22 Brokedown Palace | 1988-10-21 | Grateful Dead

View NotesRecording Info:
SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net

Source 2 of 7

2:14:32

SBD

Rating:

9.00 / 2 ratings

SHNID:

gd88-10-21.sbd.dodd.16188.sbeok.shnf

Source:

MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd

Taper Notes:

View NotesMSC>?>DAT>CDR 
 Eac > cool edit > shntool > cdwav > shnv3
 Dat> Cdr by Andy Lemieux
 Eac > shnv3(secure with proper offsets) by  Ernie Dodd

Taper: Ted Mattes

Scott Clugston and Charlie Miller

SHNID:

gd1988-10-21.141657.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644

Source:

Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the source PCM
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
April 4, 2018

Taper: Lance Deal (?)

gd1988-10-21.141026.cmc4-mk4.ebel.flac1644

Source:

<b/>flac16/44.1</b> Source Info:FOB Schoeps CMC 4 Mk4-> Sony F1 PCM-> DAT (Lance Deal?)Transfer Info:Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel

Taper Notes:

View NotesNotes:
* Added a Few DB's to first set to closely match Second Set.
* Set #2 is Seamless

Taper: Mr. White

gd1988-10-21.FOB.UnkRealistic.White.Keo.116361.Flac1644

Taper Notes:

View Notes** Recorder Stopped Due To Crowd Pushing Their Way To The Front,
    (In His Own Words) Taper Bugged Moved To High In The Arena Away From The Crowd **

 Comments:A Huge thanks out to Mr. White For recording and
sharing his source tapes with us!This is an absolutely 
incredible recording even though the end of the show is
missing.There was some uneveness to the microphone 
channels,I did the best to compensate in the transfer.
Mr. White notes that this was the first time he had 
been this close at a Grateful Dead show and the mics
were glued to alligator clips and recorded from his 
shirt.He still has the microphones but the information
has been worn off.Thank you Mr. White!
As always ENJOY!!!!!!!!!!!!!!

Taper: Mr. White

gd1988-10-21.FOB.UnkRealistic.White.Keo.116360.Flac2496

Taper Notes:

View Notes** Recorder Stopped Due To Crowd Pushing Their Way To The Front,
    (In His Own Words) Taper Bugged Moved To High In The Arena Away From The Crowd **

 Comments:A Huge thanks out to Mr. White For recording and
sharing his source tapes with us!This is an absolutely 
incredible recording even though the end of the show is
missing.There was some uneveness to the microphone 
channels,I did the best to compensate in the transfer.
Mr. White notes that this was the first time he had 
been this close at a Grateful Dead show and the mics
were glued to alligator clips and recorded from his 
shirt.He still has the microphones but the information
has been worn off.Thank you Mr. White!
As always ENJOY!!!!!!!!!!!!!!

Transferrer: Alex Ford

gd88-10-21.aud.ford-bryson.31108.sbeok.flacf

Source:

Audience: Nakamichi mics

Taper Notes:

View Notes- Either the Master Cassette (set I) or the 1st Gen Cassette (set I) that I worked with was recorded a little too high.  There is some distortion throughout Set I, espectially on d1t03 and d1t04. All distortion originates from the 1st Gen cassettes.
- The 1st Gen Cassettes were recorded with Dolby B on. After testing the sound with and without Dolby on the playback deck, it was a no brainer to record without Dolby. 
- Fade outs were applied on d1t09 and d2t02 
- Much Thanks to Sean, Doug and the guys at Taperssection.com