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July 10th
Years
1995
23.2k
49 shows
343 tapes
1994
20.6k
85 shows
460 tapes
1993
28.1k
83 shows
656 tapes
1992
31k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
69k
78 shows
1,139 tapes
1989
72.8k
78 shows
1,017 tapes
1988
46.1k
82 shows
882 tapes
1987
66.5k
88 shows
1,029 tapes
1986
23.4k
47 shows
686 tapes
1985
63.1k
73 shows
1,360 tapes
1984
49.3k
67 shows
1,081 tapes
1983
33k
71 shows
1,071 tapes
1982
18.6k
63 shows
753 tapes
1981
41.6k
92 shows
868 tapes
1980
53.3k
91 shows
794 tapes
1979
25.4k
79 shows
608 tapes
1978
52k
87 shows
592 tapes
1977
105.2k
64 shows
419 tapes
1976
133.8k
45 shows
298 tapes
1975
5.5k
25 shows
63 tapes
1974
96.7k
42 shows
324 tapes
1973
77.7k
75 shows
445 tapes
1972
37.6k
88 shows
361 tapes
1971
31.1k
82 shows
358 tapes
1970
22.6k
101 shows
376 tapes
1969
22k
112 shows
326 tapes
1968
6k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.5k
32 shows
78 tapes
1965
425
2 shows
2 tapes
1983
7/31/83
Jack Straw
6:27
Friend Of The Devil
10:25
Me & My Uncle > Mexicali Blues
8:29
West LA Fadeaway
8:21
Little Red Rooster
8:49
Tennessee Jed
8:04
Looks Like Rain >
8:51
Deal
8:01
Crowd/Tuning
1:45
Hell In A Bucket >
6:24
Scarlet Begonias > Fire On The Mountain >
21:26
Drums >
8:42
Space >
4:19
The Other One >
16:07
Wharf Rat >
9:33
Throwing Stones >
9:15
Not Fade Away
8:31
Not Fade Away Chant
1:13
E1: Touch Of Grey >
6:18
E2: One More Saturday Night
4:50
FIN
View on archive.org
Sources
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167469.akg.330bt.kelley.miller.clugston.flac2496
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Ken Kelley
2:45:50
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-07-31.167468.akg.330bt.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; AKG 330BT mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the Sony ECM 220T source which supplies the first 0:24 of "Jack Straw", as well as 0:50 and 0:40 patches in "Space" - Pitch corrected - Other One space included in "The Other One" Mastered by Scott Clugston April 2024
Taper: Les Shields and Kevin T. Hughes
2:48:22
Rating:
8.00 / 1 rating
Taper:
Les Shields and Kevin T. Hughes
Transferrer:
Kevin T. Hughes
SHNID:
gd1983-07-31.162294.nak300-cp4.shields-hughes.flac2496
Source:
Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 Recorder (Set I-1st; Set II 3rd patch in Master Recording Chain) > Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.3 (Wave Editor S/W for WAV to FLAC file Conversion)
Taper Notes:
View NotesTAPER NOTES: Set I and II where recorded by the same equipment; but in two very different locations. Set II was taped in front of the Sound Board (FOB) and it sounds fabulous; it has a deep-rich bass presence and a near perfect mix of Jerry’s Killer Guitar Playing (it was the last Show of ’83 Summer Tour); However, Set I we got there late to get started, as a result, we had to set up in poor location for taping; Set I we were (a) fare left of Center, in front of Phil; (b) halfway between the FOB and the stage. Our Set I location created some minor bass saturation issues and Jerry’s Guitar was not as bright sounding as I’m accustom too; Set I is still really good to listen too (especially after the first song), but not a great recording by my standards; it does have a clean sounding voice mix which make it a keeper (Set I is a B+ recording; whereas, Set II gets a sold A rating for all of the above reasons).