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197311/17
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1995
20.8k
49 shows
343 tapes
1994
22.6k
85 shows
460 tapes
1993
31k
83 shows
656 tapes
1992
33.2k
57 shows
539 tapes
1991
45.8k
78 shows
973 tapes
1990
70.8k
78 shows
1,139 tapes
1989
65.5k
78 shows
1,017 tapes
1988
46k
82 shows
882 tapes
1987
58.4k
88 shows
1,029 tapes
1986
21.5k
47 shows
686 tapes
1985
63.5k
73 shows
1,360 tapes
1984
47.1k
67 shows
1,081 tapes
1983
32.9k
71 shows
1,071 tapes
1982
18.9k
63 shows
753 tapes
1981
37k
92 shows
868 tapes
1980
57.5k
91 shows
794 tapes
1979
25.7k
79 shows
608 tapes
1978
40.4k
87 shows
592 tapes
1977
125.7k
64 shows
419 tapes
1976
142k
45 shows
298 tapes
1975
6k
25 shows
63 tapes
1974
101.3k
42 shows
324 tapes
1973
85.4k
75 shows
445 tapes
1972
37.9k
88 shows
361 tapes
1971
31.3k
82 shows
358 tapes
1970
23.9k
101 shows
376 tapes
1969
21.7k
112 shows
326 tapes
1968
6.6k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.5k
32 shows
78 tapes
1965
475
2 shows
2 tapes
1973
11/17/73
Me And My Uncle
3:49
Here Comes Sunshine
11:34
Looks Like Rain
7:34
Deal
4:59
Mexicali Blues
3:35
Tennesee Jed
7:40
The Race Is On
3:28
China Cat Sunflower >
9:13
I Know You Rider
5:32
Big River
5:32
Brown Eyed Women
5:33
Around And Around
5:10
Row Jimmy
9:10
Jack Straw
4:55
Ramble On Rose
6:08
Playing In The Band >
14:42
Uncle John's Band >
6:59
Morning Dew >
13:34
Uncle John's Band >
1:53
Playing In The Band
11:10
Stella Blue
7:25
El Paso
4:10
Eyes Of The World >
14:15
Sugar Magnolia
9:14
Casey Jones
6:43
Playing In The Band >
14:42
Uncle John's Band >
7:00
Morning Dew >
13:34
Uncle John's Band >
10:11
Playing In The Band
3:02
FIN
View on archive.org
Sources
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by jashley@deadacated.com. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones. shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net) Enjoy my brothers!
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
10.00 / 22 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.23472.sbefail.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by jashley@deadacated.com. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones.
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166358.aud.Conner.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166357.aud.Conner.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"