Deal | 1980-06-07 | Grateful Dead

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the fresh transfer and coordinating this effort
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid88451 (FOB) Sony ECM-250 source which supplies a 0:16 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2019

Taper: Mark Severson

2:49:32

Taper:

Mark Severson

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1980-06-07.144747.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the fresh transfer and coordinating this effort
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid88451 (FOB) Sony ECM-250 source which supplies a 0:16 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
January 2019

Taper: George Sterry

Scott Clugston and Charlie Miller and David Beckwith

SHNID:

gd1980-06-07.142842.set1.aud.sterry.beckwith.miller.clugston.flac1648

Taper Notes:

View NotesNotes:
- Thanks to George Sterry for the master cassette recording
- Thanks to David Beckwith for liberating the tapes from eBay
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
August 2018

Taper: George Steary

Scott Clugston and Charlie Miller and David Beckwith

SHNID:

gd1980-06-07.142841.set1.aud.sterry.beckwith.miller.clugston.flac2496

Taper Notes:

View NotesNotes:
- Thanks to George Sterry for the master cassette recording
- Thanks to David Beckwith for liberating the tapes from eBay
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
August 2018

Taper: Recorded By Joani Walker right behind the soundboard

Recorded By Joani Walker right behind the soundboard

Transferrer:

Charlie Miller

SHNID:

gd1980-06-07.SonyECM250.walker-scotton-miller.88451.sbeok.flac16

Source:

Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

Taper: Unknown Local Taper/Unknown Equipment

gd1980-06-07.175816.aud.Langdon.Meyette.LuciferBurns.flac2448

Source:

Analog Master > 1st Gen (Maxell UD) Langdon Master Series Vol. 28

Lineage:

Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor > Transferred & tracked by Wes Meyette

Taper: Richie & Rip.

Transferred by Andrew F. 06/2022

SHNID:

gd1980-06-07.157131.aud.tompkins.flac2448

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesNotes: Not sure of lineage, but this appears to be a master, also does not match any of the current sources.

Several 1st Set tech snafus patched with ID-142841;
- Jack Straw 0:00 > 0:41
- FOTD 7:11 > El Paso 1:33
- Far From Me 0:00 > 0:29
- Minglewood 0:00 > 0:14
- Loser 5:42 > 7:52
Hicks/Fong alternate source covers tape-flip in Drums 6:28 > 7:07.

Taper: Scott Wiseman

Scott Wiseman and Scott Clugston

SHNID:

gd1980-06-07.155701.akg.se5.wiseman.miller.clugston.flac2496

Source:

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90)

Lineage:

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies some crowd and the beginning of "Bertha" (0:07 total), a 0:01 patch in the post Saint Of Circumstance "Jam", as well as a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2021

Taper: Scott Wiseman

Scott Wiseman and Scott Clugston

SHNID:

gd1980-06-07.155700.akg.se5.wiseman.miller.clugston.flac1648

Source:

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90)

Lineage:

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies some crowd and the beginning of "Bertha" (0:07 total), a 0:01 patch in the post Saint Of Circumstance "Jam", as well as a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
November 2021

Taper: Mason B. Taylor

gd1980-06-07.128414.naks.mason.flac16

Source:

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones

Taper Notes:

View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

Taper: Bob Morris

gd1980-06-07.sonyecm990.morris.100253.flac16

Source:

Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesNotes - Tape flip in Drums spliced at 4:02 using Soundforge 9.0 
Right channel dropouts patched with left channel using Soundforge 9.0 in:
All of d1t04-d1t06; Loser from 0:00-0:01; Bertha (1:14-1:14, 1:55-2:59, 3:04-3:05) 
Althea (0:23-0:25, 0:41-0:41); Jam (0:05-0:05)
Recorded by Bob Morris -- thanks to Sam R and Charlie Connor. Transferred 7/09

Taper: Mark Severson

gd1980-06-07.nak700.severson.minches.96567.flac16

Source:

2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs)

Lineage:

Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding

Transferrer: SIRMick

gd80-06-07.aud.sirmick.31348.sbeok.flacf

Lineage:

AUD > mc > 1st gen cass > CDR > EAC > FLAC16

Taper Notes:

View Notes- d1t13 patched from 1:47-2:00, this was needed because of a curious stuttering effect during this section.  The patch was provided by shnid 11533
- d2t05 has a cut from 4:14, for just under 1 second  
- volume adjustments made to balance the channels 
- several other minor problems have been fixed
- polished with iZotope Ozone
- re-tracked
- sets 1 and 2 appear to be from different sources

this is a significant upgrade from the other version in circulation.

Source 14 of 14

gd80-06-07.aud.munder.11533.sbeok.shnf

View NotesAud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy