1980-05-02 | Grateful Dead

View NotesNotes:
- Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights.
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
June 2022

Taper: Bob Wagner

2:15:29

Taper:

Bob Wagner

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1980-05-02.163748.nak700.wagner.miller.clugston.flac1648

Source:

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights.
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
June 2022

Taper: Joani Walker

gd1980-05-02.SonyECM250.walker-scotton.miller.88873.sbeok.flac16

Source:

Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16

Taper Notes:

View NotesPatch Info:
  AKG 1000E -> Cassette Master -> Dat -> CD (shnid=3202) supplies:
    Drums (9:21 - 9:35)

Notes:
-- Set 2 is seamless
-- Recorded By Joani Walker
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Patch source recorded by Jim Wise
-- Patch source pitch adjusted to match Joani's tape

Taper: GD Crew

Transferred by Andrew F. 03/2022

SHNID:

gd1980-05-02.155991.s2.akg.flac2448

Source:

AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew.

Lineage:

MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesSource Notes:

Cassette rescued from ebay, tape marked "Room" by Betty. The tape box marked as Tape #1 had the wrong cassette inside, so this is only half the show...

Tape-flip patched with ID-128515, Stella Blue 7:27 > I Need a Miracle 0:18.

Thanks to Charlie Miller for confirming the source data, and to Richie Stankiewicz for the patch material.

Taper: Mason B. Taylor

gd1980-05-02.128686.naks.masom.flac16

Source:

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones

Taper Notes:

View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

Taper: Richie Stankiewicz

gd1980-05-02.128515.stankiewicz.flac2496

Source:

Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz

Taper Notes:

View NotesBarry Glassberg Patches used during Music Never Stopped and Drums
Thanks Barry

Taper: Bob Morris

gd1980-05-02.beyer.morris.cleanup.111142.flac24

Taper Notes:

View Notes- This is an upgrade to shnid 106613 -- bad files deleted; files renamed.
Tape flip between Drums and Not Fade Away. Volume fades fixed in MNS (6:29-6:33).
Patched: Alabama (0:00-0:43); Stella (3:24-3:30) ID 96451 Nak700s.
Recorded FOB from the floor by Bob Morris -- thanks to Sam for help.
Transfer (Jun 09) and 24/96 edits/patches (Dec 09) by Bob Morris.

Taper: Bob Morris

gd1980-05-02.aud.morris.106613.flac24

Taper: Bob Morris

gd1980-05-02.fob.beyer.morris.99952.sbefail.flac16

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Barry Glassberg

Adam Egert and Derek McCabe

SHNID:

gd1980-05-02.fob.glassberg.motb-0085.96451.flac24

Source:

MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesNotes:
Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -

Taper: Barry Glassberg

Adam Egert and Derek McCabe

SHNID:

gd1980-05-02.fob.glassberg.motb-0085.96450.flac16

Source:

FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC

Lineage:

MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

Taper Notes:

View NotesNotes:
Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -

Taper: John Hance, Jim Wise

gd80-05-02.hance-wise.3202.sbeok.shnf

Source:

Audience Recording: NAK 700 and AKG 1000E

Lineage:

Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV>

Taper Notes:

View NotesMixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; <a href="http://groups.yahoo.com/group/dankseeds/files/gd80-05-02/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds" rel="ugc nofollow">dankseeds</a>; see info file for listening notes etc