Samson and Delilah | 1985-03-10 | Grateful Dead

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark McCue and Alex Ford for the Sennheiser 421 source which supplies a 0:09 patch in "Big Railroad Blues", as well as a 4:51 patch in the "Drums > Space" transition
- Rex Foundation Benefit
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
September 2025

Taper: Mark Terry

2:18:00

Taper:

Mark Terry

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1985-03-10.176254.sennheiser.blend.terry.miller.clugston.flac1648

Source:

Mark Terry's Master Audience Cassettes; (2) Sennheiser 421 mics (L/R) + (1) Sennheiser 441 mic (C) blend > Nakamichi 550 > Sony D5 (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark McCue and Alex Ford for the Sennheiser 421 source which supplies a 0:09 patch in "Big Railroad Blues", as well as a 4:51 patch in the "Drums > Space" transition
- Rex Foundation Benefit
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
September 2025

Taper: Tazuo Yamaguchi

gd1985-03-10.all.aud-ty.96630.flac1644

Source:

Nak 700 cardiods on 12 inch pzm plates (spread 4 seats apart)> dbx 224> poris preamp> Sony D5

Lineage:

Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding

Taper Notes:

View Notes* Keep Your Day Job from SHNID 84291

Taper: Greg Holtz

gd1985-03-10.nak300.holtz.JAZ.96594.flac16

Source:

Nakamichi cm 300's CP-4 guns -> D-5

Lineage:

Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compact Flash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8

Taper: Mark McCue

gd1985-03-10.senn421.mccue.84291.sbeok.flac16

Source:

Sennheiser 421s > Sony D5 > 2 TDK MA90s

Lineage:

Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16.

Taper Notes:

View NotesComment:

- Rex Foundation Benefit

Notes:

- There is some bass distortion at points during the recording.
- The floor of BCT has approximately 41 rows.
- Shnid=10225 used to patch tape flip during Set II.
- SBE's fixed w/ TLH, Files encoded @ level 8.
- 24 bit files archived.
- Master Audience Cassettes provided by Mark McCue.
- Transfer, edits, conversion & seeding by Alex Ford

Taper: PA Deli Mike

gd1985-03-10.senn.pa-deli.mike.83219.flac16

Source:

2x Sennheiser 441's > Sony TCD5-M > Maxell MX

Lineage:

Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC

Taper Notes:

View Notes...And yet another installment from the 'PA Deli Mike' project!!!

If a small, awesome-sounding venue like the Berkeley Community Theater is your bag, you
may wanna jump on this one!  Mike recorded this from the front of the OTS
(Section 'CTR', row 'FF', seat '5' for those who are interested), and the SQ is just superb.
The Stella is 'stellar'.  The only problem is Mike almost tore his hair out of his head trying
to decide where to put the track index for it!!

As with all of Mike's recordings, this source is new to circulation.

Hope you all enjoy it, and stay tuned for the next installment coming soon!!!

Source 7 of 7

gd85-03-10.senn421.barbella.10255.sbeok.shnf

Source:

Audience Recording FOB Senn421's

Lineage:

Master Cassette > DAT > CD

Taper Notes:

View NotesFOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella