RELISTENTOTHE Grateful Dead
Re
198411/03
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July 4th
Years
1995
19.7k
49 shows
343 tapes
1994
19.7k
85 shows
460 tapes
1993
34k
83 shows
656 tapes
1992
35.3k
57 shows
539 tapes
1991
53.1k
78 shows
973 tapes
1990
65.9k
78 shows
1,139 tapes
1989
49.9k
78 shows
1,017 tapes
1988
37.6k
82 shows
882 tapes
1987
54.3k
88 shows
1,029 tapes
1986
19.1k
47 shows
686 tapes
1985
62k
73 shows
1,360 tapes
1984
40.3k
67 shows
1,081 tapes
1983
32.6k
71 shows
1,071 tapes
1982
18.6k
63 shows
753 tapes
1981
25k
92 shows
868 tapes
1980
61.3k
91 shows
794 tapes
1979
24.6k
79 shows
608 tapes
1978
32.9k
87 shows
592 tapes
1977
133.2k
64 shows
419 tapes
1976
139.4k
45 shows
298 tapes
1975
6.4k
25 shows
63 tapes
1974
99k
42 shows
324 tapes
1973
83.8k
75 shows
445 tapes
1972
37.7k
88 shows
361 tapes
1971
30.3k
82 shows
358 tapes
1970
32k
101 shows
376 tapes
1969
20.1k
112 shows
326 tapes
1968
6.6k
41 shows
125 tapes
1967
1.9k
23 shows
55 tapes
1966
4.6k
32 shows
78 tapes
1965
485
2 shows
2 tapes
1984
11/3/84
Alabama Getaway
6:46
Promised Land
7:01
Friend of the Devil
10:21
Down in the Bottom
8:24
It Must Have Been the Roses
5:15
The Music Never Stopped
8:46
Deal
8:51
Feel Like a Stranger
9:57
Cumberland Blues
6:07
Gloria
8:36
Why Don't We Do It in the Road
5:51
jam
5:13
drums
8:28
space
16:32
Uncle John's Band
11:30
Dear Mr. Fantasy
6:57
Throwin' Stones
9:22
Turn on Your Lovelight
9:15
FIN
View on archive.org
Sources
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169045.senn441.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Jim Vita
2:36:50
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1984-11-03.169044.senn441.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > ?? > Jim Vita's cassettes (Maxell XLII-S)
Lineage:
Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies "Deal", a 1:47 patch in "Drums", as well as a 0:09 patch in the "Throwing Stones > Turn On Your Lovelight" transition - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston October 2023
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150802.mke2002.murthas.holbrook.flac2448
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***
Taper: Executive Crew: Sean Murtha; Gary Steel
2:23:53
Taper:
Executive Crew: Sean Murtha; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1984-11-03.150801.mke2002.murthas.holbrook.flac1644
Source:
Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM.
Lineage:
Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between tracks to save tape/batteries /# slight level drop at end (possibly moved knob accidentally waiting to flip) // tape swapped at start, missed first 7-10 seconds /// tape swapped (doing California style- go from side A of tape 1 to side A of tape 2 for Set 1; then side B of tape 1 for start of set 2 swapping to side B of tape 2 for the end of the show. * cut at 3:08-3:11 ***The Sennheiser MKE2002 binaural microphones were pressure capsule omni microphones designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***