RELISTEN
TO
THE Grateful Dead
Re
Today
Live
Chat
Apps
Blog
About
1976
09/27
Bands
Primary Artists (226)
All Artists (4313)
Featured
Grateful Dead
1.3M
2,080
shows
18,079
tapes
Phish
283k
Powered by Phish.in
1,864
shows
1,868
tapes
Bands
311
913
250
shows
285
tapes
7 Walkers
151
69
shows
106
tapes
Ace Bandage
7
49
shows
49
tapes
Adam Deitch
252
83
shows
116
tapes
Akron/Family
14
40
shows
43
tapes
American Babies
39
88
shows
107
tapes
Andrew Bird
137
125
shows
133
tapes
Andy Frasco & The UN
371
83
shows
115
tapes
Animal Collective
312
123
shows
134
tapes
Animal Liberation Orchestra
1.4k
430
shows
535
tapes
Antibalas
138
81
shows
92
tapes
Aquarium Rescue Unit
1.1k
159
shows
236
tapes
Aqueous
182
161
shows
248
tapes
Assembly of Dust
739
286
shows
421
tapes
Barefoot Manner
104
102
shows
107
tapes
Bela Fleck and the Flecktones
1.5k
488
shows
613
tapes
Ben Kweller
40
32
shows
35
tapes
Benevento Russo Duo
187
278
shows
383
tapes
Bernie Worrell
46
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
26
27
shows
29
tapes
Bernie Worrell Orchestra
50
19
shows
27
tapes
Big Something
554
352
shows
523
tapes
Billy & the Kids
2.1k
17
shows
62
tapes
Billy Strings
88k
539
shows
1,056
tapes
Blind Melon
1.6k
62
shows
76
tapes
Blueground Undergrass
93
182
shows
205
tapes
Grateful Dead
Years
Recent
Top
Venues
Songs
Tours
Today In History
July 1st
12 shows
83 tapes
Years
1995
27.3k
49
shows
343
tapes
1994
18.2k
85
shows
460
tapes
1993
37.5k
83
shows
656
tapes
1992
34.3k
57
shows
539
tapes
1991
55.7k
78
shows
973
tapes
1990
67.6k
78
shows
1,139
tapes
1989
48.9k
78
shows
1,017
tapes
1988
32.3k
82
shows
882
tapes
1987
54.5k
88
shows
1,029
tapes
1986
17.8k
47
shows
684
tapes
1985
51.7k
73
shows
1,360
tapes
1984
37.4k
67
shows
1,081
tapes
1983
33.6k
71
shows
1,071
tapes
1982
20.1k
63
shows
753
tapes
1981
25.8k
92
shows
868
tapes
1980
65.3k
91
shows
794
tapes
1979
21.6k
79
shows
608
tapes
1978
40.1k
87
shows
592
tapes
1977
151.7k
64
shows
419
tapes
1976
156.3k
45
shows
298
tapes
1975
7.2k
25
shows
63
tapes
1974
98k
42
shows
324
tapes
1973
79.4k
75
shows
445
tapes
1972
41k
88
shows
361
tapes
1971
28.9k
82
shows
358
tapes
1970
38.9k
101
shows
376
tapes
1969
23.4k
112
shows
326
tapes
1968
7.3k
41
shows
125
tapes
1967
2.1k
23
shows
55
tapes
1966
4.7k
32
shows
78
tapes
1965
516
2
shows
2
tapes
1976
SBD
12/31
SBD
Cow Palace
Daly City, CA, USA
803
3:13:40
5
tapes
10/15
SBD
Shrine Auditorium
Los Angeles, CA, USA
403
2:57:01
6
tapes
10/14
SBD
Shrine Auditorium
Los Angeles, CA, USA
64
2:45:44
5
tapes
10/10
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
286
2:51:00
4
tapes
10/09
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
484
2:33:32
8
tapes
10/03
SBD
COBO Arena
Detriot, MI, USA
75
2:42:35
5
tapes
10/02
Riverfront Arena
Cincinnati, OH, USA
315
3:08:20
3
tapes
10/01
SBD
Market Square Arena
Indianapolis, IN, USA
343
2:52:22
10
tapes
9/30
SBD
Auditorium, Ohio State U
Columbus, OH, USA
100
2:52:24
4
tapes
9/28
SBD
Onondaga County War Memorial
Syracuse, NY, USA
257
2:38:21
4
tapes
9/27
SBD
Community War Memorial Auditorium
Rochester, NY, USA
369
3:01:42
6
tapes
9/25
SBD
Capital Centre
Landover, MD, USA
233
2:58:06
5
tapes
9/24
William and Mary College Hall
Williamsburg, VA, USA
105
2:58:10
2
tapes
9/23
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
221
3:04:28
2
tapes
8/26
Club Front Studio
San Rafael, CA
17
11:25
1
tape
8/04
SBD
Roosevelt Stadium
Jersey City, NJ, USA
1k
3:35:02
13
tapes
8/02
Colt Park
Hartford, CT, USA
