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1973
06/10
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Grateful Dead
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1,868
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311
945
250
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285
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154
69
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106
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7
49
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49
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Adam Deitch
220
83
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116
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Akron/Family
9
40
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43
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39
88
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107
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137
125
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133
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Andy Frasco & The UN
402
83
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115
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Animal Collective
308
123
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134
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1.4k
430
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535
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Antibalas
144
81
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92
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Aquarium Rescue Unit
1.1k
159
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236
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Aqueous
178
161
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248
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Assembly of Dust
658
286
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421
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Barefoot Manner
105
102
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107
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Bela Fleck and the Flecktones
1.5k
488
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613
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Ben Kweller
40
32
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35
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Benevento Russo Duo
188
278
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383
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Bernie Worrell
37
7
shows
7
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Bernie Worrell and the WOO Warriors
27
27
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29
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Bernie Worrell Orchestra
50
19
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27
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Big Something
549
352
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523
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Billy & the Kids
2.2k
17
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62
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Billy Strings
87.1k
539
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1,056
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Blind Melon
1.5k
62
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76
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Blueground Undergrass
110
182
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205
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Grateful Dead
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July 3rd
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60 tapes
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1995
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49
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85
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460
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37.3k
83
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656
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35.7k
57
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539
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54.1k
78
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1990
67.4k
78
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1,139
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1989
48.7k
78
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1988
35.7k
82
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1987
54.7k
88
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1986
18.8k
47
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60.2k
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40.8k
67
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1983
33.4k
71
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1982
19.8k
63
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753
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25.1k
92
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868
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1980
65.8k
91
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794
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1979
24.7k
79
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608
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1978
40.1k
87
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592
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1977
145.9k
64
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419
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1976
147.9k
45
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298
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1975
7.2k
25
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63
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1974
101.4k
42
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324
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1973
84.8k
75
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445
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1972
39.6k
88
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361
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1971
27.7k
82
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358
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1970
38.4k
101
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376
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1969
23k
112
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326
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1968
7k
41
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125
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1967
2.1k
23
shows
55
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1966
4.8k
32
shows
78
tapes
1965
503
2
shows
2
tapes
1973
SBD
XX/XX
Wake Of The Flood Sessions
Unknown Location
4
17:18
1
tape
12/19
SBD
Curtis Hixon Convention Hall
Tampa, FL, USA
1.4k
3:48:27
7
tapes
12/18
SBD
Curtis Hixon Convention Hall
Tampa, FL, USA
2k
6:07:24
8
tapes
12/12
SBD
The Omni
Atlanta, GA, USA
629
4:00:37
5
tapes
12/10
SBD
Charlotte Coliseum
Charlotte, NC, USA
4
6:49
1
tape
12/08
SBD
Cameron Indoor Stadium, Duke U.
Durham, NC, USA
748
4:26:03
10
tapes
12/06
SBD
Cleveland Public Auditorium
Cleveland, OH, USA
514
3:23:27
10
tapes
12/04
SBD
Cincinnati Gardens
Cincinnati, OH, USA
349
2:08:19
4
tapes
12/02
SBD
Boston Music Hall
Boston, MA, USA
511
3:11:23
6
tapes
12/01
SBD
Boston Music Hall
Boston, MA, USA
397
6:49:50
10
tapes
11/30
SBD
Boston Music Hall
Boston, MA, USA
756
2:58:29
4
tapes
11/28
SBD
Palace of Fine Arts
San Francisco, CA
239
4:32:06
1
tape
11/25
SBD
Feyline Field
Tempe, AZ, USA
242
3:21:11
4
tapes
11/23
SBD
County Coliseum
El Paso, TX, USA
136
3:22:14
3
tapes
11/21
SBD
Denver Coliseum
Denver, CO, USA
505
3:07:35
6
tapes
11/20
SBD
Denver Coliseum
Denver, CO, USA
1.7k
3:40:13
8
tapes
11/17
SBD
Pauley Pavilion, UCLA
Los Angeles, CA, USA
2k
3:52:26
7
tapes
11/14
SBD
San Diego Sports Arena
San Diego, CA, USA
784
6:08:23
7
tapes
11/11
SBD
Winterland Arena
San Francisco, CA, USA
2.9k
3:11:10
7
tapes
11/10
SBD
Winterland Arena
San Francisco, CA, USA
376
2:31:44
2
tapes
11/09
SBD
Winterland Arena
San Francisco, CA, USA
651
3:03:36
1
tape
11/01
SBD
McGaw Memorial Hall, Northwestern U.
Evanston, IL, USA
92
3:04:25
6
tapes
10/30
SBD
Kiel Auditorium
St. Louis, MO, USA
412
3:17:25
7
tapes
10/29
SBD
Kiel Auditorium
St. Louis, MO, USA
254
5:46:24
8
tapes
10/27
SBD
Indianapolis State Fair Coliseum
Indianapolis, IN, USA
102
3:20:09
3
tapes
10/25
SBD
Dane County Coliseum
Madison, WI, USA
155
2:50:38
8
tapes
10/23
SBD
Metropolitan Sports Center
Bloomington, MN, USA
219
2:33:36
3
tapes
10/21
SBD
Omaha Civic Auditorium
Omaha, NE, USA
56
2:37:01
2
tapes
10/19
SBD
Oklahoma City Fairgrounds Arena
Oklahoma City, OK, USA
447
3:00:08
2
tapes
9/26
SBD
War Memorial Auditorium
Buffalo, NY, USA
398
3:16:10
5
tapes
9/24
SBD
Civic Arena
Pittsburgh, PA, USA
165
2:57:33
9
tapes
9/21
SBD
The Spectrum
Philadelphia, PA, USA
227
3:02:01
8
tapes
9/20
SBD
The Spectrum
Philadelphia, PA, USA
154
2:12:57
2
tapes
9/17
SBD
Onondaga County War Memorial
Syracuse, NY, USA
145
2:59:19
4
tapes
9/15
SBD
Providence Civic Center
Providence, RI, USA
124
3:10:51
4
tapes
9/12
SBD
William and Mary College Hall
Williamsburg, VA, USA
148
2:29:03
5
tapes
9/11
SBD
William and Mary College Hall
Williamsburg, VA, USA
355
3:16:13
8
tapes
9/08
SBD
Nassau Coliseum
Uniondale, NY, USA
541
3:30:35
8
tapes
9/07
SBD
Nassau Coliseum
Uniondale, NY, USA
493
3:30:19
3
tapes
8/04
SBD
Record Plant
Sausalito CA
37
29:59
1
tape
8/01
SBD
Roosevelt Stadium
Jersey City, NJ, USA
476
3:00:16
17
tapes
7/31
Roosevelt Stadium
Jersey City, NJ, USA
99
3:36:17
6
tapes
7/28
SBD
Grand Prix Racecourse
Watkins Glen, NY, USA
656
4:40:58
15
tapes
7/27
SBD
Grand Prix Racecourse
Watkins Glen, NY, USA
644
1:40:38
13
tapes
7/01
SBD
Universal Amphitheatre
Universal City, CA, USA
4.2k
2:53:38
8
tapes
6/30
SBD
Universal Amphitheatre
Universal City, CA, USA
2.7k
2:56:43
11
tapes
6/29
SBD
Universal Amphitheatre
Universal City, CA, USA
1.7k
1:53:28
1
tape
6/26
SBD
Seattle Center Arena
Seattle, WA, USA
3.6k
3:56:23
7
tapes
6/24
SBD
Portland Memorial Coliseum
Portland, OR, USA
2.8k
3:13:19
3
tapes
6/22
SBD
P.N.E. Coliseum
Vancouver, British Columbia, Canada
7.7k
4:21:20
10
tapes
6/10
SBD
RFK Stadium
Washington, DC, USA
13.8k
4:47:33
14
tapes
6/09
SBD
RFK Stadium
Washington, DC, USA
4k
3:28:38
10
tapes
5/26
SBD
Kezar Stadium
San Francisco, CA, USA
4.3k
4:08:28
11
tapes
5/20
SBD
Stadium (UC Santa Barbara)
Santa Barbara, CA, USA
1.2k
3:49:59
7
tapes
5/13
SBD
Des Moines State Fairgrounds
Des Moines, IA, USA
124
4:20:11
5
tapes
4/02
SBD
Boston Garden
Boston, MA, USA
2.1k
3:35:53
5
tapes
3/31
SBD
War Memorial Auditorium
Buffalo, NY, USA
275
2:45:50
4
tapes
3/30
SBD
Community War Memorial Auditorium
Rochester, NY, USA
143
2:44:04
3
tapes
3/28
SBD
Springfield Civic Center
Springfield, MA, USA
501
3:43:43
9
tapes
3/26
SBD
Baltimore Civic Center
Baltimore, MD, USA
954
3:54:25
5
tapes
3/24
SBD
The Spectrum
Philadelphia, PA, USA
1k
3:50:35
5
tapes
3/22
SBD
Utica Memorial Auditorium
Utica, NY, USA
150
3:39:46
8
tapes
3/21
SBD
Utica Memorial Auditorium
Utica, NY, USA
511
3:51:50
6
tapes
3/19
SBD
Nassau Coliseum
Uniondale, NY, USA
809
3:27:03
6
tapes
3/16
SBD
Nassau Coliseum
Uniondale, NY, USA
834
3:26:39
6
tapes
3/15
SBD
Nassau Coliseum
Uniondale, NY, USA
135
3:19:53
4
tapes
2/28
SBD
Salt Palace
Salt Lake City, UT, USA
180
2:03:39
3
tapes
2/26
SBD
Pershing Municipal Auditorium
Lincoln, NE, USA
751
3:03:19
2
tapes
2/24
SBD
U. of Iowa
Iowa City, IA, USA
22
52:08
3
tapes
2/22
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
462
2:55:46
4
tapes
2/21
SBD
Assembly Hall, U. of Illinois
Champaign-Urbana, IL, USA
392
2:37:30
2
tapes
2/19
SBD
International Amphitheatre
Chicago, IL, USA
220
1:26:53
3
tapes
2/17
SBD
St. Paul Auditorium
St. Paul, MN, USA
1.2k
3:04:57
5
tapes
2/15
SBD
Dane County Coliseum
Madison, WI, USA
2.3k
3:27:55
8
tapes
2/09
SBD
Roscoe Maples Pavilion, Stanford U.
Palo Alto, CA, USA
2.5k
3:26:38
8
tapes
6/10/73
Tuning
1:11
Morning Dew
11:31
Beat It On Down The Line
3:35
Ramble On Rose
7:54
Jack Straw
5:31
Wave That Flag
6:08
Looks Like Rain
7:49
Box Of Rain
5:32
They Love Each Other
5:29
The Race Is On
3:22
Row Jimmy
10:09
El Paso
4:26
Bird Song
12:16
Playing In The Band
18:02
Tuning
0:15
Eyes Of The World ->
21:46
Stella Blue
8:30
Big River
5:09
Here Comes Sunshine
11:15
Around And Around
6:13
Dark Star ->
27:09
He's Gone ->
14:45
Wharf Rat ->
8:12
Truckin'
7:43
Sugar Magnolia
9:56
Tuning
1:23
It Takes A Lot To Laugh It Takes A Train To Cry
8:24
That's All Right, Mama
13:41
The Promised Land
4:48
Not Fade Away ->
11:37
Goin' Down The Road Feeling Bad ->
10:52
Drums ->
6:07
Not Fade Away ->
3:36
Johnny B. Goode
3:17
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
4:47:33
SBD
REMASTER
Rating:
10.00 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1973-06-10.131065.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper Notes:
View Notes
Matrix by dusborne 08-22-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use st5 to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 08-22-2014
Transferrer: Charlie Miller and Kevin Tobin
4:42:32
SBD
Rating:
9.08 / 13 ratings
Transferrer:
Charlie Miller and Kevin Tobin
SHNID:
gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Taper Notes:
View Notes
This is the Miller sbd (89730) patched with the two audience sources (90351 and 89681), and then pitch corrected. See text file for details. Kevin Tobin did the work.
