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1988
08/28
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311
848
250
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285
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143
69
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106
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21
49
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49
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212
84
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117
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10
40
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43
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37
88
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107
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136
125
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133
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416
83
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115
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308
123
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134
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1.3k
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535
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157
81
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92
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972
159
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236
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Aqueous
172
161
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248
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708
286
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421
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99
102
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107
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1.6k
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613
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40
32
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35
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176
278
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383
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61
7
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7
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27
27
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29
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51
19
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27
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535
352
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523
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2.1k
17
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62
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86.4k
539
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62
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76
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113
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92
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62.2k
91
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794
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25.5k
79
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36.2k
87
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592
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141.7k
45
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6.5k
25
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101.3k
42
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324
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86.5k
75
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445
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39.3k
88
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361
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32k
82
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358
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32.6k
101
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376
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21.5k
112
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326
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6.7k
41
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125
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2.1k
23
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55
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5.4k
32
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78
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498
2
shows
2
tapes
1988
SBD
12/31
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
198
4:07:00
11
tapes
12/29
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
36
2:44:50
9
tapes
12/28
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
197
2:35:46
8
tapes
12/11
SBD
Long Beach Arena
Long Beach, CA, USA
147
2:07:05
4
tapes
12/10
SBD
Long Beach Arena
Long Beach, CA, USA
107
2:36:12
4
tapes
12/09
SBD
Long Beach Arena
Long Beach, CA, USA
86
2:22:18
6
tapes
10/21
SBD
Reunion Arena
Dallas, TX, USA
77
2:30:00
7
tapes
10/20
SBD
The Summit
Houston, TX, USA
64
2:17:42
7
tapes
10/18
SBD
Keifer Lakefront Arena
New Orleans, LA, USA
77
2:49:57
10
tapes
10/16
SBD
Pelletier Farm
St. Helens, OR, USA
408
2:40:50
13
tapes
10/15
SBD
Bayfront Center Arena
St. Petersburg, FL, USA
36
2:29:32
12
tapes
10/14
SBD
Miami Arena
Miami, FL, USA
24
2:25:06
14
tapes
10/02
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
11
2:43:44
8
tapes
10/01
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
80
2:24:35
8
tapes
9/30
