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July 12th
Years
1995
30.8k
49 shows
343 tapes
1994
20.2k
85 shows
460 tapes
1993
25.6k
83 shows
656 tapes
1992
26.6k
57 shows
539 tapes
1991
37.3k
78 shows
973 tapes
1990
72.7k
78 shows
1,139 tapes
1989
86.4k
78 shows
1,017 tapes
1988
46.5k
82 shows
882 tapes
1987
68.9k
88 shows
1,029 tapes
1986
23.2k
47 shows
686 tapes
1985
62.9k
73 shows
1,362 tapes
1984
46.6k
67 shows
1,081 tapes
1983
33k
71 shows
1,071 tapes
1982
18.3k
63 shows
753 tapes
1981
45.4k
92 shows
868 tapes
1980
50.2k
91 shows
794 tapes
1979
24.9k
79 shows
608 tapes
1978
56.2k
87 shows
592 tapes
1977
102.6k
64 shows
419 tapes
1976
114.9k
45 shows
298 tapes
1975
5.5k
25 shows
63 tapes
1974
96.7k
42 shows
324 tapes
1973
74.8k
75 shows
445 tapes
1972
37.6k
88 shows
361 tapes
1971
31.3k
82 shows
360 tapes
1970
23.5k
101 shows
376 tapes
1969
21.6k
112 shows
326 tapes
1968
5.9k
41 shows
125 tapes
1967
2.1k
23 shows
56 tapes
1966
5.4k
32 shows
78 tapes
1965
437
2 shows
2 tapes
1983
8/27/83
Touch Of Grey
6:47
Playin' In The Band >
13:16
Uncle John's Band >
12:20
Drums >
11:19
Space >
8:11
Throwing Stones >
9:52
Black Peter >
9:33
One More Saturday Night
4:29
E: It's All Over Now, Baby Blue
6:49
FIN
View on archive.org
Sources
Taper: Mark Severson
2:25:56
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-27.148750.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M
Lineage:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2019
Taper: Mark Severson
2:25:56
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-27.148749.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M
Lineage:
Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston December 2019
Taper: Keith
2:19:40
Rating:
10.00 / 1 rating
Taper:
Keith
Transferrer:
Andrew F.
SHNID:
gd1983-08-27.aud.keith.92307.sbeok.flac16
Source:
FOB, Nakamichi CM300's > Sony TC-D5 (MAC) > C1 (Sony TC-D5 > Marantz PMD-340 > TDK SA-90's) (no Dolby)
Lineage:
C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesI was taping in a group of about 25 people set up FOB. At the end of the show I found out that the guy whose deck I patched from had bad batteries, and my whole tape sounded fuzzy. I quickly got a nearby taper to dub the show for me and taped right over my master. Thanks to taper "Keith" for the copy... Notes: - Start of LLR cuts in after tape-flip. - Disc break is seamless. - Patches from ShnID-16439 as follows: Jack Straw 0:28 > 0:33, Space 2:49 > 3:38, and Space 4:00 > 4:05. - Alternate burn option: D1 as 1st Set plus encore, D2 as 2nd Set.
Taper: Jamie Herbst
2:22:55
Rating:
7.33 / 4 ratings
Taper:
Jamie Herbst
SHNID:
gd1983-08-27.aud.herbst.31635.flac16
Lineage:
my cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC
Taper Notes:
View NotesNotes: d1t08 and d1t10 are each missing the first few seconds of music. Recording Comments: If I were to guess, I'd say this was recorded from a FOB location, on the Jerry side of the stage - I saw Emmylou Harris & The Nash Ramblers play in this building during the 1990 Bumbershoot Festival, and from my recollection, it's not a very big place - I'd guess that the soundboard was probably located about half-way back on the floor...if anyone can shed any more light on the probable taping location or mics used, based on the sound, please do! My best guess would be that Jamie had some type of Sennheiser mics then (maybe 441's), and a Sony D5 deck, but that's just a guess...