Transferrer: Charlie Miller
4:35:04
SBD
Rating:
9.83 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-10.sbd.miller.fix-89640.89730.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Transferrer: Charlie Miller
4:34:02
SBD
Rating:
9.68 / 19 ratings
Transferrer:
Charlie Miller
SHNID:
gd1973-06-10.sbd.miller.89640.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.01 -> FLAC
Taper: Monte Barry
4:41:26
SBD
REMASTER
Rating:
10.00 / 4 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
Source:
Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Taper: Monte Barry
4:41:26
SBD
REMASTER
Rating:
10.00 / 2 ratings
Taper:
Monte Barry
Transferrer:
Matt Smith
SHNID:
gd1973-06-10.121030.barry.smith.AUD-fob.flac16
Source:
taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform;
Lineage:
transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
Transferrer: Kevin Tobin
4:40:24
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.dts.tobin.90794.flac
Source:
SBD (89730) + AUD (90351) + AUD (89681)
Transferrer: Kevin Tobin
4:40:24
SBD
Rating:
9.33 / 11 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.mtx.tobin.90771.flac16
Source:
SBD (89730) + AUD (90351) + AUD (89681)
Transferrer: David Hollister and G.S. Hamilton
4:46:27
SBD
Rating:
9.23 / 217 ratings
Transferrer:
David Hollister and G.S. Hamilton
SHNID:
gd73-06-10.sbd.hollister.174.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > MR (10'' reels) > DAT > CD > EAC > SHN
Taper Notes:
View Notes
d1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing) d1t09 (The Race Is On) several anomalies at the 1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing) D2t01 (Bird Song): very brief tape waver @ 2:44 D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54 D4t06 (GDTRFB): reel flip/splice @ 6:42
Taper: Bill Gadsden
1:27:13
Taper:
Bill Gadsden
Transferrer:
Charlie Miller; Neil Sturtevant
SHNID:
gd1973-06-10.partial.fob.gadsden.89681.sbeok.flac16
Lineage:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View Notes
-- Disc change is seamless -- Recorded by Bill Gadsden
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136253.aud.cooper.berger.flac16
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notes
notes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: Jimmy & Laurie Cooper, & Arti
1:29:18
Rating:
10.00 / 1 rating
Taper:
Jimmy & Laurie Cooper, & Arti
Transferrer:
Rob Berger
SHNID:
gd1973-06-10.136252.aud.cooper.berger.flac24
Source:
Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
Taper Notes:
View Notes
notes:* as per Jim Cooper, the story of why this is an offering of only part of this epic day: This is my most frustrating concert ever. Arti offered to use his AKG's for this as an experiment with the Hitachi, as I had never used premium mics before. (the database needs to be changed regarding the mics) We were not able to go Saturday, but went on sunday. My old friend and his girlfriend offered to drive us all there. Laurie, Arti & I, with our gear and a full cooler (thank goodness) sat in the backseat. At the show, My friend & his GF went into the stands, as she couldn't take the heat, which was excessive. Laurie Arti & I found a sweet spot about halfway between the stage & the soundboard, arti had poles. The opening act sucked and played longtime. ABB came on and played a long time. we did not record them due to limitations on our resources, although a group of die hard ABB fans with a R2R and a dead car battery begged us to. We were tripping of course, as were most. The duration and heat combined to create a very challenging experience, thank goodness for the large woman who befriended us and sat on the cooler, keeping out the baked refugees all around us. There was no water provided. As the night came, cooling things down the dead began and they were UNBELIEVABLE, They were experimenting with phil's sub sound and the heat combined to produce a very soothing effect on the brain each time phil plucked a sustained bass note. The stadium echoed the sound (Stella Blue) to enhance the trippiness of the 2nd set especially. We recorded everything, we were so thrilled as we observed the levels with the AKG's, man we were psyched. THEN about almost just before the encore, my friends found us and wanted to leave, the GF had to take an exam in the morning in NYC, WE did not want to go, they left us there. Show was over and we went out and started hitchhiking, with all our gear and the cooler. NO Rides We walked around the parking lot and found a van with NY plates and asked the people if they had room. They said yes, but they wanted to crash for a while. We said OK and sat down and began playing tapes of the show, I had brought the speakers along for the car ride. We were listening to this very tape when we 3 fell asleep. We awoke when we heard car noises and our ride was getting ready to go, we gathered up our stuff and got into the back of the van. We slept off & on to NYC, it was almost 7am as we hit the GWB. I went looking for something in my pack, (a cassette carrying case, about 24 tapes.) and it was missing, I had brought a bunch of live shows, including GD soundchecks from nassau coliseum with a few "box of rain" and other gems. We checked our stuff, artis mics were gone as was our canon slr and all of the fuckin tapes which we just recorded, EXCEPT this one. We cried once we heard how good the sound of the tape was, and we all knew all knew just what a great show it was.
Taper: See info file
4:40:24
Rating:
10.00 / 2 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1973-06-10.aud.barry-gadsden.tobin.90796.flac16
Source:
Composite Audience
Lineage:
See info file
Taper: Monte Barry
4:32:41
Rating:
9.33 / 12 ratings
Taper:
Monte Barry
Transferrer:
Monte Barry
SHNID:
gd1973-06-10.fob.barry.90351.flac16
Source:
FOB > Single-point Mic > Sonny TC 110 > MAC
Lineage:
MAC > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > FLAC
Taper Notes:
View Notes
-- This show is complete -- Most track changes are seemless -- Patches are cross-faded -- SBD patches have "concert hall" echo/delay effects applied -- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23 -- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched -- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16 -- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58 -- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01