Mexicali Blues | 1987-03-01 | Grateful Dead

View NotesNotes:
-- The mix in Touch Of Grey is a mess
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:50:51

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 10, 2020

SHNID:

gd1987-03-01.150137.sbd.cm.miller.flac16

Source:

SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- The mix in Touch Of Grey is a mess
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

Taper: Don Pearson and Dan Healy

2:51:24

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 10, 2020

SHNID:

gd1987-03-01.149856.ultra.sbd.miller.flac2496

Source:

UltraMatrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- The mix in Touch Of Grey is a mess
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

Taper: Don Pearson and Dan Healy

2:50:44

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 10, 2020

SHNID:

gd1987-03-01.149855.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- The mix in Touch Of Grey is a mess
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

Transferrer: Charlie Miller

gd1987-03-01.sbd.walker-scotton.miller.82667.sbeok.flac16

Source:

SBD -> Cassette Master (Sony D5)

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16

Taper Notes:

View Notes-- Set 2 is seamless
-- Two different SBD Cassette Masters were used to make this seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

Source 6 of 12

gd87-03-01.sbd.samaritano.23060.sbeok.shnf

Source:

Soundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano

Taper Notes:

View NotesSoundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano

Source 7 of 12

gd87-03-01.sbd.fishman.18118.sbeok.shnf

Source:

SBD > DAT > CDR > EAC > SHN via Fishman

Taper Notes:

View NotesSBD > DAT > CDR > EAC > SHN via Fishman

Transferrer: Ernie Dodd

gd1987-03-01.sbd.banjo.12090.sbeok.shnf

Source:

SBD > MC > DAT > SF > CDR

Lineage:

CDR > DAE > CDWav > SHNTOOL > SHN

Taper Notes:

View NotesNotes:
The SF in the lineage was from the seed discs. No eDits were done.

d2t01 - Porno actress voice
d3t04 - Drummers never leave the stage so it's more of a jam than space.

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1987-03-01.149037.2nd.set.neumann.km84i.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jon Bernstein and Andrew F. for the audience source which supplies the end of the Jam out of "He's Gone", as well as "Drums" (15:58 total)
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
November 2019

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1987-03-01.149036.2nd.set.neumann.km84i.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jon Bernstein and Andrew F. for the audience source which supplies the end of the Jam out of "He's Gone", as well as "Drums" (15:58 total)
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
November 2019

Taper: Jon Bernstein

gd1987-03-01.135410.aud.bernstein.flac1644

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016

Taper Notes:

View NotesNote: Thanks to taperchuck for patch material; He's Gone 0:06 > 0:13 and Black Peter 8:32 > 8:43. Four-second tape-flip gap at start of Good Lovin' crossfaded together.

Taper: Jon Bernstein

gd1987-03-01.135409.aud.bernstein.flac2448

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016

Taper Notes:

View NotesNote: Thanks to taperchuck for AUD patch material; He's Gone 0:06 > 0:13 and Black Peter 8:32 > 8:43. Four-second tape-flip gap at start of Good Lovin' crossfaded together.