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July 4th
Years
1995
19.7k
49 shows
343 tapes
1994
19.7k
85 shows
460 tapes
1993
34k
83 shows
656 tapes
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35.3k
57 shows
539 tapes
1991
53.1k
78 shows
973 tapes
1990
65.9k
78 shows
1,139 tapes
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49.9k
78 shows
1,017 tapes
1988
37.6k
82 shows
882 tapes
1987
54.3k
88 shows
1,029 tapes
1986
19.1k
47 shows
686 tapes
1985
62k
73 shows
1,360 tapes
1984
40.3k
67 shows
1,081 tapes
1983
32.6k
71 shows
1,071 tapes
1982
18.6k
63 shows
753 tapes
1981
25k
92 shows
868 tapes
1980
61.3k
91 shows
794 tapes
1979
24.6k
79 shows
608 tapes
1978
32.9k
87 shows
592 tapes
1977
133.2k
64 shows
419 tapes
1976
139.4k
45 shows
298 tapes
1975
6.4k
25 shows
63 tapes
1974
99k
42 shows
324 tapes
1973
83.8k
75 shows
445 tapes
1972
37.7k
88 shows
361 tapes
1971
30.3k
82 shows
358 tapes
1970
32k
101 shows
376 tapes
1969
20.1k
112 shows
326 tapes
1968
6.6k
41 shows
125 tapes
1967
1.9k
23 shows
55 tapes
1966
4.6k
32 shows
78 tapes
1965
485
2 shows
2 tapes
1984
7/4/84
Crowd
2:23
Feel Like A Stranger
8:38
Friend Of The Devil ->
8:52
C.C. Rider
8:35
Cumberland Blues
6:23
Beat It On Down The Line
3:22
Row Jimmy
11:06
Hell In A Bucket ->
7:19
Don't Ease Me In
3:29
Crowd
0:48
Help On The Way -> Slipknot ->
10:07
Franklin's Tower
10:08
Far From Me
4:51
Estimated Prophet ->
13:02
He's Gone ->
14:21
Drums ->
7:53
Space ->
9:42
Truckin' ->
7:28
Wharf Rat ->
9:21
Around And Around ->
3:52
Good Lovin'
7:44
U.S. Blues
5:06
FIN
View on archive.org
Sources
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163414.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Stephen Thomas
2:39:03
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-07-04.163413.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (24-bit/96k .wav)> Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Eugene Dalessandro and Tony Suraci for the Nakamichi 304 source which supplies a 0:06 patch in "Feel Like A Stranger", a 0:27 patch in "He's Gone", as well as a 0:09 patch in the "Around & Around > Good Lovin'" transition - Other One tease before "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Robert Bryant patched out of Oade Brothers
2:42:25
Rating:
8.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.141153.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!) - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:42:25
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1984-07-04.140014.FOB.Schoeps.Oade.Bryant.Miller.Noel.t-flac2496
Source:
Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #14194 (Sennheiser 421> MAC) - s1t05; 3:20 - end - s1t06; start - 0:06 - s2t07; 7:09 - 7:46 - s2t12; 3:37 - end - s2t13; start - 0:08 Notes: - tape pauses cross faded - pitch corrected - Happiness is a drummers choice - Bob dedicates the second set to the memory of Paul. - Phil dedicates "He's Gone" to Paul, "a Rainbow Bud". - behold the Slipknot!(!)
Taper: RB
2:23:08
Taper:
RB
Transferrer:
RB
SHNID:
gd1984-07-04.176545.AKG.460B.rb.flac24912
Source:
Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) Location: Left side 1st row overhang Sony Sound Forge just to track.
Taper Notes:
View NotesJuly 4th 1984. One of my favorite days of the year. Always live music on this day right? :) Not a fan of this place. I got close up left side in the balcony. You were kissing the PA there. Of course I would never do that today! Its a bit mono, boxy sounding but its all there and dynamics. This concludes the 5 PCM Dead shows archived. Have fun..RB
Taper: Da Weez
2:40:16
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1984-07-04.109942.beyer-senn-daweez.D5scott.flac16
Source:
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes** Tape flip patch source: Nakamichi CM304's>Sony D5M(XLIIS) Location: FOB at SBD, Stand at 9 feet ----------------------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" He was a friend of mine and "Da Weez" who had nothing to do with this recording, but we all sure do miss him! -----------------------------------------------------------------------------------------------------------------------------------------------------------------
Taper: Ted Carpenter
2:43:25
Rating:
7.00 / 2 ratings
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1984-07-04.senn421.carpenter.andrewf.87341.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB
Lineage:
MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View NotesNotes: - ShnID-14194 provides several patches, as follows... - Feel Like a Stranger (all of it), 0:00 > 8:37. - Friend of the Devil, 0:00 > 0:11. - Row Jimmy, 9:23 > 9:50, and 10:27 > 11:01. - Bucket, 0:00 > 0:03. - Don't Ease Me In (all of it), 0:00 > 3:28. - He's Gone, 6:10 > 6:18, and 8:28 > 8:31. - Around & Around, 3:16 > 3:54. - Good Lovin' (all of it), 0:00 > 7:38. - U.S. Blues (all of it), 0:00 > 5:07. - Second set disc break is seamless. - Soundforge used to adjust levels, make fades, and add patches. - TLH used for SBE-OK, FLAC compression, and checksums.