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1971
04/17
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1,864
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1,868
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311
913
250
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285
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151
69
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106
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Ace Bandage
7
49
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49
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Adam Deitch
252
83
shows
116
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Akron/Family
14
40
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43
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American Babies
39
88
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107
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Andrew Bird
137
125
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133
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Andy Frasco & The UN
371
83
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115
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Animal Collective
312
123
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134
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1.4k
430
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535
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Antibalas
138
81
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92
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Aquarium Rescue Unit
1.1k
159
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236
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Aqueous
182
161
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248
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Assembly of Dust
739
286
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421
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Barefoot Manner
104
102
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107
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Bela Fleck and the Flecktones
1.5k
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613
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Ben Kweller
40
32
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35
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Benevento Russo Duo
187
278
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383
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Bernie Worrell
46
7
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7
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Bernie Worrell and the WOO Warriors
26
27
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29
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Bernie Worrell Orchestra
50
19
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27
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Big Something
554
352
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523
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Billy & the Kids
2.1k
17
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62
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88k
539
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1,056
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62
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76
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93
182
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Grateful Dead
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July 1st
12 shows
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34.3k
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55.7k
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33.6k
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20.1k
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25.8k
92
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868
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65.3k
91
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21.6k
79
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40.1k
87
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151.7k
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156.3k
45
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7.2k
25
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63
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98k
42
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79.4k
75
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445
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1972
41k
88
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361
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1971
28.9k
82
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358
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38.9k
101
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376
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23.4k
112
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326
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7.3k
41
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125
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2.1k
23
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55
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4.7k
32
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78
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516
2
shows
2
tapes
1971
SBD
12/31
SBD
Winterland Arena
San Francisco, CA, USA
483
3:30:49
9
tapes
12/15
SBD
Hill Auditorium
Ann Arbor, MI, USA
275
2:53:54
6
tapes
12/14
SBD
Hill Auditorium
Ann Arbor, MI, USA
182
2:57:43
4
tapes
12/10
SBD
Fox Theatre
St. Louis, MO, USA
195
2:56:36
3
tapes
12/09
SBD
Fox Theatre
St. Louis, MO, USA
85
2:04:36
1
tape
12/07
SBD
Felt Forum
New York, NY, USA
289
2:29:17
1
tape
12/06
SBD
Felt Forum
New York, NY, USA
132
2:56:22
2
tapes
12/05
SBD
Felt Forum
New York, NY, USA
879
3:32:01
5
tapes
12/04
SBD
Felt Forum
New York, NY, USA
122
2:16:27
4
tapes
12/02
SBD
Boston Music Hall
Boston, MA, USA
166
2:54:16
7
tapes
12/01
SBD
Boston Music Hall
Boston, MA, USA
140
2:02:43
5
tapes
11/20
SBD
Pauley Pavilion, UCLA
Los Angeles, CA, USA
111
2:36:43
2
tapes
11/17
SBD
Albuquerque Civic Auditorium
Albuquerque, NM, USA
63
2:32:10
1
tape
11/15
SBD
Austin Municipal Auditorium
Austin, TX, USA
518
2:29:41
7
tapes
11/14
SBD
Texas Christian U.
Fort Worth, TX, USA
356
2:27:09
5
tapes
11/12
SBD
San Antonio Civic Auditorium
San Antonio, TX, USA
57
2:09:48
6
tapes
11/11
SBD
Atlanta Municipal Auditorium
Atlanta, GA, USA
122
1:49:59
2
tapes
11/07
SBD
Harding Theater
San Francisco, CA, USA
447
3:52:56
9
tapes
11/06
SBD
Harding Theater
San Francisco, CA, USA
162
2:47:08
1
tape
10/31
SBD
Ohio Theatre
Columbus, OH, USA
460
2:16:00
3
tapes
10/30
SBD
Taft Auditorium
Cincinnati, OH, USA
255
2:41:50
4
tapes
10/29
SBD
Allan Theater
Cleveland, OH, USA
162
2:39:08
3
tapes
10/27
SBD
Onondaga County War Memorial
Syracuse, NY, USA
172
2:22:22
3
tapes
10/26
SBD
The Palestra, U. of Rochester
Rochester, NY, USA
57
2:55:45
2
tapes
10/24
SBD
Easttown Theatre
Detriot, MI, USA
611
2:31:55
2
tapes
10/23
SBD
Easttown Theatre
Detriot, MI, USA
59
2:40:27
4
tapes
10/22
SBD
Auditorium Theatre
Chicago, IL, USA
144
2:36:21
2
tapes
10/21
SBD
Auditorium Theatre
Chicago, IL, USA
268
2:34:38
6
tapes
10/19
SBD
Northrop Auditorium, U. of Minnesota
Minneapolis, MN, USA
556
3:01:44
2
tapes
10/01
SBD
Studio
Santa Venetia, CA
30
1:12:58
2
tapes
9/30
SBD
Studio
Santa Venetia, California
15
53:27
1
tape
9/29
SBD
Studio Rehearsals with Keith Godchaux
Santa Venetia, CA
21
1:29:52
2
tapes
9/28
Keith rehearsals
Santa Venetia, CA
284
3:33:29
2
tapes
8/26
SBD
Gaelic Park
Bronx, NY, USA
626
3:18:01
9
tapes
8/23
SBD
Auditorium Theatre
Chicago, IL, USA
267
3:13:44
4
tapes
8/21
Mickey's Barn
Novato, CA
88
1:44:02
2
tapes
8/15
SBD
Berkeley Community Theater
Berkeley, CA, USA
282
2:14:04
7
tapes
8/14
SBD
Berkeley Community Theater
Berkeley, CA, USA
654
2:16:07
3
tapes
8/06
SBD
Hollywood Palladium
Hollywood, CA, USA
2.1k
3:46:55
13
tapes
8/05
SBD
Hollywood Palladium
Hollywood, CA, USA
188
2:43:13
10
tapes
8/04
SBD
Terminal Island Correctional Fac.
San Pedro, CA, USA
225
2:11:10
1
tape
7/31
SBD
Yale Bowl, Yale U.
New Haven, CT, USA
259
3:24:17
3
tapes
7/02
SBD
Fillmore West
San Francisco, CA, USA
148
3:23:15
6
tapes
6/21
SBD
Chateau d'HerouvilIe
Herouville, France
2.6k
2:33:57
2
tapes
5/30
SBD
Winterland Arena
San Francisco, CA, USA
113
1:58:58
2
tapes
5/29
SBD
Winterland Arena
San Francisco, CA, USA
271
2:02:44
2
tapes
4/29
SBD
Fillmore East
New York, NY, USA
2.1k
5:14:18
12
tapes
4/28
SBD
Fillmore East
New York, NY, USA
825
4:39:34
10
tapes
4/27
SBD
Fillmore East
New York, NY, USA
354
4:21:00
10
tapes
4/26
SBD
Fillmore East
New York, NY, USA
236
3:34:07
9
tapes
4/25
SBD
Fillmore East
New York, NY, USA
409
2:58:06
4
tapes
4/24
SBD
Wallace Wade Stadium, Duke U.
Durham, NC, USA
48
2:13:22
3
tapes
4/22
SBD
Bangor Municipal Auditorium
Bangor, ME, USA
89
1:52:54
2
tapes
4/21
SBD
Rhode Island Auditorium
Providence, RI, USA
134
2:15:57
4
tapes
4/18
SBD
Lusk Field House, S.U.C.N.Y
Cortland, NY, USA
192
2:02:47
3
tapes
4/17
SBD
Dillon Gym, Princeton U.
Princeton, NJ, USA
242
2:57:49
6
tapes
4/15
SBD
Allegheny State College
Meadvllle, PA, USA
151
1:39:37
1
tape
4/14
SBD
Christy Mathewson Stadium, Bucknell U.
Lewisburg, PA, USA
602
2:45:55
4
tapes
4/13
SBD
Catholic Youth Center
Scranton, PA, USA
147
2:03:11
3
tapes
4/12
SBD
Civic Arena
Pittsburgh, PA, USA
72
2:11:35
1
tape
4/10
SBD
East Hall Franklin & Marshall Col.
Lancaster, PA, USA
90
2:28:14
2
tapes
4/08
SBD
Boston Music Hall
Boston, MA, USA
216
2:42:22
6
tapes
4/07
SBD
Boston Music Hall
Boston, MA, USA
113
1:36:59
5
tapes
4/06
SBD
Manhattan Center
New York, NY, USA
373
2:35:30
9
tapes
4/05
SBD
Manhattan Center
New York, NY, USA
379
3:02:16
7
tapes
4/04
SBD
Manhattan Center
New York, NY, USA
190
2:34:43
4
tapes
3/24
SBD
Winterland Arena
San Francisco, CA, USA
201
2:04:06
4
tapes
3/21
Exposition Center
Milwaukee, WI, USA
14
37:41
2
tapes
3/20
SBD
Fieldhouse, U. Of Iowa
Iowa City, IA, USA
54
2:14:44
1
tape
3/18
SBD
Fox Theatre
St. Louis, MO, USA
151
2:32:50
3
tapes
3/14
SBD
Camp Randall Field House, U. of Wisconsin
Madison, WI, USA
214
3:49:08
3
tapes
3/03
SBD
Fillmore West
San Francisco, CA, USA
87
2:17:34
5
tapes
2/24
SBD
Capitol Theater
Port Chester, NY, USA
157
4:51:34
9
tapes
2/23
SBD
Capitol Theater
Port Chester, NY, USA
229
2:53:10
6
tapes
2/21
SBD
Capitol Theater
Port Chester, NY, USA
359
2:51:22
7
tapes
2/20
SBD
Capitol Theater
Port Chester, NY, USA
539
2:39:37
4
tapes
2/19
SBD
Capitol Theater
Port Chester, NY, USA
795
2:46:37
5
tapes
2/18
SBD
Capitol Theater
Port Chester, NY, USA
3k
3:20:01
12
tapes
2/01
SBD
Unknown
Unknown, Unknown
30
47:27
1
tape
1/24
SBD
Seattle Center Arena
Seattle, WA, USA
321
1:55:16
2
tapes
1/22
SBD
Lane Community College
Eugene, OR, USA
67
57:08
1
tape
1/21
SBD
Freeborn Hall, U. of California
Davis, CA, USA
84
1:54:44
6
tapes
4/17/71
Truckin'
9:13
Big Railroad Blues
4:03
Big Boss Man
5:26
Bird Song
8:09
Playing In The Band
4:52
Hard To Handle
8:38
Loser
7:12
Mama Tried
3:02
Casey Jones
5:29
tuning - Sugar Magnolia (aborted due to technical problems)
1:23
Sugar Magnolia
7:16
Good Lovin'->
2:26
Drums->
6:15
Good Lovin'
19:58
Me And Bobby McGee
6:24
Deal
5:20
Beat It On Down The Line
3:20
I'm A King Bee
7:53
Bertha
6:14
Sing Me Back Home
8:21
Goin' Down The Road Feeling Bad->
6:21
jam->
2:22
Turn On Your Love Light
17:41
FIN
View on archive.org
Sources
Taper: unknown
2:37:18
SBD
Rating:
10.00 / 2 ratings
Source:
<b>flac16/48kHz</b>; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017
Taper Notes:
View Notes
Recollection by Matt Vernon March 19,2017: “April 17, 1971 was the first time I saw the Grateful Dead perform live. I was a junior in high school and the Grateful Dead were my most favored band. I had listened to their albums countless number of times. There is a long essay in the Taper’s Compendium which agrees with much of what I remember though given the concert was 46 years ago my memories may have become distorted by the passage of time. The weather was a perfect spring day on the Princeton campus. The Princeton gym is not large with retractable bleacher seats on the sides and folding chairs set up on the floor in front of the stage. The stage was about 3 feet high set up toward one end. We were early to arrive around 5 pm and walked in to a basically empty gym and sat in the first row of folding chairs. There was maybe a 15 feet gap between the 1st row of chairs and the stage. This was the era when the speaker screens were tie-dyed and I had time to look and walk around and observe how the stage was set up. The New Rider’s opened with Garcia on pedal steel and Spencer Dryden (Jefferson Airplane) on drums. When the NRPS set finished I left my 1st row seat and went to the front of the stage in front of what would be Phil Lesh’s position. As the intermission between NRPS and the first Dead set neared its end the area in front of the stage and the 1st row of chairs was now crowded with people. I took the opportunity to hoist myself up and sit on the front edge of the stage with my back against the left side PA stack. I would remain here for the remainder of the show. At this time there was not the formal separation of the band and audience that would exist in later years. You could see many people backstage including some of my friends. The location was perfect. First, I have always been a “bass” person so being a few feet in front of Lesh’s microphone meant I was literally in the Philzone. The other upside was Garcia would angle himself so it seemed he was looking directly at me. This was because he would be looking at Phil or when Pigpen was singing center stage I was in Garcia’s line of sight. I won’t review the music which you can hear in near perfect format on this source. But will make a few