RELISTEN
TO
THE Grateful Dead
Re
Today
Live
Chat
Apps
Blog
About
1976
10/09
Bands
Primary Artists (226)
All Artists (4313)
Featured
Grateful Dead
1.3M
2,080
shows
18,081
tapes
Phish
277.6k
Powered by Phish.in
1,864
shows
1,868
tapes
Bands
311
837
250
shows
285
tapes
7 Walkers
143
69
shows
106
tapes
Ace Bandage
24
49
shows
49
tapes
Adam Deitch
209
84
shows
117
tapes
Akron/Family
5
40
shows
43
tapes
American Babies
42
88
shows
107
tapes
Andrew Bird
138
125
shows
133
tapes
Andy Frasco & The UN
422
83
shows
115
tapes
Animal Collective
306
123
shows
134
tapes
Animal Liberation Orchestra
1.3k
430
shows
535
tapes
Antibalas
171
81
shows
92
tapes
Aquarium Rescue Unit
961
159
shows
236
tapes
Aqueous
173
161
shows
248
tapes
Assembly of Dust
664
286
shows
421
tapes
Barefoot Manner
100
102
shows
107
tapes
Bela Fleck and the Flecktones
1.6k
488
shows
613
tapes
Ben Kweller
40
32
shows
35
tapes
Benevento Russo Duo
183
278
shows
383
tapes
Bernie Worrell
65
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
27
27
shows
29
tapes
Bernie Worrell Orchestra
51
19
shows
27
tapes
Big Something
539
352
shows
523
tapes
Billy & the Kids
2k
17
shows
62
tapes
Billy Strings
85.8k
540
shows
1,057
tapes
Blind Melon
1.5k
62
shows
76
tapes
Blueground Undergrass
114
183
shows
206
tapes
Grateful Dead
Years
Recent
Top
Venues
Songs
Tours
Today In History
July 6th
5 shows
68 tapes
Years
1995
19.9k
49
shows
343
tapes
1994
21.6k
85
shows
460
tapes
1993
31.8k
83
shows
656
tapes
1992
34k
57
shows
539
tapes
1991
49.9k
78
shows
973
tapes
1990
69.6k
78
shows
1,139
tapes
1989
61.8k
78
shows
1,017
tapes
1988
45.8k
82
shows
882
tapes
1987
57.7k
88
shows
1,029
tapes
1986
20.9k
47
shows
686
tapes
1985
63.5k
73
shows
1,360
tapes
1984
46.4k
67
shows
1,081
tapes
1983
33.1k
71
shows
1,071
tapes
1982
19k
63
shows
753
tapes
1981
30.7k
92
shows
868
tapes
1980
61.2k
91
shows
794
tapes
1979
25.5k
79
shows
608
tapes
1978
36.6k
87
shows
592
tapes
1977
135.2k
64
shows
419
tapes
1976
141.7k
45
shows
298
tapes
1975
6.4k
25
shows
63
tapes
1974
101.5k
42
shows
324
tapes
1973
85.9k
75
shows
445
tapes
1972
38.5k
88
shows
361
tapes
1971
31.6k
82
shows
358
tapes
1970
27.2k
101
shows
376
tapes
1969
21.8k
112
shows
326
tapes
1968
6.7k
41
shows
125
tapes
1967
2.1k
23
shows
55
tapes
1966
5.5k
32
shows
78
tapes
1965
493
2
shows
2
tapes
1976
SBD
12/31
SBD
Cow Palace
Daly City, CA, USA
933
3:13:40
5
tapes
10/15
SBD
Shrine Auditorium
Los Angeles, CA, USA
359
2:57:01
6
tapes
10/14
SBD
Shrine Auditorium
Los Angeles, CA, USA
64
2:45:44
5
tapes
10/10
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
266
2:51:00
4
tapes
10/09
SBD
Oakland-Alameda County Stadium
Oakland, CA, USA
489
2:33:32
8
tapes
10/03
SBD
COBO Arena
Detriot, MI, USA
50
2:42:35
5
tapes
10/02
Riverfront Arena
Cincinnati, OH, USA
281
3:08:20
3
tapes
10/01
SBD
Market Square Arena
Indianapolis, IN, USA
353
2:52:22
10
tapes
9/30
SBD
Auditorium, Ohio State U
Columbus, OH, USA
102
2:52:24
4
tapes
9/28
SBD
Onondaga County War Memorial
Syracuse, NY, USA
235
2:38:21
4
tapes
9/27
SBD
Community War Memorial Auditorium
Rochester, NY, USA
381
3:01:42
6
tapes
9/25
SBD
Capital Centre
Landover, MD, USA
257
2:58:06
5
tapes
9/24
William and Mary College Hall
Williamsburg, VA, USA
88
2:58:10
2
tapes
9/23
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
227
3:04:28
2
tapes
8/26
Club Front Studio
San Rafael, CA
17
11:25
1
tape
8/04
SBD
Roosevelt Stadium
Jersey City, NJ, USA
1.3k
3:35:02
13
tapes
8/02
Colt Park
Hartford, CT, USA
231
3:20:35
8
tapes
7/18
SBD
Orpheum Theatre
San Francisco, CA, USA
1.6k
3:24:20
7
tapes
7/17
SBD
Orpheum Theatre
San Francisco, CA, USA
593
2:39:39
7
tapes
7/16
SBD
Orpheum Theatre
San Francisco, CA, USA
344
3:10:39
8
tapes
7/14
SBD
Orpheum Theatre
San Francisco, CA, USA
235
4:44:29
6
tapes
