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1992
12/17
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Grateful Dead
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264.7k
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1,864
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1,868
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311
791
250
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285
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139
69
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106
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Ace Bandage
23
49
shows
49
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Adam Deitch
136
84
shows
117
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Akron/Family
4
40
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43
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American Babies
34
88
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107
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Andrew Bird
140
125
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133
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Andy Frasco & The UN
424
83
shows
115
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Animal Collective
292
123
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134
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Animal Liberation Orchestra
1.2k
430
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535
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Antibalas
166
81
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92
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Aquarium Rescue Unit
915
159
shows
236
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Aqueous
148
161
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248
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Assembly of Dust
642
286
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421
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Barefoot Manner
89
102
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107
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Bela Fleck and the Flecktones
1.5k
488
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613
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Ben Kweller
27
32
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35
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Benevento Russo Duo
106
278
shows
383
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Bernie Worrell
65
7
shows
7
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Bernie Worrell and the WOO Warriors
28
27
shows
29
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Bernie Worrell Orchestra
53
19
shows
27
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Big Something
547
352
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523
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Billy & the Kids
1.9k
17
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62
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Billy Strings
81k
540
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1,058
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Blind Melon
1.4k
62
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76
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Blueground Undergrass
105
183
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206
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Grateful Dead
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30.7k
57
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539
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42.3k
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973
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1990
63.2k
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1989
69.9k
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1988
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38.7k
92
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52.3k
91
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794
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24.5k
79
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44.1k
87
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592
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102.4k
64
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419
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131.9k
45
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5.4k
25
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63
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94.8k
42
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324
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75.7k
75
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445
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1972
36.6k
88
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361
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30.2k
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22k
101
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376
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21.3k
112
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5.8k
41
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125
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2k
23
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55
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5.3k
32
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78
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424
2
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2
tapes
1992
SBD
12/17
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
204
2:56:05
9
tapes
12/16
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
99
3:35:07
12
tapes
12/13
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
145
4:45:21
10
tapes
12/12
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
107
2:35:22
10
tapes
12/11
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
71
4:51:45
12
tapes
12/06
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
144
2:40:33
13
tapes
12/05
SBD
Compton Terrace Amphitheatre
Tempe, AZ, USA
81
2:44:47
6
tapes
12/03
SBD
McNichols Sports Arena
Denver, CO, USA
23
2:33:13
9
tapes
12/02
SBD
McNichols Sports Arena
Denver, CO, USA
89
2:32:07
9
tapes
7/01
SBD
Buckeye Lake Music Center
Hebron, OH, USA
2.1k
2:29:46
7
tapes
6/29
SBD
Deer Creek Music Center
Noblesville, IN, USA
2.9k
2:20:08
10
tapes
6/28
SBD
Deer Creek Music Center
Noblesville, IN, USA
2.1k
2:30:37
14
tapes
6/26
SBD
Soldier Field
Chicago, IL, USA
1k
2:35:46
2
tapes
6/25
SBD
Soldier Field
Chicago, IL, USA
1.7k
5:40:24
10
tapes
6/23
SBD
Star Lake Ampitheater
Burgettstown, PA, USA
1.1k
2:34:46
6
tapes
6/22
SBD
Star Lake Ampitheater
Burgettstown, PA, USA
827
2:37:08
7
tapes
6/20
SBD
RFK Stadium
Washington, DC, USA
2.4k
5:14:26
8
tapes
6/18
SBD
Charlotte Coliseum
Charlotte, NC, USA
1.1k
2:29:25
8
tapes
6/17
SBD
Charlotte Coliseum
Charlotte, NC, USA
2.4k
2:22:29
6
tapes
6/15
SBD
Giants Stadium
East Rutherford, NJ, USA
1.4k
2:32:45
4
tapes
6/14
SBD
Giants Stadium
East Rutherford, NJ, USA
1.4k
2:28:12
7
tapes
6/12
SBD
Knickerbocker Arena
Albany, NY, USA
3.6k
2:47:24
24
tapes
6/11
SBD
Knickerbocker Arena
Albany, NY, USA
1.7k
2:30:33
23
tapes
6/09
SBD
Richfield Coliseum
Richfield, OH, USA
126
2:37:13
9
tapes
6/08
SBD
Richfield Coliseum
Richfield, OH, USA
115
2:31:55
10
tapes
6/06
SBD
Rich Stadium
Buffalo, NY, USA
215
2:45:14
15
tapes
5/31
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
498
2:55:43
10
tapes
5/30
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
225
2:35:54
9
tapes
5/29
SBD
Sam Boyd Silver Bowl, U.N.L.V.
