Morning Dew | 1988-03-16 | Grateful Dead

View NotesNotes:
-- The mix in Alabama Getaway is all messed up
-- The ambient UltraMatrix mic is turned off for a few songs
-- The patch source needed pitch correction (Adobe Audition CC2015)
-- This file set is 16 bit @ 44.1 htz

Transferrer: Charlie Miller

2:24:39

SBD

gd1988-03-16.141899.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- The mix in Alabama Getaway is all messed up
-- The ambient UltraMatrix mic is turned off for a few songs
-- The patch source needed pitch correction (Adobe Audition CC2015)

Source 3 of 8

gd88-03-16.sbd.willy.8864.sbeok.shnf

Source:

SBD>DAT>CDR>EAC>CDR

Taper Notes:

View NotesSB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy

Taper: Ted Mattes and Sean Weber-Small

2:22:40

Taper:

Ted Mattes and Sean Weber-Small

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1988-03-16.141645.fob.cmc4-mk4.weber-small.mattes.miller.clugston.flac1644

Source:

Source Info: Master (FOB) Audience PCM; Schoeps CMC4/MK4 (ORTF) > Oade P/S > Sony PCM-F1 > PCM Clone (Sony SL-2000); Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Sean Weber-Small for recording the show
- Thanks to Ted Mattes for the source PCM
- Thanks to Charlie Miller for the transfer
- Beginning of "Alabama Getaway" muffled

Mastered by Scott Clugston
March 24, 2018

Taper: Jon Bernstein

gd1988-03-16.136272.aud.bernstein.flac1644

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016

Taper Notes:

View NotesPatch-cord problems, left channel drop-outs pasted over with right channel as follows... 
Queen Jane 29 seconds, Big Boss Man 33 seconds, Scarlet 23 seconds, Drums 11 seconds, Space 102 seconds. 
Patches from ID-102670, Big Boss Man first 06 seconds, and Space first 23 seconds. 
P.A. mix issues during Alabama > GSET. Big crowd ovation after FOTM when Jerry waved to the audience.

Transferrer: Hunter Seamons

gd1988-03-16.mtx.seamons.113434.flac16

Source:

<b>flac16:</b>Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Taper Notes:

View Notes1) Due to heavy mix fluctuations during Alabama, I opted to have only the SBD play for the song. The AUD fades in toward the very end of Alabama. There are additional mix fluctuations during Greatest Story Ever Told, but things are pretty consistent by the time Stagger Lee starts.

2) Occasional glitches/anomalies in the SBD.

Taper: Tazuo Yamaguchi

gd1988-03-16.nak700.yamaguchi.russjcan.102670.flac16

Source:

Nak 700>dbx II>D5 40 ft dfc

Lineage:

MAC>NakCR-3A>HD>Audacity>CDwave>TLH

Taper: Russjcan

gd1988-03-16.pzm.russjcan.92985.sbeok.flac16

Source:

Hat-Mounted Realistic pzm's with Sony WMD6-C TDK MA-X90 No nr 5 feet away, dead center

Lineage:

Master > D6 > HD > Audacity > CDWave > TLH > FLAC

Taper Notes:

View Notesencore on end of disc 1
No Vocals,everything else is in your face from the amps onstage.
Some close talking and very excited concertgoers.
After Scarlet>Fire Jerry turns and waves to the crowd.
This is a monster show and this recording is a lot of fun to crank up 

(info text file missing d1t03 Greatest Story Ever Told)