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197912/26
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July 7th
8 shows
83 tapes
Years
1995
20.8k
49 shows
343 tapes
1994
22.6k
85 shows
460 tapes
1993
31k
83 shows
656 tapes
1992
33.2k
57 shows
539 tapes
1991
45.8k
78 shows
973 tapes
1990
70.8k
78 shows
1,139 tapes
1989
65.5k
78 shows
1,017 tapes
1988
46k
82 shows
882 tapes
1987
58.4k
88 shows
1,029 tapes
1986
21.5k
47 shows
686 tapes
1985
63.5k
73 shows
1,360 tapes
1984
47.1k
67 shows
1,081 tapes
1983
32.9k
71 shows
1,071 tapes
1982
18.9k
63 shows
753 tapes
1981
37k
92 shows
868 tapes
1980
57.5k
91 shows
794 tapes
1979
25.7k
79 shows
608 tapes
1978
40.4k
87 shows
592 tapes
1977
125.7k
64 shows
419 tapes
1976
142k
45 shows
298 tapes
1975
6k
25 shows
63 tapes
1974
101.3k
42 shows
324 tapes
1973
85.4k
75 shows
445 tapes
1972
37.9k
88 shows
361 tapes
1971
31.3k
82 shows
358 tapes
1970
23.9k
101 shows
376 tapes
1969
21.7k
112 shows
326 tapes
1968
6.6k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.5k
32 shows
78 tapes
1965
475
2 shows
2 tapes
1979
12/26/79
Tuning
0:42
Cold Rain and Snow
7:36
C C Rider
6:48
Dire Wolf
4:40
Me and My Uncle >
3:00
Big River
6:40
Brown Eyed Women
5:32
New Minglewood Blues
7:10
Friend Of The Devil
9:48
Looks Like Rain
9:12
Alabama Getaway >
7:00
The Promised Land
4:22
Tuning
1:59
Uncle John's Band >
10:10
Estimated Prophet >
15:05
Caution Jam >
5:17
He's Gone >
10:22
The Other One >
8:32
Drums >
10:20
Space >
6:03
Not Fade Away >
11:55
Brokedown Palace >
4:54
Around and Around >
3:59
Johnny B. Goode
6:04
Shakedown Street >
13:52
Uncle John's Band
2:52
Wharf Rat
0:07
Brokedown Palace
4:18
Black Throated Wind
7:06
New Minglewood Blues
3:34
FIN
View on archive.org
Sources
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144774.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144773.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Source 6 of 9
1:50:47
Rating:
10.00 / 1 rating
SHNID:
gd1979-12-26.154873.s2.mtx.seamons.ht138.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro
Lineage:
FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: The soundboard source was pitch corrected. Joani Walker's tape (#89187) starts the matrix and patches the AUD for the first notes of Uncle John's Band, a brief cut in He's Gone, a cut at the He's Gone > Other One transition (mostly patched), a cut at the end of Not Fade Away, and a cut at the end of Brokedown Palace. These gaps were all around 5 seconds or less. Mason's recording was preferred for the matrix because it was more immersive sounding and blended nicer with the soundboard, despite it being a first generation "safety tape." A brief clicking noise was reduced during Drums. Both SBD and Mason's AUD sources only had the second set.
Taper: Mason B. Taylor
1:50:41
Rating:
8.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1979-12-26.128505.naks.mason.set2.flac16
Source:
Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"