191
3:20:35
8
tapes
7/18
SBD
Orpheum Theatre
San Francisco, CA, USA
1.8k
3:24:20
7
tapes
7/17
SBD
Orpheum Theatre
San Francisco, CA, USA
526
2:39:39
7
tapes
7/16
SBD
Orpheum Theatre
San Francisco, CA, USA
297
3:10:39
8
tapes
7/14
SBD
Orpheum Theatre
San Francisco, CA, USA
181
4:44:29
6
tapes
7/13
SBD
Orpheum Theatre
San Francisco, CA, USA
371
2:44:28
15
tapes
7/12
SBD
Orpheum Theatre
San Francisco, CA, USA
337
3:49:29
8
tapes
6/29
SBD
Auditorium Theatre
Chicago, IL, USA
6.6k
2:58:01
8
tapes
6/28
SBD
Auditorium Theatre
Chicago, IL, USA
2.4k
2:41:07
5
tapes
6/27
SBD
Auditorium Theatre
Chicago, IL, USA
3.6k
2:36:59
4
tapes
6/26
SBD
Auditorium Theatre
Chicago, IL, USA
3.7k
2:59:17
7
tapes
6/24
SBD
Tower Theatre
Upper Darby, PA, USA
4.7k
2:34:07
10
tapes
6/23
Tower Theatre
Upper Darby, PA, USA
2.4k
3:05:22
3
tapes
6/22
SBD
Tower Theatre
Upper Darby, PA, USA
4.5k
3:07:57
5
tapes
6/21
SBD
Tower Theatre
Upper Darby, PA, USA
6.2k
2:59:21
7
tapes
6/19
SBD
Capitol Theater
Passaic, NJ, USA
8.1k
5:51:11
10
tapes
6/18
SBD
Capitol Theater
Passaic, NJ, USA
1.6k
5:09:11
6
tapes
6/17
SBD
Capitol Theater
Passaic, NJ, USA
8k
3:17:52
6
tapes
6/15
SBD
Beacon Theatre
New York, NY, USA
9.8k
2:59:44
8
tapes
6/14
SBD
Beacon Theatre
New York, NY, USA
10.5k
3:23:35
8
tapes
6/12
SBD
Boston Music Hall
Boston, MA, USA
9k
3:09:53
10
tapes
6/11
SBD
Boston Music Hall
Boston, MA, USA
18.2k
3:18:49
9
tapes
6/10
SBD
Boston Music Hall
Boston, MA, USA
10.5k
3:09:06
12
tapes
6/09
SBD
Boston Music Hall
Boston, MA, USA
9.2k
3:47:39
10
tapes
6/04
SBD
Paramount Theater
Portland, OR, USA
4.2k
3:11:35
8
tapes
6/03
SBD
Paramount Theater
Portland, OR, USA
24k
3:23:28
16
tapes
5/28
SBD
Unknown Venue
Unknown, Unknown
205
2:26:44
2
tapes
5/18
Studio
Unknown, CA
16
6:04
1
tape
4/20
SBD
Mickey's Barn
Novato, CA
75
26:11
1
tape
9/27/76
Promised Land
7:15
They Love Each Other
11:34
El Paso
5:09
Deal
7:14
Looks Like Rain
11:19
Row Jimmy
10:11
Take A Step Back
1:26
It's All Over Now
6:10
Loser
8:36
Lazy Lightning >
2:45
Supplication
6:56
Brown Eyed Women
6:51
The Music Never Stopped
6:38
Might As Well
7:49
Samson And Delilah
8:17
Help On The Way >
5:48
Slipknot! >
6:55
Drums >
5:52
The Other One >
10:08
Wharf Rat >
11:06
Slipknot! >
2:23
Franklin's Tower >
17:50
Around And Around
7:29
U.S. Blues
6:01
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:40:14
SBD
Rating:
8.80 / 33 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-09-27.sbd.miller.87664.sbeok.flac16
Source:
SBD -> Master Reel -> Dat (44.1k) D
Lineage:
Dat (Sony R500) -> Behringer Ultramatch SRC2000 ->
Taper Notes:
View Notes
Patch Info: Sony ECM-33P>Master Cassette>Dat>CD (shnid=3821) supplies: Promised Land (0:00 - 0:09) It's All Over Now (0:00 - 3:09) Loser (3:52 - 4:39) Slipknot! (6:02 - 6:27) Around And Around (0:36 - 1:49) Notes: -- Set 2 is seamless -- Patch source was pitch adjusted to match sbd -- Fixed vocal distortion -- El Paso has a false start -- Supplication is instrumental -- First few seconds of U.S. Blues missing
Taper: See info file
3:00:44
SBD
Rating:
7.00 / 4 ratings
Taper:
See info file
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.tobin.87661.flac16
Source:
SBD + AUD Matrix 2 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
-------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 16-SEP-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -1 AUD -3 SET TWO Stereo Matrix SBD -1 AUD -3 --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues.