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
145
2:19:47
5
tapes
9/24
SBD
Madison Square Garden
New York, NY, USA
143
3:10:54
15
tapes
9/23
SBD
Madison Square Garden
New York, NY, USA
139
2:27:04
12
tapes
9/22
SBD
Madison Square Garden
New York, NY, USA
164
2:36:02
15
tapes
9/20
SBD
Madison Square Garden
New York, NY, USA
167
2:29:03
19
tapes
9/19
SBD
Madison Square Garden
New York, NY, USA
42
2:21:29
15
tapes
9/18
SBD
Madison Square Garden
New York, NY, USA
47
2:26:39
15
tapes
9/16
SBD
Madison Square Garden
New York, NY, USA
281
2:40:34
12
tapes
9/15
SBD
Madison Square Garden
New York, NY, USA
69
2:25:53
12
tapes
9/14
SBD
Madison Square Garden
New York, NY, USA
70
3:34:54
14
tapes
9/12
SBD
The Spectrum
Philadelphia, PA, USA
231
2:30:42
8
tapes
9/11
SBD
The Spectrum
Philadelphia, PA, USA
98
2:45:17
14
tapes
9/09
SBD
The Spectrum
Philadelphia, PA, USA
38
2:29:04
10
tapes
9/08
SBD
The Spectrum
Philadelphia, PA, USA
93
2:31:45
17
tapes
9/06
SBD
Capital Centre
Landover, MD, USA
106
2:41:49
8
tapes
9/05
SBD
Capital Centre
Landover, MD, USA
85
2:24:46
13
tapes
9/03
SBD
Capital Centre
Landover, MD, USA
255
2:28:39
18
tapes
9/02
SBD
Capital Centre
Landover, MD, USA
112
2:38:52
11
tapes
8/28
SBD
Autzen Stadium, U. of Oregon
Eugene, OR, USA
99
2:31:32
8
tapes
8/26
SBD
Tacoma Dome
Tacoma, WA, USA
169
2:37:11
8
tapes
7/31
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
179
2:32:04
5
tapes
7/30
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
109
2:50:49
6
tapes
7/29
SBD
Laguna Seca Recreation Area
Monterey, CA, USA
220
2:37:17
8
tapes
7/17
SBD
Greek Theatre
Berkeley, CA, USA
265
4:28:06
14
tapes
7/16
SBD
Greek Theatre
Berkeley, CA, USA
27
4:20:09
14
tapes
7/15
SBD
Greek Theatre
Berkeley, CA, USA
343
3:54:33
18
tapes
7/03
SBD
Oxford Plains Speedway
Oxford, ME, USA
5.5k
2:31:02
30
tapes
7/02
SBD
Oxford Plains Speedway
Oxford, ME, USA
4.6k
2:55:31
37
tapes
6/30
SBD
Silver Stadium
Rochester, NY, USA
4.5k
2:43:42
15
tapes
6/28
SBD
Saratoga Performing Arts Center
Saratoga Springs, NY, USA
2.6k
2:47:49
16
tapes
6/26
SBD
Civic Arena
Pittsburgh, PA, USA
1.8k
2:13:09
8
tapes
6/25
SBD
Buckeye Lake Music Center
Hebron, OH, USA
2.4k
2:46:24
8
tapes
6/23
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
3k
4:42:12
9
tapes
6/22
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
837
2:21:09
7
tapes
6/20
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
3.1k
2:26:28
10
tapes
6/19
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
2.2k
2:28:02
12
tapes
6/17
Metropolitan Sports Center
Bloomington, MN, USA
976
2:36:42
3
tapes
6/01
SBD
Unknown
Unknown, Unknown
73
51:37
1
tape
5/01
SBD
Frost Amphitheatre
Palo Alto, CA, USA
182
2:35:27
8
tapes
4/30
SBD
Frost Amphitheatre
Palo Alto, CA, USA
300
4:59:15
12
tapes
4/24
SBD
Irvine Meadows
Irvine, CA, USA
195
2:22:25
6
tapes
4/23
SBD
Irvine Meadows
Irvine, CA, USA
231
2:32:38
10
tapes
4/22
SBD
Irvine Meadows
Irvine, CA, USA
157
2:34:07
10
tapes
4/15
SBD
Rosemont Horizon
Rosemont, IL, USA
156
2:18:35
7
tapes
4/14
SBD
Rosemont Horizon
Rosemont, IL, USA
232
2:24:41
7
tapes
4/13
SBD
Rosemont Horizon
Rosemont, IL, USA
120
2:07:30
7
tapes
4/11
SBD
Joe Louis Arena
Detriot, MI, USA
124
2:13:36
5
tapes
4/09
SBD
The Centrum
Worcester, MA, USA
91
2:23:01
15
tapes
4/08
SBD
The Centrum
Worcester, MA, USA
83
2:04:58
11
tapes
4/07
SBD
The Centrum
Worcester, MA, USA
192
2:28:57
14
tapes
4/05
SBD
Hartford Civic Center
Hartford, CT, USA
103
2:25:03
7
tapes
4/04
SBD
Hartford Civic Center
Hartford, CT, USA
258
2:19:58
7
tapes
4/03
SBD
Hartford Civic Center
Hartford, CT, USA
195
2:18:33
7
tapes
4/01
SBD
Meadowlands Arena
East Rutherford, NJ, USA
554
2:34:19
15
tapes
3/31
SBD
Meadowlands Arena
East Rutherford, NJ, USA
297
2:32:10
11
tapes
3/30
SBD
Meadowlands Arena
East Rutherford, NJ, USA
414
2:16:20
12
tapes
3/28
SBD
Hampton Coliseum
Hampton, VA, USA
291
2:46:11
16
tapes
3/27
SBD
Hampton Coliseum
Hampton, VA, USA
619
4:50:22
16
tapes
3/26
SBD
Hampton Coliseum
Hampton, VA, USA
340
2:42:07
22
tapes
3/24
SBD
The Omni
Atlanta, GA, USA
208
2:30:18
8
tapes
3/18
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
202
2:22:42
6
tapes
3/17
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
144
2:23:53
8
tapes
3/16
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
434
2:24:39
8
tapes
3/12
SBD
S.F Civic Auditorium
San Francisco, CA, USA
9
56:33
2
tapes
2/17
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
364
4:42:50
7
tapes
2/16
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
275
4:08:44
7
tapes
2/14
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
605
4:31:51
12
tapes
2/13
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
192
4:02:42
8
tapes
8/28/88
Mississippi Half Step
7:44
Little Red Rooster
9:39
Friend Of The Devil
8:40
Memphis Blues
11:39
Foolish Heart
8:14
Victim Or The Crime
5:27
Don't Ease Me In
3:39
Jack Straw->
6:17
Bertha
6:57
Truckin'->
7:47
Terrapin Station->
11:12
Drums->
8:22
Space->
7:55
The Other One->
6:08
Wharf Rat->
8:12
Throwing Stones->
8:51
Not Fade Away
7:57
Knockin' On Heaven's Door
8:20
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net March 6, 2023
SHNID:
gd1988-08-28.164247.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project -- This is 163899 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:31:32
SBD
Rating:
6.00 / 1 rating
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net March 6, 2023
SHNID:
gd1988-08-28.163899.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Jim Blackwood for his help with this project
Transferrer: C. Ladner
2:29:37
SBD
Rating:
7.90 / 28 ratings
Transferrer:
C. Ladner
SHNID:
gd88-08-28.sbd.ladner.31107.sbeok.flacf
