1976-10-01 | Grateful Dead

View NotesNotes:
-- Disc change is seamless
-- Thanks to David Gans for lending me his discs
-- Dozens of hours went into making this recording listenable

Transferrer: Charlie Miller

1:12:34

SBD

gd1976-10-01.sbd.miller.111819.flac16

Source:

SBD -> Master Reel -> Dat -> CD

Lineage:

CD -> Samplitude Professional v11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- Thanks to David Gans for sending me his GD Hour master production disc

Transferrer: Mastered by Jim Blackwood Pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel

Mastered by Jim Blackwood Pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel

SHNID:

gd1976-10-01.170205.sbd.anon.gems.flac1644

Source:

Vault master reel sourced files (via anon)

Taper Notes:

View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood on January 5, 2025
https://spinitron.com/KXCI/pl/20036765/Dead-Air
Originally shared to www.shnflac.net on February 11, 2025

Source 5 of 10

gd1976-10-01.170521.mtx.hunter.flac1644

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC & SHN > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) March 17, 2025

Taper: Unknown

2:42:23

Lineage:

Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC

Taper Notes:

View Notes*Moondance tease 9:14-9:32

Notes: Excellent quality AUD, likely FOB.  Tape flips between It's All Over Now and Scarlet Begonias and between Samson and Help on the Way.

Thanks to my anonymous source for the source cassettes.

Taper: Unknown

Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC

Taper Notes:

View Notes*Moondance tease 9:14-9:32

Notes: Excellent quality AUD, likely FOB.  Tape flips between It's All Over Now and Scarlet Begonias and between Samson and Help on the Way.

Thanks to my anonymous source for the source cassettes.

Taper: Jerry Moore

transfer by Rob Berger '99, tracking by John Tallmadge

SHNID:

gd1976-10-01.sonyECM33p.moore.berger-tallmadge.84358.flac16

Source:

aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob

Lineage:

aud c.m.>sbm1>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd76-10-01.moore.weiner.14558.sbeok.shnf

Source:

Audience Recording: Sony ECM-33Ps

Lineage:

AudMC > DAT > WAV > SHN; Recorded about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck.  Maxell UD-120 cassettes, with Dolby B ON.

Transferrer: Marc Pujol and Matt Vernon

Marc Pujol and Matt Vernon

SHNID:

gd1976-10-01.akgd200e.vernon-pujol.10151.sbeok.shnf

Source:

sony tc152 w/ 2 AKGD200e mics > 3C > DAT

Lineage:

48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > SoundForge 4.5 > 48kHz wav > Cool Edit (minor edits) > 44 kHz(anti-alias filter) > CDWav (splits) > mkw(seekable) > shn

Taper Notes:

View NotesDuring The transition into Ship Of Fools, it sounds like Weir is pushing The Dancing In The Street Reprise -
- Garcia is working On StellaBlue; finally they compromise at Ship Of Fools.