1987-07-07 | Grateful Dead

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:15 patch in "Space"
- Wheel space included in "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Michael Hessberg

2:20:03

Taper:

Michael Hessberg

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1987-07-07.164875.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:15 patch in "Space"
- Wheel space included in "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Sean Weber-Small

gd1987-07-07.124756.weber-small.hillwig.cmc44.flac16

Source:

Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small;

Lineage:

DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig

Taper Notes:

View Notes*Encore fits on end of disc one, or can be on a third disc. Removed 
pre-emphasis with FFT filter in Cool Edit Pro 1.2 at 32-bit resolution.

Taper: Dave Cohen

gd1987-07-07.nak300.cohen.102909.sbeok.flac16

Source:

2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes; Location: 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2)

Lineage:

Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager

Taper: Charles Bandrofcheck

gd1987-07-07.aud.bandrofcheck.82271.sbeok.flac16

Lineage:

MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs

Taper: Bill Koucky

gd1987-07-07.nak300.koucky.ladner.35152.sbeok.flac16

Source:

Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes

Lineage:

MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8)

Source 7 of 8

gd87-07-07.beyer.connor.2584.sbeok.shnf

Source:

AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT)

Taper Notes:

View NotesAUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor

Source 8 of 8

gd87-07-07.schoeps.wigley.2309.sbeok.shnf

Source:

Schoeps > PCM > DAT > CD > EAC > SHN

Taper Notes:

View NotesSchoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers