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July 9th
2 shows
29 tapes
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1995
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1991
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1990
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1988
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1986
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1985
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1984
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1983
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1982
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1981
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1980
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1979
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1978
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1977
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1976
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1975
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1974
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1973
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1972
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1971
31.1k
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1970
22.9k
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1969
21.8k
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1968
6.1k
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125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.6k
32 shows
78 tapes
1965
471
2 shows
2 tapes
1972
9/28/72
Truckin'
10:44
Loser
6:36
Beat it on down the line
3:48
Brown-Eyed Women
5:14
Mexicali Blues
4:01
Mississippi Half-step
6:59
Black-Throated Wind
6:49
Don't Ease Me In
4:10
Big River
4:58
Tennessee Jed
8:25
Promised Land
3:21
China Cat Sunflower >
6:16
I Know You Rider
6:10
Playin' In The Band
20:47
Bertha>>
5:52
Greatest story ever told
5:38
Brokedown palace
6:40
Me & my uncle
3:13
Ramble on rose
6:19
Tuning
0:15
El Paso
4:32
He's Gone >
12:43
Drums >
2:21
The Other One >
20:54
Jam >
3:29
Me & Bobby Magee >
6:01
The Other One >
3:30
Wharf Rat
11:02
Sugar Magnolia
10:04
Not Fade Away > Going Down The Road > Not Fade Away
21:10
FIN
View on archive.org
Sources
Transferrer: Brian Flegel
3:34:34
SBD
Transferrer:
Brian Flegel
SHNID:
gd1972-09-28.170880.sbd.patched.flegel.flac1644
Source:
Patched soundboard
Taper Notes:
View Notes-- 2025 Work -- --converted the orignial flac files to wav using Trader's Little Helper. Retracked and fixed and couple of little cuts in between tracks as well as some volume adjustment. Also patched in a small section at the beginning of '02 Loser' from the Moore / Berger AUD Source and patched the cut in '23 The Other One' with the newly circulated Petrunis AUD source. All patches required crossfades and volume adjustment. I left all of Charlie Miller's Original patches alone because they are just exactly perfect. I loved revisiting this show and am so happy we have such a good sparkling SBD that is now essentially cut free - we are indeed lucky. All sound editing work was done using Roxio Sound Editor (2009). Converted edited wav files back to flac16 via Flac Frontend. All post work done by Brian Flegel
Taper: Anonomous
2:57:26
SBD
Rating:
8.00 / 1 rating
Taper:
Anonomous
Transferrer:
SIRMick
SHNID:
gd1972-09-28.136692.sbd.sirmick.flac16
Source:
Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
Taper Notes:
View Notes- This version has been provided by an anonymous source. - I compared this to other versions in circulation and found that both tracks in this are inverted. I have left them as they were. - Speed corrections and level adjustments have been made. - This has the same cuts as in all circulating versions. No patches have been made, this is what was on the tape. The cuts in TOO have been edited out so that it flows. - All files are tagged. Comments: - I don't recall having listened to this show before but I've been hooked by The Other One, it's a monster. edited and mastered SIRMIck February 2014
Transferrer: Bertha Remaster of the patched master reel source
3:34:39
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Bertha Remaster of the patched master reel source
SHNID:
gd1972-09-28.sbd.bertha.34162.sbeok.shnf
Source:
SBD->MR->DAT->CDA->WAV->SHN->FLAC
Lineage:
FLAC->DAW(Bertha)->SHN/CDA
Taper Notes:
View NotesPatch source: UNK.AUD->CASS->???->DAT->WAV->FLAC - Sound D Notes: - Digitally remastered using a custom built, Dual - DAW, nicknamed Bertha, by jashley@deadacated.com. - Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm - Source used 26933 via Tol, by Chris Ladner. - Light Digital Noise Reduction was found with Spectral Analysis prior to Bertha Remastering. - The same DNR was found on source 12657, which is the source Chris used for 26933. - It is not known who applied the noise reduction, but they did a decent job, producing no audible artifacts. - The noise reduction had only minor effects on the remastering process. - Spectral Analysis also shows three different fingerprints for the soundboard portion. - This would tend to indicate that the soundboard portion did not all come from the same source. - The AUD patches are pretty rough. I considered removing them, but decided to leave them in. - As the AuD portions transition back into the board, one gets a pretty good feel for the quality of this 72 board. - The soundboard mix is all over the place at the start. - No vocals on d1t02 until 5:47. It takes a couple tracks to settle in. - Strangely, the channels were swapped towards the beginning of The Other One and I swapped them back. - There are lots of small digiblips throughout. These were, most likely, caused during the transfer. - I removed Between 40 and 50 of them by editing individual samples. - In addition, a few fade - out/ins were added to clean up transitions. - There is some very sweet sounding early 72 bass in this one. - Enjoy!
Taper: Unknown
3:34:39
SBD
Rating:
10.00 / 1 rating
Transferrer:
J. Ashely
SHNID:
gd1972-09-28.sbd.bertha.ashley.27584.sbefail.shnf
Source:
SBD > Master Reel
Lineage:
MR > DAT > CDA > WAV > SHN > FLAC > DAW(Bertha) > SHN/CDA
Taper Notes:
View NotesDigitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm Source used 26933 via Tol, by Chris Ladner. Light Digital Noise Reduction was found with Spectral Analysis prior to Bertha Remastering. The same DNR was found on source 12657, which is the source Chris used for 26933. It is not known who applied the noise reduction, but they did a decent job, producing no audible artifacts. The noise reduction had only minor effects on the remastering process. Spectral Analysis also shows three different fingerprints for the soundboard portion. This would tend to indicate that the soundboard portion did not all come from the same source. The AUD patches are pretty rough. I considered removing them, but decided to leave them in. As the AuD portions transition back into the board, one gets a pretty good feel for the quality of this 72 board. The soundboard mix is all over the place at the start. No vocals on d1t02 until 5:47. It takes a couple tracks to settle in. Strangely, the channels were swapped towards the beginning of The Other One and I swapped them back. There are lots of small digiblips throughout. These were, most likely, caused during the transfer. I removed Between 40 and 50 of them by editing individual samples. In addition, a few fade-out/ins were added to clean up transitions. There is some very sweet sounding early 72 bass in this one. Enjoy!