1980-05-06 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Taylor Mason for the Nakamichi 304 source which supplies a 0:34 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
April 2022

Taper: Rob Eaton

2:40:39

Rating:

Scott Clugston, Charlie Miller

SHNID:

gd1980-05-06.157536.senn441.senn421.blend.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Taylor Mason for the Nakamichi 304 source which supplies a 0:34 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
April 2022

Taper: Mason B. Taylor

gd1980-05-06.128608.naks.mason.flac16

Source:

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones

Taper Notes:

View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

Taper: Bob Morris

gd1980-05-06.aud.morris-patch.111027.sbeok.flac16

Source:

Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris

Taper Notes:

View Notes- Tape flip in The Other One patched (4:31-4:41) with shnid 6691 Senn 421's
- Tape flip between Drums and Space spliced using Soundforge 9.0
- Thanks to Sam for help and to Charlie Connor for lending his mic
- Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris

Taper: Bob Morris

gd1980-05-06.sonyecm990.morris.99954.sbeok.flac16

Source:

Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesNotes - tape flip in The Other One and between drums and space

Transferrer: Rob Eaton

gd80-05-06.senn.kaplan.6691.sbeok.shnf

Source:

Audience Recording: Sennnheiser 421

Lineage:

Sennnheiser 421 > Nak 550 fob analog; sony pcm r-700 > hhb cdr-800

Taper Notes:

View NotesSennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella

Source 7 of 7

??> cassette> wav> shn

Taper Notes:

View Notes??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore