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197905/13
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July 5th
4 shows
23 tapes
Years
1995
20.2k
49 shows
343 tapes
1994
21.4k
85 shows
460 tapes
1993
34.5k
83 shows
656 tapes
1992
35.6k
57 shows
539 tapes
1991
53.7k
78 shows
973 tapes
1990
67.3k
78 shows
1,139 tapes
1989
53.7k
78 shows
1,017 tapes
1988
44.5k
82 shows
882 tapes
1987
56k
88 shows
1,029 tapes
1986
19.8k
47 shows
686 tapes
1985
63.5k
73 shows
1,360 tapes
1984
43.7k
67 shows
1,081 tapes
1983
33.2k
71 shows
1,071 tapes
1982
19.2k
63 shows
753 tapes
1981
26.2k
92 shows
868 tapes
1980
62.2k
91 shows
794 tapes
1979
25.5k
79 shows
608 tapes
1978
36.2k
87 shows
592 tapes
1977
137.2k
64 shows
419 tapes
1976
141.7k
45 shows
298 tapes
1975
6.5k
25 shows
63 tapes
1974
101.3k
42 shows
324 tapes
1973
86.5k
75 shows
445 tapes
1972
39.3k
88 shows
361 tapes
1971
32k
82 shows
358 tapes
1970
32.6k
101 shows
376 tapes
1969
21.5k
112 shows
326 tapes
1968
6.7k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.4k
32 shows
78 tapes
1965
498
2 shows
2 tapes
1979
5/13/79
Crowd/Tuning
0:35
Sugaree
15:23
"Take A Step Back"
1:47
Mama Tried >
2:31
Mexicali Blues
4:42
Jack-A-Roe
5:21
It's All Over Now
9:42
Candyman
8:02
El Paso
4:48
Row Jimmy
11:19
Jack Straw
6:46
Crowd/Tuning
1:05
Scarlet Begonias >
12:16
Fire On The Mountain
11:27
Estimated Prophet >
12:13
He's Gone >
11:09
Truckin' > Nobody's Fault Jam >
18:38
Drums >
9:22
Space >
3:35
Wharf Rat >
10:25
Around & Around
7:41
Encore Break
1:25
E: US Blues
5:45
FIN
View on archive.org
Sources
Taper: Barry Glassberg
2:36:10
Rating:
9.33 / 3 ratings
Taper:
Barry Glassberg
SHNID:
gd1979-05-13.nak700.glassberg.8037.sbeok.shnf
Source:
Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav)
Lineage:
CDR > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (MKWACT .97b)
Taper Notes:
View NotesTranscriptors note: The original DAT source was good, but the high end was a bit lacking. I used Cool Edit pro to boost the high end by using FFT filtering (approximately 7.89 db). I found this was a marked improvement on the original sound. You will notice that the bass floor on this recording is a bit lacking (this is true on the original recording), but it picks up after Candyman. If you listen closely, you can here the mikes being moved ever so slightly for the first six numbers. Matt Vernon note: I have compared this with the Glassberg aud digitized by John Steinthal from Barry's master cassettes. This is the same source, though it has been equalized by increasing the treble as described in the info file. The "brighter" sound of this source is more typical of audience recordings that were recorded with Dolby but not played back to decode the Dolby.