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198411/03
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July 7th
Years
1995
20.8k
49 shows
343 tapes
1994
22.6k
85 shows
460 tapes
1993
31k
83 shows
656 tapes
1992
33.2k
57 shows
539 tapes
1991
45.8k
78 shows
973 tapes
1990
70.8k
78 shows
1,139 tapes
1989
65.5k
78 shows
1,017 tapes
1988
46k
82 shows
882 tapes
1987
58.4k
88 shows
1,029 tapes
1986
21.5k
47 shows
686 tapes
1985
63.5k
73 shows
1,360 tapes
1984
47.1k
67 shows
1,081 tapes
1983
32.9k
71 shows
1,071 tapes
1982
18.9k
63 shows
753 tapes
1981
37k
92 shows
868 tapes
1980
57.5k
91 shows
794 tapes
1979
25.7k
79 shows
608 tapes
1978
40.4k
87 shows
592 tapes
1977
125.7k
64 shows
419 tapes
1976
142k
45 shows
298 tapes
1975
6k
25 shows
63 tapes
1974
101.3k
42 shows
324 tapes
1973
85.4k
75 shows
445 tapes
1972
37.9k
88 shows
361 tapes
1971
31.3k
82 shows
358 tapes
1970
23.9k
101 shows
376 tapes
1969
21.7k
112 shows
326 tapes
1968
6.6k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.5k
32 shows
78 tapes
1965
475
2 shows
2 tapes
1984
11/3/84
Tuning/crowd
0:58
Alabama Getaway >
6:35
The Promised Land
5:11
Friend Of The Devil
8:44
Down In The Bottom
8:14
It Must Have Been The Roses
5:26
The Music Never Stopped >
9:02
Deal
9:11
Tuning
2:10
Feel Like A Stranger >
10:04
Cumberland Blues
6:10
Brokedown Palace
6:08
Gloria >
8:44
Jam >
1:54
Why Don't We Do It In The Road >
4:14
Space >
5:02
Drums >
7:10
Space >
9:11
Uncle John's Band >
12:05
Dear Mr. Fantasy >
6:57
Throwing Stones >
9:26
Turn On Your Lovelight
9:40
FIN
View on archive.org
Sources
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169045.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169044.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150802.mke2002.murthas.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150801.mke2002.murthas.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***