02 - Hell In A Bucket > | 1988-09-15 | Grateful Dead

View NotesNotes:
-- This version has a fixed Lovelight and corrected pitch
-- Recorded by Don Pearson and Dan Healy
-- Multiple ultramatrix masters were used to make this show complete
-- This is 163882 2496 > 1644

Taper: Recorded by Don Pearson and Dan Healy

2:21:34

SBD

Taper:

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net March 6, 2023

SHNID:

gd1988-09-15.163882.ultramatrix.miller.fixed.flac2496

Source:

Ultramatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This version has a fixed Lovelight and corrected pitch
-- Recorded by Don Pearson and Dan Healy
-- Multiple ultramatrix masters were used to make this show complete

Taper: Recorded by Don Pearson and Dan Healy

Recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net February 25, 2023

SHNID:

gd1988-09-15.163871.ultramatrix.miller.flac2496

Source:

Ultramatrix SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple ultramatrix masters were used to make this show complete
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: Kevin Tobin

gd1988-09-15.132910.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 30-APR-2015 - Trader Little Helper
- Tagged 30-APR-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -1db AUD
Right Channel -1db AUD

Sub/LFE
Mixed to mono -1db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1988-09-15.132909.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix(50%-SBD/50%-AUD)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 30-APR-2015 - Trader Little Helper
- Tagged 30-APR-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD -0.5

SET TWO

Stereo Matrix
SBD 0
AUD -0.5
---------------------------------------------------------
Brokedown House Production

Source 6 of 12

gd88-09-15.sbd.barbella.5068.sbeok.shnf

Source:

SBD> MC> DAT> CDR> EAC> CDwave> SHN

Taper Notes:

View NotesSBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min

Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

2:17:31

Taper:

Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1988-09-15.139644.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16

Source:

Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller

Lineage:

Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- Night two of a nine night run at the world's most famous arena.
- Sadly these DATs suffered water damage, they have been restored to they're former glory.
- This one must've floated on top of the other, cause there is nary a blemish.
- "My son said Rock & Roll for the first time." - Phil, before start of second set.
- Caught the entire run from BTS, it was a great dance party.
- Who remembers Lindy's??  (More Nitrous!!  More Nitrous!!)

Taper: Steve Porter

Nick Carbonetta and SirMick

SHNID:

gd1988-09-15.143842.sennme-80.porter.carbonetta.sirmick.flac1644

Source:

Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter

Lineage:

Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16

Taper Notes:

View NotesNotes:

- Pitch corrected.
- Tape flip in Set I and several dropouts in "Row Jimmy", due to tape damage, have been patched
- "Drums" and the crowd section after "Turn On Your Love Light" have also been patched

    Patch source shnid 139644 - Thanks to all involved.

Thanks to Steve Porter for the loan of his masters.

Thanks to Nick Carbonetta for the transfer.

edited and mastered
SIRMick
November 2018

Taper: M.Laurentus

gd1988-09-15.125772.AT835.flac16

Source:

Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac

Taper: Lucien Zaleski and Mark McCue

Lucien Zaleski and Mark McCue

Transferrer:

Alex Ford

SHNID:

gd1988-09-15.fob.senn421.mccue-zaleski.ford.103230.flac16

Source:

(FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II).

Lineage:

Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2.

Taper: Joe D'Amico

gd1988-09-15.nak300.damico.90744.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

Taper: Andrew F

gd1988-09-15.nak300.andrewf.88535.sbeok.flac16

Source:

Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC.

Taper Notes:

View Notes- Levels go up gradually during start of Bucket. 
- 4 Sub-second LC mic-pops pasted over w/RC data (Cassidy & Deal). 
- Tape flip in space at 03:39.632, mended together. 
- Soundforge used to make fades, repair mic-pops, and adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.