7/13
SBD
Orpheum Theatre
San Francisco, CA, USA
458
2:44:28
15
tapes
7/12
SBD
Orpheum Theatre
San Francisco, CA, USA
460
3:49:29
8
tapes
6/29
SBD
Auditorium Theatre
Chicago, IL, USA
9.4k
2:58:01
8
tapes
6/28
SBD
Auditorium Theatre
Chicago, IL, USA
2.6k
2:41:07
5
tapes
6/27
SBD
Auditorium Theatre
Chicago, IL, USA
3.6k
2:36:59
4
tapes
6/26
SBD
Auditorium Theatre
Chicago, IL, USA
4k
2:59:17
7
tapes
6/24
SBD
Tower Theatre
Upper Darby, PA, USA
4.8k
2:34:07
10
tapes
6/23
Tower Theatre
Upper Darby, PA, USA
2.4k
3:05:22
3
tapes
6/22
SBD
Tower Theatre
Upper Darby, PA, USA
4.6k
3:07:57
5
tapes
6/21
SBD
Tower Theatre
Upper Darby, PA, USA
6.5k
2:59:21
7
tapes
6/19
SBD
Capitol Theater
Passaic, NJ, USA
8.3k
5:51:11
10
tapes
6/18
SBD
Capitol Theater
Passaic, NJ, USA
1.6k
5:09:11
6
tapes
6/17
SBD
Capitol Theater
Passaic, NJ, USA
8.2k
3:17:52
6
tapes
6/15
SBD
Beacon Theatre
New York, NY, USA
10k
2:59:44
8
tapes
6/14
SBD
Beacon Theatre
New York, NY, USA
10.7k
3:23:35
8
tapes
6/12
SBD
Boston Music Hall
Boston, MA, USA
9.1k
3:09:53
10
tapes
6/11
SBD
Boston Music Hall
Boston, MA, USA
18.7k
3:18:49
9
tapes
6/10
SBD
Boston Music Hall
Boston, MA, USA
10.7k
3:09:06
12
tapes
6/09
SBD
Boston Music Hall
Boston, MA, USA
9.3k
3:47:39
10
tapes
6/04
SBD
Paramount Theater
Portland, OR, USA
904
3:11:35
8
tapes
6/03
SBD
Paramount Theater
Portland, OR, USA
6.6k
3:23:28
16
tapes
5/28
SBD
Unknown Venue
Unknown, Unknown
187
2:26:44
2
tapes
5/18
Studio
Unknown, CA
15
6:04
1
tape
4/20
SBD
Mickey's Barn
Novato, CA
92
26:11
1
tape
10/9/76
The Promised Land
4:34
Mississippi Half Step
10:20
Cassidy
4:40
Tennessee Jed
8:51
Looks Like Rain
9:09
They Love Each Other
7:17
Minglewood Blues
5:18
Scarlet Begonias
12:16
Lazy Lightning>
4:55
Supplication
5:46
Sugaree
11:30
Saint Stephen>
4:23
Not Fade Away>
11:37
Saint Stephen>
0:48
Help On The Way>
6:16
Slipknot!>drums
4:53
drums>
2:52
Samson And Delilah>
7:10
Slipknot!>
6:40
Franklin's Tower>
12:29
One More Saturday Night
5:40
U.S. Blues
6:08
FIN
View on archive.org
Sources
Taper: See info file
1:09:50
SBD
Rating:
10.00 / 3 ratings
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dan.89544.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
Tech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. SF8.0 was used for the EQ setting pre mixdown. This is a 60% SBD, 40% AUD mix. - Mixed by dan@am-dig.com - FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- Multitrack Mixdown Settings SET TWO Stereo Matrix SBD -2.5db AUD -5db --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genius, the transitions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not too distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: See info file
1:09:50
SBD
Taper:
See info file
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1976-10-09.set-2.mtx.dts.dan.86437.flac16
Source:
Matrix mix of Set 2 SBD by Dan Haugh
Lineage:
See info file
Taper Notes:
View Notes
Tech Notes SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. SF8.0 was used for the EQ setting pre mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - FLAC conversion done 15-JUNE-2007 - Artwork at 300dpi by dan@am-dig.com - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear single jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Right Channel AUD+SBD Matrix (AUD 20Hz to 8kHz + SBD 8kHz to 20kHz) Sub/LFE Mono Mix -5db SBD DEQ'd --------------------------------------------------------- Notes Set 2 only. Set one circulates incomplete so I didn't bother. What we have is short but very sweet. I always thought of this set as the "most perfect Dead set ever played". The set list is genious, the transistions effortless and the playing inspired. d1t01 "Hitchcock Theme Tuning" was missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t07 "Drums" is almost completely missing from the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. Mostly undetectable and not to distracting. d1t10 "Franklin's Tower" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t11 "One More Saturday Night" the very end is cut on the AUD source. This was patched was created with the SBD matrixed with a repeating crowd cheer. This patch came out smooth and natural and is very likely completely undetectable. d1t12 "U.S. Blues" The crowd cheer btwn the last song and the encore was missing on both the SBD and AUD sources. Crossfades were added to both sources to keep things flowing smooth and natural. This is is undetectable other than the fact that it sounds like there was an extremely short break for the encore. There was very little audio above 8kHz. So I did a matrix mix just the high frequencies of the SBD. I DEQ'd the AUD and cut all frequencies above 8kHz. I also DEQ'd the SBD and cut all frequencies below 8kHz. Then I mixed the 2 sources at a 100/100 ration. Basically the SBD fills in the missing top shelf of the AUD source. This came out extremely well and left the AUD source in the rear channel with a full frequency range without really changing the sound and feel for what is a very nice AUD recording. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Source 3 of 8
1:09:50
SBD
Rating:
9.58 / 20 ratings
SHNID:
gd76-10-09.set2-sbd.miller.12519.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>Rm>Dat>Sonic Solutions>CD
Taper Notes:
View Notes
Update: This show is featured on Dick's Picks Vol. 33 Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller
Source 4 of 8
1:59:23
SBD
Rating:
10.00 / 3 ratings
Source:
Soundboard
Lineage:
S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC>SHN
Taper Notes:
View Notes
Update: This show is featured on Dick's Picks Vol. 33 partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN;Â No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler
Taper: Louis Falanga
2:33:32
Rating:
6.00 / 1 rating
Taper:
Louis Falanga
Transferrer:
Rob Berger
SHNID:
gd1976-10-09.aud.falanga.berger.99003.flac16
Source:
master taped on a sony tc-152sd
Lineage:
MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac
Taper: Louis Falanga
2:33:32
Rating:
10.00 / 4 ratings
Taper:
Louis Falanga
Transferrer:
Rob Berger
SHNID:
gd1976-10-09.aud.falanga.berger.99002.flac24
Source:
master taped on a sony tc-152sd
Lineage:
MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac
Taper Notes:
View Notes
24 bit version.
Transferrer: Pitch correction and other fixes by Bill Tetzeli
2:27:26
Rating:
8.75 / 10 ratings
Transferrer:
Pitch correction and other fixes by Bill Tetzeli
SHNID:
gd1976-10-09.aud.fix-10179.tetzeli.sbeok.83819.flac16
Taper Notes:
View Notes
-------------------------------------------------------------------------------- Fix of shnid 10179 This source had to main flaws. First, the left channel was inverted, putting the whole show out of phase. Second, it's about 3% fast when compared with the circulating SBD and generated tones in Cool Edit. I reinverted the left channel and time/pitch stretched each track to 102.998% in Cool Edit Pro. Resulting SBEs were fixed using shntool. Other than that, this is an excellent sounding AUD, well worthy of the download. Many thanks to the original taper, Dave Minor for providing the DAT, and Marc Pujol and Matt Vernon for their work on getting this source out to the hoi paloi. Also to archive.org, from where I got this source. Amen. ;-) Fixed and seeded by Bill Tetzeli (laptaper@gmail.com) 4:45 PM 4/2/2007
Transferrer: Marc Pujol
2:23:08
Rating:
9.60 / 5 ratings
Transferrer:
Marc Pujol
SHNID:
gd76-10-09.aud.vernon.10179.sbeok.shnf
Source:
Audience Recording