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July 3rd
Years
1995
21.7k
49 shows
343 tapes
1994
19.2k
85 shows
460 tapes
1993
37.3k
83 shows
656 tapes
1992
35.7k
57 shows
539 tapes
1991
54.1k
78 shows
973 tapes
1990
67.4k
78 shows
1,139 tapes
1989
48.7k
78 shows
1,017 tapes
1988
35.7k
82 shows
882 tapes
1987
54.7k
88 shows
1,029 tapes
1986
18.8k
47 shows
685 tapes
1985
60.2k
73 shows
1,360 tapes
1984
40.8k
67 shows
1,081 tapes
1983
33.4k
71 shows
1,071 tapes
1982
19.8k
63 shows
753 tapes
1981
25.1k
92 shows
868 tapes
1980
65.8k
91 shows
794 tapes
1979
24.7k
79 shows
608 tapes
1978
40.1k
87 shows
592 tapes
1977
145.9k
64 shows
419 tapes
1976
147.9k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
101.4k
42 shows
324 tapes
1973
84.8k
75 shows
445 tapes
1972
39.6k
88 shows
361 tapes
1971
27.7k
82 shows
358 tapes
1970
38.4k
101 shows
376 tapes
1969
23k
112 shows
326 tapes
1968
7k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
4.8k
32 shows
78 tapes
1965
503
2 shows
2 tapes
1972
10/21/72
He's Gone
14:14
Greatest // Story Ever Told
6:01
Bird Song
15:53
Truckin' >
11:54
The Other // One >
17:56
Morning Dew
12:04
FIN
View on archive.org
Sources
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
8.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways. The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I used a continuous noise artifact reduction filter as a last step to enhance listening pleasure for those who are bothered by nasty noise. If it doesn't bother you, there is a version without the noise reduction. My take is that no noise reduction is more vibrant sounding, but this version is definitely cleaner in sound. You should be able to hear the drums, guitars and vocals more prominently than earlier versions. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original. One fun note: Appears to be a "Rocky Top" tease from Phil at 8:13 into The Other One.
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways.The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I decided not to use any noise reduction because the drums/cymbals were so low that their signal was about equivalent to the noise level at some points. In this version, you will notice the noise more between songs and when the songs are relatively quiet, but you'll also be able to hear the drums, guitars and vocals more prominently. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original.