1980-11-28 | Grateful Dead

View NotesNotes:
-- This is a remaster of shnid=20049
-- I repaired the pitch and vocal phase issues
-- I also repatched the cuts and fixed the levels
-- Thanks to Rob Eaton, Jim Wise and Andy Lemieux for the discs
-- Patch source recorded by Bob Wagner
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: Matrixed by Chris Chappell

2:29:46

SBD

Rating:

10.00 / 2 ratings

Transferrer:

Matrixed by Chris Chappell

SHNID:

gd1980-11-28.150975.mtx.chappell.sb33b.flac16

Source:

Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38%

Lineage:

(SHN > Vegas 5 > CD Wave > Flac16)

Taper Notes:

View NotesStats:
last electric Deep Elem Blues - 12/28/70

Notes:
I've had this matrix in the can for almost fourteen years, but I was waiting
to release it with 11-26. The SBD had never surfaced
for the Alligator Alley show on 11-29 (until 2017), so I
figured this amazing 4 show late fall run could all go in one volume,
just in time for the 30th anniversary, instead I waited for the 40th Anniversary!

Thanks to Andy Lemieux and Kingbee for the SBD and Matt Vernon for encoding it, and to Bill Koucky for bringing us the AUD,
we all appreciate it.

Enjoy!
-Chappy
11-28-20

Transferrer: Kevin Tobin

gd1980-11-28.sbd.vernon.tobin.fix-20049.90062.sbeok.flac16

Source:

Remaster of shnid 20049

Lineage:

See info file

Taper Notes:

View NotesNotes: This is a second remaster of this excellent recording and show.
Crossfades were applied between nearly all first set tunes and before
To Lay Me Down and US Blues. Edits and mastering were done at 24 bit.
The discs are seamless.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave.  Audition 3.0 was used to align & synch the SBD & AUD sources.  Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels.  Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 17-FEB-2008  
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw.

2) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source.

3) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source.

4) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source.

5) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues.

6) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source.

7) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source.

8) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1.

9) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source.

10) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source.

11) Matrix\DTS and Patched Soundboard were synced using the Green Mountain Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute.

Brokedown House Production

Source 4 of 12

gd80-11-28.sbd.vernon.20049.sbeok.shnf

Source:

Soundboard

Lineage:

Soundboard Cassette Master > Reel > DAT > CDR

Taper Notes:

View NotesSource: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee
Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston
Encoding/patching by Matt Vernon

Taper: Bob Wagner

gd1980-11-28.nak700.wagner.miller.90013.sbeok.flac16

Source:

(FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby DB) D

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Thanks to Bob Wagner for lending me his masters

Taper: Bob Wagner and Jim Wise

2:29:45

Taper:

Bob Wagner and Jim Wise

Transferrer:

David Minches

SHNID:

gd1980-11-28.127547.all.wagner.wise.minches.flac2496

Source:

Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding

Taper: Bob Wagner and Jim Wise

2:29:45

Taper:

Bob Wagner and Jim Wise

Transferrer:

David Minches

SHNID:

gd1980-11-28.127546.all.wagner.wise.minches.flac1644

Taper: See info file

gd1980-11-28.dts.tobin.90063.flac

View NotesDTS-Audio-CD 5.1 Mix

Notes: This is a second remaster of this excellent recording and show.
Crossfades were applied between nearly all first set tunes and before
To Lay Me Down and US Blues. Edits and mastering were done at 24 bit.
The discs are seamless.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave.  Audition 3.0 was used to align & synch the SBD & AUD sources.  Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels.  Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 16-FEB-2008  
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw.

2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O.

3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source.

4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source.

5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source.

6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues.

7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source.

8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source.

9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1.

10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source.

11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source.

12) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source.

13) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source.

14) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source.

15) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -2db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: See info file

gd1980-11-28.mtx.tobin.90057.sbeok.flac16

View NotesSBD + AUD Matrix 2 Source Mix
(50%-SBD/50%-AUD)

---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave.  Audition 3.0 was used to align & synch the SBD & AUD sources.  Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels.  Surcode CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 16-FEB-2008  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -0

SET TWO

Stereo Matrix
SBD -0
AUD -0
---------------------------------------------------------
Audio Patches:

1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw.

2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O.

3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source.

4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source.

5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source.

6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues.

7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source.

8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source.

9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1.

10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source.

11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source.

12) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source.

13) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source.

14) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source.

15) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source.

16) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute.

Brokedown House Production

Transferrer: Bill Koucky

gd1980-11-28.nak700.gmb.89932.flac16

Source:

FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT

Lineage:

Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] > iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC

Taper Notes:

View NotesThis is a second remaster of this excellent recording and show.
Crossfades were applied between nearly all first set tunes and before
To Lay Me Down and US Blues. Edits and mastering were done at 24 bit.
The discs are seamless.

Transferrer: Bill Koucky

gd1980-11-28.nak700.kocky.76519.sbeok.flac16

Source:

FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT

Lineage:

Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac

Taper Notes:

View NotesA remaster of an excellent performance and recording through Wavelab.
Stranger was put on the end of disc 1 to allow show to fit on 2 discs. There
was a pause between Stranger and To Lay Me Down, this splice was edited out,
as was the splice/flips after Passenger and between drums and space. There
was also some diginoise on my DAT eliminated before US Blues.

Source 12 of 12

gd80-11-28.naks.clugston.2222.sbeok.shnf

Source:

Audience Recording: Nak CM700's

Lineage:

Nakamichi CM700 mics> Sony D5> DAT > CDR

Taper Notes:

View NotesMaster FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston