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1992
12/17
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Grateful Dead
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2,080
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284.2k
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1,864
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1,868
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311
891
250
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285
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151
69
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106
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Ace Bandage
13
49
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49
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Adam Deitch
253
83
shows
116
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Akron/Family
14
40
shows
43
tapes
American Babies
38
88
shows
107
tapes
Andrew Bird
149
125
shows
133
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Andy Frasco & The UN
335
83
shows
115
tapes
Animal Collective
308
123
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134
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Animal Liberation Orchestra
1.3k
430
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535
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Antibalas
113
81
shows
92
tapes
Aquarium Rescue Unit
1.1k
159
shows
236
tapes
Aqueous
184
161
shows
248
tapes
Assembly of Dust
752
286
shows
421
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Barefoot Manner
105
102
shows
107
tapes
Bela Fleck and the Flecktones
1.5k
488
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613
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Ben Kweller
38
32
shows
35
tapes
Benevento Russo Duo
186
278
shows
383
tapes
Bernie Worrell
43
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
26
27
shows
29
tapes
Bernie Worrell Orchestra
50
19
shows
27
tapes
Big Something
528
352
shows
523
tapes
Billy & the Kids
2.2k
17
shows
62
tapes
Billy Strings
88.6k
539
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1,056
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Blind Melon
1.6k
62
shows
76
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Blueground Undergrass
94
182
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205
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Grateful Dead
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June 30th
9 shows
122 tapes
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1995
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85
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83
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1992
33.2k
57
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539
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1991
59.2k
78
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973
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1990
67.4k
78
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1,139
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1989
48.9k
78
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1988
32.7k
82
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1987
57k
88
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1,029
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1986
15.4k
47
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684
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1985
51.1k
73
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1984
36.2k
67
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1983
33.4k
71
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1,071
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1982
20.3k
63
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753
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1981
26.3k
92
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868
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1980
65.7k
91
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794
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1979
21.5k
79
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608
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1978
40.9k
87
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592
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1977
154.6k
64
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419
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1976
149.6k
45
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298
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1975
7.2k
25
shows
63
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1974
97.9k
42
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324
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1973
79k
75
shows
445
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1972
41.4k
88
shows
361
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1971
29.3k
82
shows
358
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1970
39.1k
101
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376
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1969
24.8k
112
shows
326
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1968
7.4k
41
shows
125
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1967
2k
23
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55
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1966
5k
32
shows
78
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1965
533
2
shows
2
tapes
1992
SBD
12/17
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
196
2:56:05
9
tapes
12/16
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
94
3:35:07
12
tapes
12/13
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
137
4:45:21
10
tapes
12/12
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
98
2:35:22
10
tapes
12/11
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
145
4:51:45
12
tapes
12/06
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
173
2:40:33
13
tapes
12/05
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
111
2:44:47
6
tapes
12/03
SBD
McNichols Sports Arena
Denver, CO, USA
29
2:33:13
9
tapes
12/02
SBD
McNichols Sports Arena
Denver, CO, USA
66
2:32:07
9
tapes
7/01
SBD
Buckeye Lake Music Center
Hebron, OH, USA
288
2:29:46
7
tapes
6/29
SBD
Deer Creek Music Center
Noblesville, IN, USA
156
2:20:08
10
tapes
6/28
SBD
Deer Creek Music Center
Noblesville, IN, USA
1.6k
2:30:37
14
tapes
6/26
SBD
Soldier Field
Chicago, IL, USA
984
2:35:46
2
tapes
6/25
SBD
Soldier Field
Chicago, IL, USA
1.6k
5:40:24
10
tapes
6/23
SBD
Star Lake Ampitheater
Burgettstown, PA, USA
1.1k
2:34:46
6
tapes
6/22
SBD
Star Lake Ampitheater
Burgettstown, PA, USA
897
2:37:08
7
tapes
6/20
SBD
RFK Stadium
Washington, DC, USA
2.3k
5:14:26
8
tapes
6/18
SBD
Charlotte Coliseum
Charlotte, NC, USA
1.1k
2:29:25
8
tapes
6/17
SBD
Charlotte Coliseum
Charlotte, NC, USA
2.4k
2:22:29
6
tapes
6/15
SBD
Giants Stadium
East Rutherford, NJ, USA
1.3k
2:32:45
4
tapes
6/14
SBD
Giants Stadium
East Rutherford, NJ, USA
1.5k
2:28:12
7
tapes
6/12
SBD
Knickerbocker Arena
Albany, NY, USA
3.8k
2:47:24
24
tapes
6/11
SBD
Knickerbocker Arena
Albany, NY, USA
1.9k
2:30:33
23
tapes
6/09
SBD
Richfield Coliseum
Richfield, OH, USA
541
2:37:13
9
tapes
6/08
SBD
Richfield Coliseum
Richfield, OH, USA
1.4k
2:31:55
10
tapes
6/06
SBD
Rich Stadium
Buffalo, NY, USA
2.3k
2:45:14
15
tapes
5/31
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
1.9k
2:55:43
10
tapes
5/30
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
599
2:35:54
9
tapes
5/29
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
354
2:47:48
9
tapes
5/25
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
84
2:20:26
8
tapes
5/24
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
231
2:41:34
9
tapes
5/23
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
254
2:40:12
8
tapes
5/21
SBD
Cal Expo
Sacramento, CA, USA
141
6:04:16
11
tapes
5/20
SBD
Cal Expo
Sacramento, CA, USA
116
2:31:08
12
tapes
5/19
SBD
Cal Expo
Sacramento, CA, USA
183
2:45:57
10
tapes
3/24
SBD
The Palace
Auburn Hills, MI, USA
118
2:36:02
7
tapes
3/23
SBD
The Palace
Auburn Hills, MI, USA
190
2:49:44
7
tapes
3/21
SBD
Copps Coliseum
Hamilton, Ontario, Canada
263
2:22:54
11
tapes
3/20
SBD
Copps Coliseum
Hamilton, Ontario, Canada
194
2:47:04
10
tapes
3/18
SBD
The Spectrum
Philadelphia, PA, USA
140
2:59:41
11
tapes
3/17
SBD
The Spectrum
Philadelphia, PA, USA
177
2:24:12
12
tapes
3/16
SBD
The Spectrum
Philadelphia, PA, USA
72
2:55:09
15
tapes
3/13
SBD
Nassau Coliseum
Uniondale, NY, USA
98
2:36:19
9
tapes
3/12
SBD
Nassau Coliseum
Uniondale, NY, USA
81
2:31:09
10
tapes
3/11
SBD
Nassau Coliseum
Uniondale, NY, USA
101
2:35:37
12
tapes
3/09
SBD
Capital Centre
Landover, MD, USA
134
2:28:10
12
tapes
3/08
SBD
Capital Centre
Landover, MD, USA
61
2:58:13
8
tapes
3/06
SBD
Hampton Coliseum
Hampton, VA, USA
90
2:51:37
8
tapes
3/05
SBD
Hampton Coliseum
Hampton, VA, USA
122
2:41:22
9
tapes
3/03
SBD
The Omni
Atlanta, GA, USA
80
2:29:21
5
tapes
3/02
SBD
The Omni
Atlanta, GA, USA
189
2:36:37
8
tapes
3/01
SBD
The Omni
Atlanta, GA, USA
187
2:33:31
7
tapes
2/24
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
201
2:44:32
12
tapes
2/23
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
187
2:48:08
10
tapes
2/22
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
124
2:45:32
8
tapes
2/21
Club Front Studio
San Rafael, CA
46
46:55
1
tape
2/13
SBD
Club Front
, San Rafael, CA
4
5:24
1
tape
12/17/92
01 Touch Of Grey
7:42
02 Walkin' Blues
6:24
03 Loser
7:43
04 Queen Jane Approximately
7:45
05 So Many Roads
6:56
06 The Music Never Stopped
8:22
07 Scarlet Begonias
9:09
08 Fire On The Mountain
12:45
09 Way To Go Home
6:06
10 Corrina
9:12
11 Uncle John's Band
9:09
12 Playing In The Band Reprise
4:31
13 Drums
18:12
14 Space
11:27
15 The Last Time
6:31
16 Here Comes Sunshine
7:00
17 Throwing Stones
9:39
18 Not Fade Away
9:26
19 Baba O'Riley
3:27
20 Tomorrow Never Knows
4:51
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:46:17
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140854.sbd.cm.miller.flac1644
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- This file set is 16 bit
Transferrer: Charlie Miller
2:46:17
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140832.sbd.miller.flac2496
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper: See info file
2:47:28
SBD
Rating:
8.00 / 3 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.mtx.tobin.87983.sbeok.flac16
Source:
SBD + AUD Matrix 4 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
Audio Source Information SBD (shnid=5552) Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR Thanks to Tommy Banjo & MerryPranksterTree seeded to etree by StoneBear 9/27/2001 StoneBear 9/27/2001 AUD1 (shnid=79732) Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - todd@bluedakota.com DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE shnflac@gmail.com October 2006 Notes- * mid way through Fire until the first verse of Uncle John's Band patched with sbd source, shnid5552 A **GEMS Production** www.shnflac.net AUD2 (shnid=29086) Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided from Tom through Roger Transfer by Chris Larson (VegasBobby@gmail.com) AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 26-OCT-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD .5 AUD -1.5 SET TWO Stereo Matrix SBD .5 AUD -1.5 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. Brokedown House Production
Source 4 of 9
2:45:38
SBD
Rating:
7.38 / 20 ratings
SHNID:
gd92-12-17.sbd-2track.stonebear.5552.sbeok.shnf
Source:
Soundboard
Lineage:
Dan Healy 2 track pa sbd dat master > Healy cassette > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Taper Notes:
View Notes
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
Transferrer: D5scott
2:24:59
Rating:
8.00 / 1 rating
Transferrer:
D5scott
SHNID:
gd1992-12-17.119222.sonicsolution.d5scott.flac16
Source:
Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes
notes: ** Recorded with 2 Beyer M-160 microphones. I switched microphones after Loser and went stealth. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: See info file
2:47:28
Rating:
6.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.dts.tobin.88013.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 27-OCT-2007 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Chip Copeland
2:56:05
Rating:
8.00 / 3 ratings
Taper:
Chip Copeland
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1992-12-17.fob.neumann.copeland.gems.79732.sbeok.flac16
Source:
Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255
Lineage:
DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper: Unknown
2:46:42
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.29086.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r
Transferrer: Chris Larson
2:46:42
Rating:
10.00 / 1 rating
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.28903.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r