comments on the aspects of the performance which can’t come across on tape. First, during the show it was clear to me how Pigpen heavy show it was, as the songs rotated with Bob, Jerry and Pigpen doing vocals. Also, members of the NRPS stood behind Bill and played various hand percussion instruments. During the two Pigpen rap songs (Good Lovin’ and Lovelight) I was about 10 feet away from Pigpen when he was stage center. Its’ hard to describe Pigpen’s command of the stage (he has a small stature) but my attention was fully concentrated on his way of accenting notes bringing the mic near his mouth and using his body and hands to communicate to the band when he was going into one of his “raps” - when to pause and when to accent his vocals. Here was where my location turned out to be perfect. For Jerry would rotate to watch Pigpen and accent Pig’s comments with riffs and his own facial expressions - grins and chuckles - and noted above I was in his direct line of sight on the other side of Pigpen. When it came time for the Bob and Barbara match up in Lovelight they were about 3 feet away. Pigpen would bend down when talking to them very much the matchmaker. During the intermission between the 2 Dead sets, Phil gave me a cylindrical paper pint container with beer to drink. By this time it was sufficiently crowded that I couldn’t easily leave my perch and it was now hot inside the gym. Before the start of the 2nd Dead set, a woman threw a note on stage to Phil. Phil picked it up and read it and chuckled then gave it to me. The note said something like “If you want to come to a place where people like you call Emily” then a phone number. When the show was over it took a while for the crowd to dissipate so I could leave my perch. On the way out there were large piles of the folding chairs cleared to make room for dancing and what not in front of the stage. I also saw the reel-reel tape deck about 30-40 feet in front of the stage - at the time I was wondering if it would be used for a live recording. Amazing that I can listen to the show this many years later. originally shared with a few at LL
Transferrer: Kevin Tobin
2:57:49
SBD
Rating:
9.00 / 7 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1971-04-17.mtx.tobin.107384.flac16
Transferrer: SIRMick
2:30:12
SBD
Rating:
9.64 / 14 ratings
Transferrer:
SIRMick
SHNID:
gd1971-04-17.sbd.sirmick.89031.flac24
Source:
MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS
Lineage:
R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate
Source 4 of 6
2:30:13
SBD
Rating:
9.43 / 7 ratings
SHNID:
gd1971-04-17.sbd.sirmick.88760.flac16
Source:
MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS
Lineage:
R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav
Taper Notes:
View Notes
- pitch correction +24 cents - right channel gain reduced by 2 decibels - quite a number of small dropouts have been repaired, a few clicks removed and a little surplus material trimmed out. - there is possibly a splice in Mama Tried with two different sources used, sound quality changes around 0:30 to the end of the song on the raw file. There was noticeably more hiss in the first part. - Good Lovin'(part 1) fades in. - there appears to be a cut in Lovelight around 12:16, hardly anything missing though! This is also present in the other circulating source. - downsampled with Voxengo R8brain and dithered with iZotope Ozone (MBIT+) * ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* *Pigpen is the star of this show, may his Love Light forever shine* * ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* Thanks for getting this source to me, you know who YOU are. edited & mastered by SIRMick November 2007
Transferrer: Rod Nayfield
2:33:29
SBD
Rating:
9.42 / 25 ratings
Transferrer:
Rod Nayfield
SHNID:
gd71-04-17.sbd.nayfield.121.122.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Reel > ? > DAT > ZA2 (48>44.1) > CD
Taper Notes:
View Notes
set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield
Taper: Will Boswell and Randy Smith
2:51:49
Rating:
9.00 / 3 ratings
Taper:
Will Boswell and Randy Smith
Transferrer:
Will Boswell and Derek McCabe
SHNID:
gd1971-04-17.aud.boswell-smith.motb-0136.107075.flac16
Lineage:
MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC
Taper Notes:
View Notes
Notes: Bertha missing from after King Bee, was not on the master.