Source 3 of 6
3:01:42
Rating:
10.00 / 2 ratings
SHNID:
gd1976-09-27.171281.mtx.seamons.ht177.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 5, 2025
Taper Notes:
View Notes
Notes: Phil is low in the mix for Promised Land. The sound improves with They Love Each Other, after the band addresses "an annoying hum" in the sound system. The first 3:11 of It's All Over Now is AUD-only. Jerry's guitar and the vocal mics cut out late during Supplication (Jerry's guitar also has lower levels for a while before it cuts out). The guitar returns to the mix towards the end. The vocals return for Brown Eyed Women. The AUD cuts out at 2:55 of The Music Never Stopped. We patched some of the crowd reaction after Brown Eyed Women to the tail end of this track to maintain a matrix effect for the end of set 1. SBD clicks removed or reduced in They Love Each Other (4), The Music Never Stopped (2), and Help On The Way (1). There is a slight reverb "watery" effect in the guitars and vocals at times in the SBD recording, particularly during the second set. After a short cut in the SBD source near the end of the first Slipknot, there is a tonal shift where the sound becomes flatter and a little more left-channel heavy for the remainder of the recording. It seems like this could be a patch, but not sure. The matrix helps improve this lower quality sound. The AUD has a 2-second cut near the end of Drums and a 7-second cut in Franklin's Tower, from 0:27 to 0:34. At 5:39 in Around And Around, the rest of the AUD is patched with a different, poor quality AUD source that was un-matrixable. This source was still used to patch the first 20 seconds of U.S. Blues, which was missing in the SBD source, as well as the encore break. A brief section is also used after the encore.
Taper: Unknown
2:58:41
Transferrer:
Transfers and edits by Pete Ebel February 19, 2023
Source:
FOB Sony ECM-33Ps-> Sony TC-152-> Cassette-> DAT
Lineage:
DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
Taper Notes:
View Notes
Notes: * New Transfer of same Microphone source as #003821. This one has a different linage and does not have a CDR Source involved. This transfer seem to have less deck pauses and more lead in time. It has the same AUD Patch during Around & around but also includes U.S. Blues that is missing from other source. The older source has 30 of redundant music that repeats for CDR changes...this one does not. It seems to have a smoother sound!...Tagged and in flac. * Music never Stopped cuts and fades out (Same as previous versions) * All tracks are seamless Transfers and edits by Pete Ebel February 19, 2023
Taper: See info file
3:00:44
Taper:
See info file
Transferrer:
DTS mix by Kevin Tobin
SHNID:
gd1976-09-27.mtx.dts.tobin.87665.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 30-SEP-2007 --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD --------------------------------------------------------- Audio Faults: 1) Before Promised Land, 10.812 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first notes of promised Land. 2) Between Promised Land and They Love Each Other, 1 minutes and 03.368 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 3) Also between Promised Land and They Love Each Other, 1 minutes and 12.139 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 4) Between They Love Each Other and El Paso, 2 minutes and 07.537 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 5) Also between They Love Each Other and El Paso, 1 minutes and 09.545 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 6) Also between They Love Each Other and El Paso, 25.771 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 7) Between Deal and Looks Like Rain, 2 minutes and 22.273 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 8) Between Looks Like Rain and Row Jimmy, 2 minutes and 57.478 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 9) Between Row Jimmy and It's All Over Now, 4 minutes and 58.505 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. This includes the first 3 minutes and 11.571 seconds of It's All Over Now. 10) Between It's All Over Now and Loser, 32.236 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 11) Almost 4 minutes into Loser, 48.987 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 12) Between Brown Eyed Women and The Music Never Stopped, 1 minute and 57.630 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 13) Almost 3 minutes into The Music Never Stopped, 3 minutes and 35.514 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 14) Before Might As Well, 1 minute and 05.787 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 15) Between Might As Well and Samson and Delilah, 45.896 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 16) Between Samson and Delilah and Help On The Way, 57.184 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 17) Almost 5 minutes into Drums, 05.036 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 18) At the start of Franklin's Tower, 11.076 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 19) Almost 35 seconds into Around And Around, 1 minute and 13.714 seconds were missing from the soundboard source and was filled in with audio from the audience source. This portion of the audio was normalized to blend in better. 20) Almost 4 minutes into Around And Around, 02.284 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. 21) After Around And Around, 5 minutes and 39.821 seconds were missing from the audience source and was filled in with audio from the soundboard source. This portion of the audio was normalized to blend in better. This includes all of U.S. Blues. -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Source 6 of 6
2:51:36
Rating:
7.80 / 10 ratings
SHNID:
gd76-09-27.aud.parrillo.3821.sbeok.shnf
Source:
Audience Recording: Sony ECM-33Ps
Lineage:
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN
Taper Notes:
View Notes
Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore