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Years
1995
26.8k
49 shows
343 tapes
1994
17.8k
85 shows
460 tapes
1993
37k
83 shows
656 tapes
1992
31.6k
57 shows
539 tapes
1991
54.8k
78 shows
973 tapes
1990
66.2k
78 shows
1,139 tapes
1989
47.8k
78 shows
1,017 tapes
1988
31.2k
82 shows
882 tapes
1987
53.2k
88 shows
1,029 tapes
1986
15.1k
47 shows
684 tapes
1985
50.3k
73 shows
1,360 tapes
1984
35.7k
67 shows
1,081 tapes
1983
32.6k
71 shows
1,071 tapes
1982
19.6k
63 shows
753 tapes
1981
25.2k
92 shows
868 tapes
1980
63.3k
91 shows
794 tapes
1979
20.8k
79 shows
608 tapes
1978
39.4k
87 shows
592 tapes
1977
148.9k
64 shows
419 tapes
1976
148.3k
45 shows
298 tapes
1975
7k
25 shows
63 tapes
1974
95.3k
42 shows
324 tapes
1973
76.3k
75 shows
445 tapes
1972
39.8k
88 shows
361 tapes
1971
28.1k
82 shows
358 tapes
1970
38.4k
101 shows
376 tapes
1969
22.7k
112 shows
326 tapes
1968
7.2k
41 shows
125 tapes
1967
1.9k
23 shows
55 tapes
1966
4.6k
32 shows
78 tapes
1965
505
2 shows
2 tapes
1973
12/19/73
Promised Land
3:40
Sugaree
8:33
Mexicali Blues
3:33
Dire Wolf
4:45
Black Throated Wind
7:19
Candyman
7:10
Jack Straw
5:13
Big Railroad Blues
4:18
Big River
5:42
Here Comes Sunshine
14:30
El Paso
5:05
Ramble On Rose
6:36
Playing In The Band
21:14
Mississippi Half-Step Uptown Toodeloo ->
7:36
Me And Bobby McGee
6:21
Row Jimmy
9:36
Weather Report Suite
16:04
He's Gone ->
10:52
Truckin' ->
9:24
Nobody's Fault But Mine ->
5:54
The Other One ->
16:30
Stella Blue
8:51
Around And Around
5:41
Casey Jones
7:19
FIN
View on archive.org
Sources
Transferrer: Charlie Miller; Dan
3:27:17
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Charlie Miller; Dan
SHNID:
gd1973-12-19.107984.sbd.dan.patch-97361.flac16
Source:
SBD -> Master Reel -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesPatch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s (still strong after 37 years) -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-fade\d and cut on sector boundaries. I have added the spoken intro before Promised Land and added the bass solo in between Nobody's Fault But Mine and The other One. I was sitting in the seats on the right as close to the speakers as I could get without looking suspicious. Maybe 50-60 feet. For what it's worth, that's me saying "They're a lot more casual tonight" just before Promised Land (comparing it to 12/18/73).
Source 6 of 7
3:48:27
Rating:
9.33 / 3 ratings
SHNID:
gd1973-12-19.126124.mtx.dusborne.droncit.flac16
Source:
Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
Taper Notes:
View NotesAudience material from source B (almost entirely) Set I Source a= soundboard shnid 97361 (not pitch-corrected) Source b= Dan McDonald (droncit) audience flat transfer of cassette masters Source b transferred with Nakamichi BX-1 adapted for flat transfer; eq applied with Diamond Cut Forensics 8. Notes: I have put the longer audience, tuning, announcements, portions as separate tracks so that those who want the full show will have that, while those who want only the music can eliminate those portions. The single exception is the beginning of Weather Report Suite, which is announced as "for all you rowdies out there." Occasionally, there is variation in the vocal location. This appears to be some sort of anomaly between what was recorded through the 'soundboard' tape and what actually went through the speakers. Audience/tuning material from source B (almost entirely) Dusborne did all the synchronization work. Droncit is responsible for the overall mix and sound. Designed to be played loud. If your speakers aren't able to handle the bass, please get new speakers. Thanks to TDK for making tapes that can hold up well for 40 years. Thanks to Craig of Diamond Cut for all the help with the theory and eq curves. Thanks to my dad for the electronics tweaks. 87 and going strong! Thanks to Dusborne for all the synchronization work. Thanks to Mrs. Dusborne (Tina Usborne) for listening and offering opinions. Thanks to Melinda B. (wherever you are) for help with the microphone/recorder and comments about Bob Weir's haircut. Problems/Comments: droncit@yahoo.com *last 7 minutes or so from source A only (rejoins during last vocal) **about 16 seconds of the jam portion from Source B only. ***verse beginning "she comes from the town" source b only for about a minute ****source b only *****almost all of Around & Around and all of Casey Jones are soundboard only