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July 3rd
6 shows
60 tapes
Years
1995
21.7k
49 shows
343 tapes
1994
19.2k
85 shows
460 tapes
1993
37.3k
83 shows
656 tapes
1992
35.7k
57 shows
539 tapes
1991
54.1k
78 shows
973 tapes
1990
67.4k
78 shows
1,139 tapes
1989
48.7k
78 shows
1,017 tapes
1988
35.7k
82 shows
882 tapes
1987
54.7k
88 shows
1,029 tapes
1986
18.8k
47 shows
685 tapes
1985
60.2k
73 shows
1,360 tapes
1984
40.8k
67 shows
1,081 tapes
1983
33.4k
71 shows
1,071 tapes
1982
19.8k
63 shows
753 tapes
1981
25.1k
92 shows
868 tapes
1980
65.8k
91 shows
794 tapes
1979
24.7k
79 shows
608 tapes
1978
40.1k
87 shows
592 tapes
1977
145.9k
64 shows
419 tapes
1976
147.9k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
101.4k
42 shows
324 tapes
1973
84.8k
75 shows
445 tapes
1972
39.6k
88 shows
361 tapes
1971
27.7k
82 shows
358 tapes
1970
38.4k
101 shows
376 tapes
1969
23k
112 shows
326 tapes
1968
7k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
4.8k
32 shows
78 tapes
1965
503
2 shows
2 tapes
1995
7/8/95
Tuning
2:34
Jack Straw
5:39
Sugaree
11:39
Wang Dang Doodle
7:09
Althea
6:42
Queen Jane Approximately
5:14
Tennessee Jed
8:24
Eternity
9:19
Don't Ease Me In
3:28
Tuning
1:27
China Cat Sunflower
6:33
I Know You Rider
5:40
It's All Too Much
7:00
Saint of Circumstance
7:00
Terrapin Station
17:01
Drums
14:24
Space
10:14
The Other One
9:06
Visions of Johanna
9:26
One More Saturday Night
4:48
U.S. Blues
1:29
gd95-07-08d3t06.mp3
5:33
FIN
View on archive.org
Sources
Source 2 of 10
2:24:00
SBD
Rating:
10.00 / 3 ratings
SHNID:
gd1995-07-08.sbd.larson.tetzeli.fix-35157.98576.flac16
Source:
Pitch-adjusted version of shnid 35157
Lineage:
S: C> D> CDR > WAV > FLAC
Taper Notes:
View NotesFurther editing of original source: All set II tracks (with the exception of d1t11 and d1t12, which were redundant and therefore discarded) decoded to .wav, time/pitch stretched to 103.064% in CE Pro, using the all-digi Mark Nutter FOB (shnid 4362) as a reference. Redundancy between d1t10 and d2t01 deleted. Fixed SBEs in pitch-corrected tracks with shntool. Deleted a few seconds of silence at the end of d2t07 and faded it out. If you have the original source you only need to download the second set tracks - the first set was completely untouched. "Eternity" can be downloaded from the FOB on archive: http://www.archive.org/download/gd95-07-08.BK401s.4362.sbeok.shnf/gd95-07-08d1t08.shn Pitch fixed and seeded to shnflac.net by Bill Tetzeli 4/19/2009 Comment: * Weir on acoustic Original notes [Notes: - This is the same source that this show circulates in currently, however, the show in db.etree is not from the original flacs. I traded this show out which was then burnt on a standalone, then traded away which ended up getting eac'd and added to the db. chris larson ]
Taper: Marc Nutter
2:39:49
Rating:
7.58 / 20 ratings
Taper:
Marc Nutter
Transferrer:
Bill Gardner
SHNID:
gd95-07-08.BK401s.4362.sbeok.shnf
Source:
Audience: B&K 4006's
Lineage:
B&K 4006's (FOB, in-hat) > Lunatec 316 > Panasonic SV-250 (48khz) > Sony DTC-A6 > DiO 2448 > SF 4.5 (resample, fades) > CD Wave > SHN
Taper Notes:
View NotesA classic recording from the last of the mega-stadium days. I think this show speaks more to Grateful Dead history than anything spectacular musically. This was my fist and only trip to Soldier Field and I was totally blown away by the size. I had never seen a stadium gig. By July of '95 I'd managed to hit 23 dead shows. And by number 24 I was beginning to feel like somewhat of a vertaran. (yeah right) I had no idea what I was in for. I had floor seats that night but actually went back to the taper section to plug-in. I had a great view of the entire stadium sitting front row of the balcony-like section that sat over the entrance to the floor. The Band opener was largely forgettable. The stadium started filling up in usual style during the Band's set and somewhat afterwards. From the opening notes of Jack Straw I had the most amazing feeling and was totally overwhelmed by the size of the whole thing. I couldn't believe this many people, all together all listening to the dead. It was just too much. And it was a picture perfect night. The sun was going down and had a nice reflection off the lake, it was simply beautiful. The hightlight of this show is ofcourse the Visions of Johanna. Mona Lisa sure musta had the highway blues that night. That moment right there made the entire trip (from Ohio) worth it. A classic night sealed in time by Mr. Nutter's terrific recording. Enjoy these tapes and remember the happiness the Grateful Dead has provided for all of us. --Bill Gardner, 06/16/01