Las Vegas, NV, USA
189
2:47:48
9
tapes
5/25
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
67
2:20:26
8
tapes
5/24
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
84
2:41:34
9
tapes
5/23
SBD
Shoreline Amphitheatre
Mountain View, CA, USA
164
2:40:12
8
tapes
5/21
SBD
Cal Expo
Sacramento, CA, USA
62
6:04:16
11
tapes
5/20
SBD
Cal Expo
Sacramento, CA, USA
100
2:31:08
12
tapes
5/19
SBD
Cal Expo
Sacramento, CA, USA
116
2:45:57
10
tapes
3/24
SBD
The Palace
Auburn Hills, MI, USA
61
2:36:02
7
tapes
3/23
SBD
The Palace
Auburn Hills, MI, USA
190
2:49:44
7
tapes
3/21
SBD
Copps Coliseum
Hamilton, Ontario, Canada
167
2:22:54
11
tapes
3/20
SBD
Copps Coliseum
Hamilton, Ontario, Canada
96
2:47:04
10
tapes
3/18
SBD
The Spectrum
Philadelphia, PA, USA
68
2:59:41
11
tapes
3/17
SBD
The Spectrum
Philadelphia, PA, USA
117
2:24:12
12
tapes
3/16
SBD
The Spectrum
Philadelphia, PA, USA
53
2:55:09
15
tapes
3/13
SBD
Nassau Coliseum
Uniondale, NY, USA
70
2:36:19
9
tapes
3/12
SBD
Nassau Coliseum
Uniondale, NY, USA
42
2:31:09
10
tapes
3/11
SBD
Nassau Coliseum
Uniondale, NY, USA
89
2:35:37
12
tapes
3/09
SBD
Capital Centre
Landover, MD, USA
96
2:28:10
12
tapes
3/08
SBD
Capital Centre
Landover, MD, USA
55
2:58:13
8
tapes
3/06
SBD
Hampton Coliseum
Hampton, VA, USA
86
2:51:37
8
tapes
3/05
SBD
Hampton Coliseum
Hampton, VA, USA
69
2:41:22
9
tapes
3/03
SBD
The Omni
Atlanta, GA, USA
62
2:29:21
5
tapes
3/02
SBD
The Omni
Atlanta, GA, USA
220
2:36:37
8
tapes
3/01
SBD
The Omni
Atlanta, GA, USA
135
2:33:31
7
tapes
2/24
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
182
2:44:32
12
tapes
2/23
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
131
2:48:08
10
tapes
2/22
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
83
2:45:32
8
tapes
2/21
Club Front Studio
San Rafael, CA
24
46:55
1
tape
2/13
SBD
Club Front
, San Rafael, CA
5
5:24
1
tape
12/17/92
Touch of Grey
7:46
Walkin Blues
6:21
Loser
7:45
Queen Jane Approximately
7:47
So Many Roads
7:01
Music Never Stopped (end set)
8:24
Scarlet Begonias>
9:53
Fire on the Mountain
12:43
Long Way to go Home
6:15
Corinna>
9:09
Uncle John's Band>
8:27
Playing In The Band Reprise ->
5:23
Drums>
9:42
Space>
19:55
The Last Time>
6:31
Here Comes Sunshine>
7:03
Throwing Stones>
9:39
Not Fade Away
9:24
Baba O'Reilly>
3:35
Tomorrow Never Knows
4:45
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:46:17
SBD
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140854.sbd.cm.miller.flac1644
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View Notes
Notes: -- This file set is 16 bit
Transferrer: Charlie Miller
2:46:17
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1992-12-17.140832.sbd.miller.flac2496
Source:
SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper: See info file
2:47:28
SBD
Rating:
8.00 / 3 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.mtx.tobin.87983.sbeok.flac16
Source:
SBD + AUD Matrix 4 Source Mix (60%-SBD/40%-AUD)
Lineage:
See info file
Taper Notes:
View Notes
Audio Source Information SBD (shnid=5552) Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR Thanks to Tommy Banjo & MerryPranksterTree seeded to etree by StoneBear 9/27/2001 StoneBear 9/27/2001 AUD1 (shnid=79732) Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - todd@bluedakota.com DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE shnflac@gmail.com October 2006 Notes- * mid way through Fire until the first verse of Uncle John's Band patched with sbd source, shnid5552 A **GEMS Production** www.shnflac.net AUD2 (shnid=29086) Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided from Tom through Roger Transfer by Chris Larson (VegasBobby@gmail.com) AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 26-OCT-2007 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD .5 AUD -1.5 SET TWO Stereo Matrix SBD .5 AUD -1.5 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. Brokedown House Production
