RELISTENTOTHE Grateful Dead
Re
197705/03
Bands
Featured
Bands
Grateful Dead
YearsRecentTopVenuesSongsTours
Today In History
July 1st
12 shows
83 tapes
Years
1995
26.8k
49 shows
343 tapes
1994
17.8k
85 shows
460 tapes
1993
37k
83 shows
656 tapes
1992
31.6k
57 shows
539 tapes
1991
54.8k
78 shows
973 tapes
1990
66.2k
78 shows
1,139 tapes
1989
47.8k
78 shows
1,017 tapes
1988
31.2k
82 shows
882 tapes
1987
53.2k
88 shows
1,029 tapes
1986
15.1k
47 shows
684 tapes
1985
50.3k
73 shows
1,360 tapes
1984
35.7k
67 shows
1,081 tapes
1983
32.6k
71 shows
1,071 tapes
1982
19.6k
63 shows
753 tapes
1981
25.2k
92 shows
868 tapes
1980
63.3k
91 shows
794 tapes
1979
20.8k
79 shows
608 tapes
1978
39.4k
87 shows
592 tapes
1977
148.9k
64 shows
419 tapes
1976
148.3k
45 shows
298 tapes
1975
7k
25 shows
63 tapes
1974
95.3k
42 shows
324 tapes
1973
76.3k
75 shows
445 tapes
1972
39.8k
88 shows
361 tapes
1971
28.1k
82 shows
358 tapes
1970
38.4k
101 shows
376 tapes
1969
22.7k
112 shows
326 tapes
1968
7.2k
41 shows
125 tapes
1967
1.9k
23 shows
55 tapes
1966
4.6k
32 shows
78 tapes
1965
505
2 shows
2 tapes
1977
5/3/77
Promised Land
4:42
Bertha
7:50
Me And My Uncle
3:32
Peggy-O
8:38
Jack Straw
5:39
Row Jimmy
9:42
Lazy Lightnin'
3:22
Supplication
4:22
Deal
6:42
Good Lovin'
5:50
Ship Of Fools
7:56
FIN
View on archive.org
Sources
Taper: Jerry Moore and Tim Dalton
3:10:04
Rating:
6.00 / 1 rating
Taper:
Jerry Moore and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1977-05-03.141831.sony.ecm33p.moore.dalton.miller.clugston.flac1644
Source:
Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Barry Glassberg and the MOTB folks for the shnid86241 Sony ECMxx audience source which supplies the crowd and first few notes of "Promised Land" (1:39 total), the crowd and noodle into "Peggy O"(0:28 total), as well as "Might As Well" and "Friend Of The Devil" in their entirety - Transitions smoothed Mastered by Scott Clugston March 6, 2018
Taper: Barry Glassberg
3:12:57
Rating:
9.26 / 20 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert and D. McCabe
SHNID:
gd1977-05-03.aud.glassberg.motb.0042.86241.flac16
Source:
udience 1st Row Loge Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft.
Lineage:
MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV
Taper Notes:
View NotesMastering Notes: This Glassberg source does not circulate... until now. But the Glassberg master cassettes have speed issues and run slow. The two other sources for this show do not run at the same speed either. The Glassberg show runs 2.6% slower than the Moore source [gd77-05-03.moore.minches.17954.sbeok.shnf]. And the first set only soundboard [gd77-05-03.set1-sbd.miller.21646.sbeok.shnf] runs faster than the Moore source. We chose to use the Moore source for patches because it sounded the right "A" pitch compared to a guitar tuned, and since the Moore source was also recorded up in the front row balcony right next to Glassberg, it was a better patch source in overall sound. We matched the pitch by adjusting the Nakamichi playback speed - literally opening up the deck and adjusting the internal playback screws. We initially tried to alter the speed of the original 24-bit transfer with various software plugins, and found the digital spped/pitch change was not acceptable. We tried three different "high-end" plugins that will go nameless because they all sounded horrible and added swirling artifacts. By changing the playback speed BEFORE the A/D sounded the best. Yes... many hours were spent on this comparing. This show deserves it. Enjoy! 1: The very end of Peggy-o is clipped and missing. 2: End of Row Jimmy [10:31 to end] patched with gd77-05-03.moore.minches.17954.sbeok.shnf 3. Tape change during crowd between Estimated and Sugaree was fixed with crossfade 4. Tape change during crowd between Sugaree and Samson was fixed with crossfade 5: Tape change during crowd between FOTD and Eyes was fixed with crossfade 6: 6 secs of Around & Around [3:34 - 3:50] patched with gd77-05-03.moore.minches.17954.sbeok.shnf [which was slightly eq'd to best match Glassberg source, but you can still hear the transition]. Mastering Software Info: Bias Peak Pro 5.2 / Audiofile Engineering Wave Editor 1.3 / Izotope Ozone 3.0 / xACT 1.59 Audiofile Engineering Sample Manager 3.0.8 for +mbit dithering