1987-07-08 | Grateful Dead

View Notes-- Set 2 is seamless
-- This is from Healy's Ultra Matrix mix
-- Show will fit onto 2 discs if you put Scarlet > Fire on disc 1
-- Thanks to Peter Lavezzoli for the discs

Taper: Bill Koucky

2:28:37

SBD

gd1987-07-08.nak300.koucky.ladner.35399.sbeok.flac16

Source:

Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes

Lineage:

MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8)

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1987-07-08.164878.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View Notes
Notes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Sean Weber-Small and Craig Hillwig for the Schoeps CMC4 MK4 source which supplies a 0:23 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Michael Hessberg

Scott Clugston, Charlie Miller

SHNID:

gd1987-07-08.164877.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View Notes
Notes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Sean Weber-Small and Craig Hillwig for the Schoeps CMC4 MK4 source which supplies a 0:23 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Rich Gastwirt

Charlie Miller and SIRMick

SHNID:

gd1987-07-08.142149.s2.FOB-schoeps-cmc-mk4-ortf.gastwirt.miller.sirmick.flac1644

Source:

Set 2 Source: (FOB) Schoeps cmc mk4 (ortf) > pcm > dat - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited an mastered SIRMick June 2018

Taper Notes:

View NotesThanks to Rich Gastwirt for providing this source and Charlie Miller for the transfer.


edited and mastered
SIRMick
June 2018

Taper: bltz

gd1987-07-08.134871.bltz.flac2496

Source:

Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Maxell XLII-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24

Taper Notes:

View NotesThis was an exceptional show with some special keyboard and Jerry work in both sets. 'Reference' quality versions of many songs. Solid, few flubs; The Scarlet-Fire bridge, Crazy Fingers and Comes a Time are especially good.

Taper: Sean Weber-Small

gd1987-07-08.124757.weber-small.hillwig.cmc44.flac16

Source:

Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small;

Lineage:

DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig

Taper Notes:

View Notes*Removed pre-emphasis with FFT filter in Cool Edit Pro 1.2 at 32-bit.

Taper: Dave Cohen

gd1987-07-08.nak300.cohen.105726.sbeok.flac16

Source:

2 Nakamichi CM100s/CP4>Sony TCD5M w/Dolby Maxell MX90s cassettes. 5th row behind Board, DFC (Sec LT5 Row E Seat 5)

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager.

Transferrer: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV by Don Becker

PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV by Don Becker

SHNID:

gd87-07-08.schoeps.becker.3343.sbeok.shnf

Source:

FOB Schoeps > PCM

Lineage:

FOB>PCM>DAT @ 44.1 khz

Taper Notes:

View NotesFOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV

Source 10 of 11

gd87-07-08.beyerM88s.connor.2318.sbefail.shnf

Source:

AUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN

Taper Notes:

View NotesAUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd

Source 11 of 11

View NotesThis show can fit on two 80 min. discs if discs 1 ends with Fire on
the Mountain.

I (Donbean) got this from a friend. I didn't do this show. However, it was one of the best shows I have seen! This is the best version I have found.