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1995
30.8k
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85 shows
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57 shows
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78 shows
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46.5k
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23.2k
47 shows
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62.9k
73 shows
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46.6k
67 shows
1,081 tapes
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33k
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18.3k
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45.4k
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50.2k
91 shows
794 tapes
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24.9k
79 shows
608 tapes
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56.2k
87 shows
592 tapes
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102.6k
64 shows
419 tapes
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114.9k
45 shows
298 tapes
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5.5k
25 shows
63 tapes
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96.7k
42 shows
324 tapes
1973
74.8k
75 shows
445 tapes
1972
37.6k
88 shows
361 tapes
1971
31.3k
82 shows
360 tapes
1970
23.5k
101 shows
376 tapes
1969
21.6k
112 shows
326 tapes
1968
5.9k
41 shows
125 tapes
1967
2.1k
23 shows
56 tapes
1966
5.4k
32 shows
78 tapes
1965
437
2 shows
2 tapes
1973
11/17/73
Me And My Uncle
3:49
Here Comes Sunshine
11:34
Looks Like Rain
7:34
Deal
4:59
Mexicali Blues
3:35
Tennesee Jed
7:40
The Race Is On
3:28
China Cat Sunflower >
9:13
I Know You Rider
5:32
Big River
5:32
Brown Eyed Women
5:33
Around And Around
5:10
Row Jimmy
9:10
Jack Straw
4:55
Ramble On Rose
6:08
Playing In The Band >
14:42
Uncle John's Band >
6:59
Morning Dew >
13:34
Uncle John's Band >
1:53
Playing In The Band
11:10
Stella Blue
7:25
El Paso
4:10
Eyes Of The World >
14:15
Sugar Magnolia
9:14
Casey Jones
6:43
Playing In The Band >
14:42
Uncle John's Band >
7:00
Morning Dew >
13:34
Uncle John's Band >
10:11
Playing In The Band
3:02
FIN
View on archive.org
Sources
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.fixed.23731.sbeok.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by jashley@deadacated.com. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones. shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net) Enjoy my brothers!
Transferrer: Jay Ashley
3:03:43
SBD
Rating:
10.00 / 22 ratings
Transferrer:
Jay Ashley
SHNID:
gd1973-11-17.sbd.ashley.23472.sbefail.shnf
Source:
SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nickenamed Bertha, by jashley@deadacated.com. Completed on April 5, 2004. There is some distortion in the source used. Looks Like Rain seems to be the worst of it. Not sure if the distortion is from overdriving the original master reel recording, or if the transfer was overdriven. But, the distortion is in the original source and was caused prior to Bertha remastering. -3db noise reduction was used prior to processing. A 100% pure sample was used, resulting in Zero artifacts. Cleaned up some rough track to track transitions. Two drop-outs in Casey Jones.
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166358.aud.Conner.gems.flac1648
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"
Taper: Recorded by Charles Conner from floor level seats on the right side
3:16:46
Taper:
Recorded by Charles Conner from floor level seats on the right side
Transferrer:
Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood Speed/pitch adjusted by Jason Chastain
SHNID:
gd1973-11-17.166357.aud.Conner.gems.flac2496
Source:
Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes
Taper Notes:
View NotesNotes: - First audience recording of this show to circulate. - Shared to www.shnflac.net on the 50th anniversary of this historic evening. - No patch work was performed to cover tape flips. This is as Charles captured it. Notes from conversation between Charles and Jim: "11-17 was on the floor level seats on the right side. Notable that the Winterland February 1974 shows lacked the energy of the November 1973 shows. We were not surprised that they took a break after October 1974. Burn out, which we could feel, especially after the highly energetic 1973 shows. It was never quite the same, although 1977 had many high points"