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Today In History
June 30th
Years
1995
27.2k
49 shows
343 tapes
1994
18k
85 shows
460 tapes
1993
37.4k
83 shows
656 tapes
1992
33.2k
57 shows
539 tapes
1991
59.2k
78 shows
973 tapes
1990
67.4k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
32.7k
82 shows
882 tapes
1987
57k
88 shows
1,029 tapes
1986
15.4k
47 shows
684 tapes
1985
51.1k
73 shows
1,360 tapes
1984
36.2k
67 shows
1,081 tapes
1983
33.4k
71 shows
1,071 tapes
1982
20.3k
63 shows
753 tapes
1981
26.3k
92 shows
868 tapes
1980
65.7k
91 shows
794 tapes
1979
21.5k
79 shows
608 tapes
1978
40.9k
87 shows
592 tapes
1977
154.6k
64 shows
419 tapes
1976
149.6k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
97.9k
42 shows
324 tapes
1973
79k
75 shows
445 tapes
1972
41.4k
88 shows
361 tapes
1971
29.3k
82 shows
358 tapes
1970
39.1k
101 shows
376 tapes
1969
24.8k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5k
32 shows
78 tapes
1965
533
2 shows
2 tapes
1983
7/31/83
Tuning
1:20
Jack Straw
5:58
Friend Of The Devil
10:39
Me And My Uncle ->
2:56
Mexicali Blues
5:23
West L.A. Fadeaway
8:18
Little Red Rooster
8:42
Tennessee Jed
8:19
Looks Like Rain ->
8:41
Deal
7:49
Hell In A Bucket ->
6:11
Scarlet Begonias ->
11:30
Fire On The Mountain ->
9:41
Drums ->
8:42
Space ->
4:15
The Other One ->
17:06
Wharf Rat ->
9:22
Throwing Stones ->
9:15
Not Fade Away
11:17
Touch Of Grey ->
6:28
One More Saturday Night
4:24
FIN
View on archive.org
Sources
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).