Source 4 of 9
2:45:38
SBD
Rating:
7.38 / 20 ratings
SHNID:
gd92-12-17.sbd-2track.stonebear.5552.sbeok.shnf
Source:
Soundboard
Lineage:
Dan Healy 2 track pa sbd dat master > Healy cassette > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
Taper Notes:
View Notes
Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
Transferrer: D5scott
2:24:59
Rating:
8.00 / 1 rating
Transferrer:
D5scott
SHNID:
gd1992-12-17.119222.sonicsolution.d5scott.flac16
Source:
Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes
notes: ** Recorded with 2 Beyer M-160 microphones. I switched microphones after Loser and went stealth. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: See info file
2:47:28
Rating:
6.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1992-12-17.dts.tobin.88013.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & both AUD sources. Audition 2.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by kevtobin@yahoo.com - FLAC conversion 27-OCT-2007 --------------------------------------------------------- Audio Faults: 1) Between So Many Roads and The Music Never Stopped, 06.821 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 2) About 4 minutes into Fire On The Mountain, 26 minutes and 46.643 seconds were missing from the AUD1 audience source and filled in with audio from the AUD2 audience source. This portion of the audio was normalized to blend in better. 3) Between Fire On The Mountain and Long Way to go Home, 1 minute and 05.798 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 4) During Drums, 05.865 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 5) During Space, 06.743 seconds were missing from the soundboard source and was filled in with audio from the AUD3 audience source. This portion of the audio was normalized to blend in better. 6) The encore on the GEM (AUD1) had a speed problem being almost 6% slow (almost 3 seconds every minute). As no video existed for this segment, I compared to similar encore from 5/31/92 and used that as a basis to correct the speed of the GEM. The video and the GEM recording provided the timing referenece being almost exactly alike whereas the Healy sbd was slightly fast (aprox 1% or .5 seconds every 2 minutes). The first set was synced to the GEM and the 2nd set was synced to the video except the encore that was missing. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Chip Copeland
2:56:05
Rating:
8.00 / 3 ratings
Taper:
Chip Copeland
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1992-12-17.fob.neumann.copeland.gems.79732.sbeok.flac16
Source:
Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255
Lineage:
DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
Taper: Unknown
2:46:42
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.29086.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r
Transferrer: Chris Larson
2:46:42
Rating:
10.00 / 1 rating
Transferrer:
Chris Larson
SHNID:
gd1992-12-17.aud.larson.28903.sbeok.shnf
Source:
Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz
Lineage:
DAT>ZA2(S/PDIF)>Samplitude2496>CD-r