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July 10th
5 shows
69 tapes
Years
1995
23.2k
49 shows
343 tapes
1994
20.6k
85 shows
460 tapes
1993
28.1k
83 shows
656 tapes
1992
31k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
69k
78 shows
1,139 tapes
1989
72.8k
78 shows
1,017 tapes
1988
46.1k
82 shows
882 tapes
1987
66.5k
88 shows
1,029 tapes
1986
23.4k
47 shows
686 tapes
1985
63.1k
73 shows
1,360 tapes
1984
49.3k
67 shows
1,081 tapes
1983
33k
71 shows
1,071 tapes
1982
18.6k
63 shows
753 tapes
1981
41.6k
92 shows
868 tapes
1980
53.3k
91 shows
794 tapes
1979
25.4k
79 shows
608 tapes
1978
52k
87 shows
592 tapes
1977
105.2k
64 shows
419 tapes
1976
133.8k
45 shows
298 tapes
1975
5.5k
25 shows
63 tapes
1974
96.7k
42 shows
324 tapes
1973
77.7k
75 shows
445 tapes
1972
37.6k
88 shows
361 tapes
1971
31.1k
82 shows
358 tapes
1970
22.6k
101 shows
376 tapes
1969
22k
112 shows
326 tapes
1968
6k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.5k
32 shows
78 tapes
1965
425
2 shows
2 tapes
1979
12/26/79
Tuning
0:27
Cold Rain And Snow
8:22
C C Rider
6:50
Dire Wolf
4:37
Me And My Uncle
3:00
Big River
7:03
Brown Eyed Women
6:06
New Minglewood Blues
8:28
Friend Of The Devil
9:41
Looks Like Rain
9:32
Alabama Getaway
6:59
The Promised Land
4:23
Tuning
2:35
Uncle John's Band
9:59
Estimated Prophet
20:14
He's Gone
10:20
The Other One
8:30
Drums
11:14
Space
5:03
Not Fade Away
11:54
Brokedown Palace
4:50
Around And Around
3:58
Johnny B. Goode
5:15
Shakedown Street
13:48
Uncle John's Band
2:45
Wharf Rat
0:09
Brokedown Palace
4:19
Black Throated Wind
7:06
Minglewood
3:36
FIN
View on archive.org
Sources
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144774.fob.sony.ecm270.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Taper: Mark Severson
3:04:24
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1979-12-26.144773.fob.sony.ecm270.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid89187 Sony ECM-250 source which supplies an 0:11 patch in "The Other One", as well as a 0:15 patch in "Uncle John's Band Reprise" - Technical issues for most of "Cold Rain & Snow" - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston January 2019
Source 6 of 9
1:50:47
Rating:
10.00 / 1 rating
SHNID:
gd1979-12-26.154873.s2.mtx.seamons.ht138.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro
Lineage:
FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: The soundboard source was pitch corrected. Joani Walker's tape (#89187) starts the matrix and patches the AUD for the first notes of Uncle John's Band, a brief cut in He's Gone, a cut at the He's Gone > Other One transition (mostly patched), a cut at the end of Not Fade Away, and a cut at the end of Brokedown Palace. These gaps were all around 5 seconds or less. Mason's recording was preferred for the matrix because it was more immersive sounding and blended nicer with the soundboard, despite it being a first generation "safety tape." A brief clicking noise was reduced during Drums. Both SBD and Mason's AUD sources only had the second set.
Taper: Mason B. Taylor
1:50:41
Rating:
8.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1979-12-26.128505.naks.mason.set2.flac16
Source:
Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"