1973-02-09 | Grateful Dead

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197302/09

Bands

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Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1973

Wake Of The Flood Sessions

Curtis Hixon Convention Hall

Curtis Hixon Convention Hall

Cameron Indoor Stadium, Duke U.

Cleveland Public Auditorium

Pauley Pavilion, UCLA

San Diego Sports Arena

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

McGaw Memorial Hall, Northwestern U.

Indianapolis State Fair Coliseum

Indianapolis, IN, USA

Metropolitan Sports Center

Omaha Civic Auditorium

Oklahoma City Fairgrounds Arena

Oklahoma City, OK, USA

War Memorial Auditorium

Philadelphia, PA, USA

Philadelphia, PA, USA

Onondaga County War Memorial

Providence Civic Center

William and Mary College Hall

Williamsburg, VA, USA

William and Mary College Hall

Williamsburg, VA, USA

Grand Prix Racecourse

Watkins Glen, NY, USA

Grand Prix Racecourse

Watkins Glen, NY, USA

Universal Amphitheatre

Universal City, CA, USA

Universal Amphitheatre

Universal City, CA, USA

Universal Amphitheatre

Universal City, CA, USA

Portland Memorial Coliseum

Vancouver, British Columbia, Canada

San Francisco, CA, USA

Stadium (UC Santa Barbara)

Santa Barbara, CA, USA

Des Moines State Fairgrounds

War Memorial Auditorium

Community War Memorial Auditorium

Springfield Civic Center

Baltimore Civic Center

Philadelphia, PA, USA

Utica Memorial Auditorium

Utica Memorial Auditorium

Salt Lake City, UT, USA

Pershing Municipal Auditorium

Assembly Hall, U. of Illinois

Champaign-Urbana, IL, USA

Assembly Hall, U. of Illinois

Champaign-Urbana, IL, USA

International Amphitheatre

Roscoe Maples Pavilion, Stanford U.

Sources

Transferrer: All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net June 19, 2020

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net June 19, 2020

SHNID:

gd1973-02-09.150166.sbd.miller.flac1644

Source:

SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k)

Lineage:

DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC

Taper Notes:

View NotesNotes:
-- This source is about 10 minutes longer than other sources
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: Roger Eichorn

gd1973-02-09.141001.sbd.14939-spdcor.flac1644

Source:

SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper

Taper Notes:

View NotesThis is a speed-corrected copy of (the flac encoded and tagged version of) shnid: 14939, the .txt file for which is below, followed by updated .md5 and.ffp info.

Speed-corrected using Celemony Capstan.  I did not attempt to correct for wow or flutter, only for overall speed/pitch (done for each track individually).  Reencoded to flac (level 8).  SBE's fixed using Trader's Little Helper.

Roger Eichorn
August 7, 2017

Taper: Pat Lee

Bob Menke and Matt Smith

SHNID:

gd1973-02-09.134399.sbd.menke-lee-smith.flac24

Source:

Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith

Taper Notes:

View NotesMatt's Comments:
This is a straight transfer using my Technics 1506 reel to reel with a Lamb Labs Dolby decoder in the transfer chain since the reel was Dolby encoded.
Thanks to Pat Lee for lending me the Dolby unit
Special thanks to Adam Aegart for the Technics RS1506.

Mastered By Matt Smith
April 2015

Taper: Justin Lee

Bob Menke and Matt Smith

SHNID:

gd1973-02-09.134398.sbd.menke-lee-smith.flac16

Source:

Taper Notes:

View NotesMatt's Comments:
This is a straight transfer using my Technics 1506 reel to reel with a Lamb Labs Dolby decoder in the transfer chain since the reel was Dolby encoded.
Thanks to Pat Lee for lending me the Dolby unit
Special thanks to Adam Aegart for the Technics RS1506.

Mastered By Matt Smith
April 2015

Source 5 of 8

gd73-02-09.sbd.bertha-fink.14939.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> MR> REEL> DAT> SS> CDR> DAW (Bertha)> CDA

Taper Notes:

View NotesJay Ashley (Bertha) remaster of <a href="http://db.etree.org/shninfo_detail.php?shnid=162" rel="ugc nofollow">previous</a> MR source; 
SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA

Transferrer: Bertha Remaster by jashley@deadacated.com

Bertha Remaster by jashley@deadacated.com

SHNID:

gd1973-02-09.sbd.ashley.12571.shnf

Source:

SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA

Taper Notes:

View NotesNotes:

Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on September 3, 2002.

The many fades were done previously, by others.

From the original text file:

MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR 
Some cuts between tracks
Note that there were many technical failures during this show including loss of all tweeters on the first note of "Promised". "Casey Jones" has alot of distortion.

Transferrer: Popi

gd1973-02-09.sbd.finney.10361.shnf

Source:

MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR

Taper Notes:

View NotesSome cuts between tracks
Note that there were many technical failures during this show including loss of all tweeters on the first note of "Promised". "Casey Jones" has alot of distortion.

popi is correct...this is another eac of the same original Finney seed disc

Source 8 of 8

gd73-02-09.sbd.allred.9888.sbeok.shnf

View NotesSBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn  renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than <a href="http://db.etree.org/shninfo_detail.php?shnid=162" rel="nofollow">previous</a> shn set