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July 3rd
Years
1995
19.5k
49 shows
343 tapes
1994
18.8k
85 shows
460 tapes
1993
36.8k
83 shows
656 tapes
1992
35.2k
57 shows
539 tapes
1991
53.2k
78 shows
973 tapes
1990
66k
78 shows
1,139 tapes
1989
46.7k
78 shows
1,017 tapes
1988
35k
82 shows
882 tapes
1987
53.4k
88 shows
1,029 tapes
1986
18.2k
47 shows
685 tapes
1985
59.2k
73 shows
1,360 tapes
1984
40.1k
67 shows
1,081 tapes
1983
32.6k
71 shows
1,071 tapes
1982
19.2k
63 shows
753 tapes
1981
24.1k
92 shows
868 tapes
1980
64.6k
91 shows
794 tapes
1979
24k
79 shows
608 tapes
1978
33.9k
87 shows
592 tapes
1977
136.6k
64 shows
419 tapes
1976
140.4k
45 shows
298 tapes
1975
6.9k
25 shows
63 tapes
1974
99.4k
42 shows
324 tapes
1973
82.7k
75 shows
445 tapes
1972
38.3k
88 shows
361 tapes
1971
26.5k
82 shows
358 tapes
1970
36k
101 shows
376 tapes
1969
22.2k
112 shows
326 tapes
1968
6.8k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
4.5k
32 shows
78 tapes
1965
484
2 shows
2 tapes
1981
2/28/81
Jack Straw
6:30
They Love Each Other
7:21
Mama Tried >
2:37
Mexicali Blues
4:24
Candyman
7:15
Little Red Rooster
8:26
Big Railroad Blues
5:00
Looks Like Rain
7:22
Althea
9:15
Let It Grow >
11:45
Deal
7:47
Cold Rain & Snow >
6:15
Greatest Story Ever Told
4:17
Ship Of Fools
8:43
Lost Sailor >
5:58
Saint Of Circumstance >
6:23
Terrapin Station > Jam >
15:45
Drums >
13:04
Space >
6:34
The Other One >
10:34
Stella Blue >
8:00
Around & Around >
3:57
Good Lovin'
8:09
E: One More Saturday Night
4:43
FIN
View on archive.org
Sources
Taper: David McGee and Chief
3:01:57
SBD
Taper:
David McGee and Chief
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1981-02-28.176099.sbd.phase.repaired.mcgee.chief.miller.clugston.flac1644
Source:
Master Soundboard Cassette > ? > DAT (16/44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16 > iZotope RX11 Advanced (vocal phase repair) > Adobe Audition 2026 > flac16
Taper Notes:
View NotesNotes: - Thanks to David McGee and Chief for the source DAT - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton and the folks responsible for the alternate soundboard source supplies a 0:15 patch in "Terrapin Station", as well as a 0:16 patch in "Space" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston February 2021 Vocal Phase Repair by Charlie Miller December 2025 Mastered by Scott Clugston January 2026
Taper: Rob Eaton
3:00:04
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.151913.sbd.eaton.miller.clugston.updated.flac16
Source:
This is an updated version of shnid142412 using an alternate soundboard source for patching rather than an audience source Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to David McGee and Chief for the alternate soundboard source which supplies a 0:10 patch in the Jam out of "Terrapin Station" (previously not patched), an 0:08 patch in "Drums", as well as the final 0:57 of "Good Lovin'" - The beginnings of "Jack Straw", "Althea" and "Ship Of Fools" are intact - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Rob Eaton
2:59:40
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.142412.sbd.eaton.miller.clugston.flac1644
Source:
Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k)
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - First verifiable lineage in general circulation - No noise reduction has been used in this transcription - The beginnings of "Jack Straw", "Althea" and "Ship Of Fools" are intact - Thanks to Barry Glassberg, John Steinthal, Mark Cohen and Matt Vernon for the shnid20345 Nakamichi 700 source which supplies a few seconds of crowd before "Jack Straw", a 0:05 patch in "Drums", as well as the final 0:58 of "Good Lovin'" - Other One space included in "The Other One" - Between song transitions smoothed Mastered by Scott Clugston June 24, 2018
Taper: Frank Streeter
1:45:08
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.143845.set2.beyer.m160.streeter.miller.clugston.flac2496
Source:
Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the shnid20345 Nakamichi 700 source which supplies a 0:29 patch in "Terrapin Station", a 11:28 patch in "Drums", as well as some crowd and the beginning of "One More Saturday Night" (0:23 total) - Pitch corrected - 1st set tape lost Mastered by Scott Clugston November 2018
Taper: Frank Streeter
1:45:08
Rating:
8.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1981-02-28.143844.set2.beyer.m160.streeter.miller.clugston.flac1648
Source:
Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the shnid20345 Nakamichi 700 source which supplies a 0:29 patch in "Terrapin Station", a 11:28 patch in "Drums", as well as some crowd and the beginning of "One More Saturday Night" (0:23 total) - Pitch corrected - 1st set tape lost Mastered by Scott Clugston November 2018
Source 10 of 12
3:10:37
SHNID:
gd1981-02-28.154897.mtx.seamons.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro
Lineage:
FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging
Taper Notes:
View NotesNotes: Jim Wise's SBD source via CDR had digital noise reduction. Levels are overall a little hotter and more brittle. Some light EQ helped throughout as needed. Set 1 + encore uses Barry Glassberg's recording for the matrix. Set 2 uses Frank Streeter's tape. Streeter's recording becomes muffled for the encore so Glassberg's tape was used instead. First 0:20 of Lost Sailor cut in the SBD. A splice edit repeated 0:10 of the recording during the Terrapin jam and was removed. 0:06 cut during Space. 0:05 cut at the beginning of Let It Grow in the AUD. 0:15 cut at the end of the Terrapin jam, now patched with Glassberg's tape. 1:11 cut during Drums (patched with SBD in the source).
Taper: Mason B. Taylor
3:17:08
Taper:
Mason B. Taylor
SHNID:
gd1981-02-28.naks.mason.128747.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 properly
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"