Source:
Soundboard
Lineage:
Healy SBD Ultramix Patch > Sony D5 > MSC (TDK MA-XG90 Type IV) > Nakamichi DR2 > gold RCA connectors > Audiophile 2496 > WaveLab 5.0 (24/48) > Waves L3 Multimaximizer (16/44.1) > CD Wave v1.9 > FLAC16
Taper Notes:
View Notes
Dry sounding matrix VERY HEAVY on the vocals, particularly Brent who is by far the loudest - WATCH OUT for some near ear-splitting profanity during Red Rooster. If your kid doesn't know the S- and the F=word, they will. Compared to the already very clean TMNSP source of this show that circulates, this one has a more high end and doesn't have any of the dropouts (Half Step) or static (Friend Of The Devil) noted in the info file. Tape noise is almost non-detectable and NO noise reduction, either pre- or post-transfer, was used. The tape flip in "Foolish Heart" (05:12 - 05:19) was patched from the TMNSP source which is itself missing almost 45 seconds of music from this song (starting at 04:29 on the previously circulated source) which is present on this new source. The TMSNP source happens to have a portion of the brief segment missing from this source's first set tape flip including the start of the third verse which I spliced in using Wavelab. This suggests that someone else was patched into the SBD and has a MSC unique from this source. For the second set, I crossfaded the flip during Space so that it is audibly transparent. Oddly enough on both this new source and TMNSP source it sounds like there is an identical pause on this recording at the tail end of Not Fade Away > encore break. The first time I transferred the MSC of the second set I noticed there were infrequent mild transient fluctuations in pitch which I had attributed to a battery issue at the time of the recording, however, I fastforwarded/rewinded the tape a few times, and played it back again a few weeks later, and the fluctuations that I heard on the first transfer are no longer apparent so I'm guessing that the playback somehow "lubed" the tape mechanism back to health, or the lower humidity or some other random thing. I did the same thing to the first set tape and retransferred it even though I didn't hear any pitch fluctations on the intial transfer.
Transferrer: T. Wiley
2:23:00
SBD
Rating:
5.50 / 4 ratings
Transferrer:
T. Wiley
SHNID:
gd88-08-28.sbd.wiley.16085.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MC > DAT > CDR
Taper Notes:
View Notes
SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152080.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Mark Severson
2:29:03
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-08-28.152079.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to slipkid68 and all the folks responsible for the WMD3 source which supplies a 0:07 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Slipkid68
2:27:16
Rating:
6.00 / 1 rating
Taper:
Slipkid68
Transferrer:
JEMS
SHNID:
gd1988-08-28.140488.sonywmd3.flac1644
Source:
Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
Taper Notes:
View Notes
This master recording captures the Grateful Dead performing in 1988 at Autzen Stadium in Eugene, Oregon. That day, the music didnÃt register as special. But playback allowed me to listen in a different environment, and after 29 years, I discovered some extraordinary moments. The first set was somewhat low-key. While engaging and well-played, it never quite caught fire, though ìLittle Red Roosterî had a nice spark that carried over into a fine ìFriend of the Devil.î The works-in-progress ìFoolish Heartî and ìVictim or the Crimeî showed the band's workshop ethic, and in front of a large, end-of-summer crowd that probably had more familiar songs in mind, that was laudable. ìJack Strawî and ìBerthaî opened the second set, two crowd-pleasers that usually appear earlier, giving the place a jolt. ìTruckinÃî sounded robust, keeping the energy up, and we all got our tickets punched for ìTerrapin Station,î which tightened up considerably as it rolled to a great finish. But the high point was still to come, beginning with the jam out of ìSpace.î The band's focus there led to an amped-up version of ìThe Other Oneî and a stellar ìWharf Rat.î That was easily the most transcendent music the band played that afternoon. They found their collective mojo, making the last hour or so a real pleasure to hear. I taped on the field, standing house right, perhaps 30 yards back. I had to contend with a bit of a party atmosphere and wind, too, both of which youÃll hear at times. Fortunately neither intrudes at length and both dissipated as the show progressed. By the time the music got really interesting in set two, the sound settles in nicely. In post, I made a few edits and smoothed out instances where I missed a couple tape flips (one in ìTerrapin Stationî and another in ìNot Fade Awayî). Parts of the drums segment and "Not Fade Away" feature slight volume-down fluctations, but neither is a major flaw. Thanks to BK for the transfer from the master tapes to digital (his only show came two days before in Tacoma, where near-disastrous sound problems and a lackluster performance deflated the argument I'd been making to him in favor of the band). It was a good day at Autzen, among friends, fellow fans, and good opening sets from Robert Cray and Jimmy Cliff. And having made a decent field recording, I'm pleased that the music sounds better than I remember. Share it freely, and for free! - slipkid68
Taper: Unknown
1:00:20
Transferrer:
Pete Ebel
SHNID:
gd1988-08-28.139356.cmc34.set1.ebel.flac1644
Source:
Schoeps CMC 34-> PCM-> DAT
Lineage:
Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1)