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2008
04/12
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Grateful Dead
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Adam Deitch
212
84
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117
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Akron/Family
10
40
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43
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American Babies
37
88
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107
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Andrew Bird
136
125
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133
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Andy Frasco & The UN
416
83
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Animal Collective
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Animal Liberation Orchestra
1.3k
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535
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Antibalas
157
81
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Aquarium Rescue Unit
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Aqueous
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Assembly of Dust
708
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Bela Fleck and the Flecktones
1.6k
488
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Ben Kweller
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32
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35
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Benevento Russo Duo
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Bernie Worrell
61
7
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Bernie Worrell and the WOO Warriors
27
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Bernie Worrell Orchestra
51
19
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27
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Big Something
535
352
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Billy & the Kids
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17
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62
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Billy Strings
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539
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Blind Melon
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Nohshintoh
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Today In History
July 5th
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0 tapes
Years
2010
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7
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2008
5
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2007
1
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2008
SBD
8/03
Bongo Festival at Rudy's
Utsumi, Aichi Prefecture, Japan
36:12
1
tape
6/18
KD Japon
Nagoya, Japan
29:44
1
tape
5/05
SBD
Club Rock'N'Roll
Nagoya, Japan
30:43
1
tape
4/12
KD Japon (Cannibal Circus Set)
Nagoya, Japan
31:05
1
tape
1/05
KD Japon
Nagoya, Japan
52:46
1
tape
4/12/08
Drum Solo
2:33
setting
0:30
Konbanwa
1:08
San Chome No Hito
2:11
Jump
6:56
Blabber
0:42
Inochi
8:05
applause
0:09
Death To Roy
3:51
Arigatou, Issho Ni Yarete
1:23
Uuchii
2:29
Outro
1:08
FIN
View on archive.org
Sources
Taper: rockthing
31:05
Taper:
rockthing
Transferrer:
rockthing
SHNID:
nst2008-04-12.c4din.cas0
Source:
Studio Projects C4 pair (cardoid@90º-17cm; -10db atten.) -> Yamaha mg102c -> Tascam Porta07 -> CAS(0)
Lineage:
CAS(0) -> Marantz PMD-660 (line) -> Lexar 4.0g 60x compact flash > WAV16/44.1(0) (USB -> HD) -> WAV(1) -> Audacity 3.1.2 (track splits) -> WAV(2) -> flac 1.1.4 -V --sector-align --best -> FLAC16(0)
Taper Notes:
View Notes
Recording Note: Recorded from a platform directly above the mixing console. (OB?) This sounds gr eat on paper, but the mixing desk is far house right against the wall and the co unter is centered under the balcony seating. A theater set was installed in the space for the production happening on either end of this show. The stage was two tiered and shaped like an 'L' with one amp directly in front of the main mixer. It was expected to be a packed house for Nisennenmondai's CD release tour date. It was. The boom stand and mic clip elevators were employed the their best effe ct possible to get the mics closer to the center of the room. The levels on both the Yamaha mixer and the Tascam MTR were kept even and the recording balance wa s achieved as best as possible with only mic placement. The band requested an an alogue master which I backed up to the PMD660 CF card from the line out on the T ascam. This recording is from a playback of the cassette.