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July 11th
Years
1995
28.1k
49 shows
343 tapes
1994
19.9k
85 shows
460 tapes
1993
25.1k
83 shows
656 tapes
1992
26.4k
57 shows
539 tapes
1991
36.7k
78 shows
973 tapes
1990
67.8k
78 shows
1,139 tapes
1989
78.6k
78 shows
1,017 tapes
1988
45.7k
82 shows
882 tapes
1987
64k
88 shows
1,029 tapes
1986
22.8k
47 shows
686 tapes
1985
62k
73 shows
1,362 tapes
1984
46.1k
67 shows
1,081 tapes
1983
32.3k
71 shows
1,071 tapes
1982
17.8k
63 shows
753 tapes
1981
41k
92 shows
868 tapes
1980
49.3k
91 shows
794 tapes
1979
24.2k
79 shows
608 tapes
1978
53.8k
87 shows
592 tapes
1977
99.2k
64 shows
419 tapes
1976
113.2k
45 shows
298 tapes
1975
5.4k
25 shows
63 tapes
1974
94.8k
42 shows
324 tapes
1973
72.8k
75 shows
445 tapes
1972
36.4k
88 shows
361 tapes
1971
30.5k
82 shows
360 tapes
1970
21.7k
101 shows
376 tapes
1969
21.1k
112 shows
326 tapes
1968
5.7k
41 shows
125 tapes
1967
2.1k
23 shows
56 tapes
1966
5.3k
32 shows
78 tapes
1965
428
2 shows
2 tapes
1984
4/29/84
Feel Like A Stranger
9:39
Friend Of The Devil
8:42
CC Rider
8:54
Bird Song
12:01
Hell In A Bucket
7:16
West L.A. Fadeaway
8:17
Cassidy
6:55
Ramble On Rose
6:39
Let It Grow
12:31
China Cat Sunflower-> I Know You Rider >
13:15
Samson & Delilah
7:25
Terrapin Station >
19:15
Don't Need Love >
5:15
Drums >
5:54
Space >
16:18
Truckin'->
7:17
Stella Blue >
7:51
Sugar Magnolia
9:06
Day Job
4:31
FIN
View on archive.org
Sources
Taper: Rob Eaton
3:08:30
SBD
Rating:
8.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller
SHNID:
gd1984-04-29.140355.fob.sbd.composite.eaton.miller.clugston.flac1648
Source:
1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/482nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for both the (FOB) audience source & the soundboard source Dat - Thanks to Charlie Miller for the transfer - Neither the 1st set FOB or 2nd set soundboard source have circulated previously (Dec 2017) - Rob's (FOB) Neumann U-87 source also supplies the final 3:18 of "Sugar Magnolia" as well as the "Keep Your Day Job" encore - Between song transitions smoothed - Truckin' space included in "Truckin'" Mastered by Scott Clugston 12/24/2017
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:50
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149684.mke2002.holbrook.flac2448
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
3:03:47
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149683.mke2002.holbrook.flac1644
Source:
Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.*** / tape chopped between songs to save tape. // tape flip /++ missing from Master. Replaced with Beyer M201 source (Must have kept the deck paused for this tune after pausing for tuning post West LA.) ## at about two minutes in sudden jump in volume about 2dB /// tape swap to third tape
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149679.beyerm201.holbrook.flac2448
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Taper: Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
2:57:01
Taper:
Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-04-29.149678.beyerm201.holbrook.flac1644
Source:
Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH.
Lineage:
Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes** at 7:03 the levels go up and sound clears up quite a bit / cut between tracks to save tape /+ crowd cut missed 1-2 seconds at start // drums start, go about 45 seconds then cuts for tape flip
Source 11 of 14
1:37:59
Rating:
8.00 / 2 ratings
SHNID:
gd1984-04-29.125853.crown_pzm.scarletdog.flac16
Source:
Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating;
Lineage:
Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
Taper Notes:
View Notes* Brent, Billy, Mickey ** Quick new light show rap during Sunshine Daydream Here's the story about this show - we had seen a lot of shows on this East Coast Spring Tour. The Nassau shows were the last on the tour. We were running late (used to happen a lot with my group). I got around my seats just after the lights went out and just grabbed any patch for the first set - I don't know what kind of mics, but the tapes don't sound that good. I was tired and had had enough of the taping area (no official taping section in those days) and heard that my friends were hanging out in the obstructed view seats behind the stage. I went there and it was great - the opposite of what you would think Nassau Coliseum would be like - not a lot of people, room to relax, and an interesting view of the band. There were repeaters pointed directly at us so it sounded great. Some people nearby were taping with Crown PZMs so I patched in with them and I think the tapes sound great. There are a few glitches where decks in front of me did not know how to hold their record button down while making tape flips or changes. I cleaned them up the best I could, some you can hear and others are barely noticeable.