Jeff Tiedrich

CD Re-Mastering / Shn'ed by Scott Clugston
2/15/03

Transferrer: Jack Warner, Marc Evans, Jim Powell

8.33 / 14 ratings

Jack Warner, Marc Evans, Jim Powell

gd1970-05-14.sbd.warner-evans.28716.sbeok.flac16

MSR> DAT> CDR> EAC> FLAC

View NotesMost currently circulating CDRs are partial selections from this show, many exclude the NRPS set entirely and all seem to be missing "Fair Chance To Know".  This version is still missing most of "The Weight", "Dire Wolf", and the "Cold Jordan" encore.  Other than these defects it represents the complete show in the correct order and excellent sound.

Remastered by Jack Warner
DAE and FLAC encoding by Marc Evans
Projected coordinated by Jim Powell
Special thanks to DW

Source 5 of 7

9.33 / 3 ratings

gd1970-05-14.sbd.cotsman.24223.shnf

SBD>MR>?>D>CD>EAC>SHN (acoustic set; SBD>MR>D>CD>EAC>SHN (electric set)

View NotesNotes:
--Mickey Hart is absent from this show
--Sound Forge was used to correct the pitch of the acoustic set and for normalization.
--a slightly higher generation sbd source patches most of Candyman, from 1:37 to the end.  
--the first couple notes are clipped from Mama Tried
--minor clip at the beginning of New Speedway

part of The Music Never Stopped Project 2002

Thanks to Dan Capshaw & Walter Schnell
edits/encoding by J. Cotsman

Transferrer: Dan Capshaw, Walter Schnell and JCotsman

9.25 / 25 ratings

Dan Capshaw, Walter Schnell and JCotsman

gd70-05-14.sbd.cotsman.12439.sbeok.shnf

SBD > MR > ? > DAT > CD > EAC > SHN

View Notes* first known performances.

SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set);

--Complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; 
--Mickey Hart is absent from this show
--Sound Forge was used to correct the pitch of the acoustic set and for normalization.
--a slightly higher generation sbd source patches most of Candyman, from 1:37 to the end.  
--the first couple notes are clipped from Mama Tried
--minor clip at the beginning of New Speedway

Transferrer: Scott Clugston

9.33 / 3 ratings

gd1970-05-14.sbd-electric.clugston.7604.shnf

Master Soundboard Reel > Cassette > DAT> CDR