RELISTENTOTHE Grateful Dead
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June 30th
9 shows
122 tapes
Years
1995
27.2k
49 shows
343 tapes
1994
18k
85 shows
460 tapes
1993
37.4k
83 shows
656 tapes
1992
33.2k
57 shows
539 tapes
1991
59.2k
78 shows
973 tapes
1990
67.4k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
32.7k
82 shows
882 tapes
1987
57k
88 shows
1,029 tapes
1986
15.4k
47 shows
684 tapes
1985
51.1k
73 shows
1,360 tapes
1984
36.2k
67 shows
1,081 tapes
1983
33.4k
71 shows
1,071 tapes
1982
20.3k
63 shows
753 tapes
1981
26.3k
92 shows
868 tapes
1980
65.7k
91 shows
794 tapes
1979
21.5k
79 shows
608 tapes
1978
40.9k
87 shows
592 tapes
1977
154.6k
64 shows
419 tapes
1976
149.6k
45 shows
298 tapes
1975
7.2k
25 shows
63 tapes
1974
97.9k
42 shows
324 tapes
1973
79k
75 shows
445 tapes
1972
41.4k
88 shows
361 tapes
1971
29.3k
82 shows
358 tapes
1970
39.1k
101 shows
376 tapes
1969
24.8k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5k
32 shows
78 tapes
1965
533
2 shows
2 tapes
1980
6/8/80
Crowd/Tuning/Intro >
1:09
Uncle John's Band >
9:02
Playin' In The Band >
8:56
Uncle John's Band Reprise
2:51
Me & My Uncle >
2:52
Mexicali Blues
4:41
Tennessee Jed
9:00
Samson & Delilah
7:42
Easy To Love You
3:39
Althea >
8:39
Looks Like Rain >
8:38
Deal
4:46
Feel Like A Stranger
10:04
Ship Of Fools
8:58
Estimated Prophet >
8:59
Eyes Of The World >
13:28
Drums >
8:06
Space >
2:43
Saint Of Circumstance >
5:50
Black Peter >
8:49
Sugar Magnolia
8:46
E1: Alabama Getaway >
4:52
E2: Brokedown Palace
5:51
FIN
View on archive.org
Sources
Taper: Scott Wiseman's Master Audience Cassettes
2:36:06
Taper:
Scott Wiseman's Master Audience Cassettes
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-06-08.155742.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies some of the "Intro" before "Uncle John's Band" (0:08 total), a 0:13 patch in "Drums", as well the "Alabama Getaway" and "Brokedown Palace" encores - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Scott Wiseman's Master Audience Cassettes
2:36:06
Taper:
Scott Wiseman's Master Audience Cassettes
Transferrer:
Scott Wiseman and Scott Clugston
SHNID:
gd1980-06-08.155741.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies some of the "Intro" before "Uncle John's Band" (0:08 total), a 0:13 patch in "Drums", as well the "Alabama Getaway" and "Brokedown Palace" encores - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Recorded and Transferred by Rob Eaton
2:38:21
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Mastered by Scott Clugston March 2021
SHNID:
gd1980-06-08.152601.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 0:11 patch in the "Looks Like Rain > Deal" transition, as well as a 1:20 patch in the Jam out of "Eyes Of The World" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Recorded and Transferred by Rob Eaton
2:38:21
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Mastered by Scott Clugston March 2021
SHNID:
gd1980-06-08.152600.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source which supplies an 0:11 patch in the "Looks Like Rain > Deal" transition, as well as a 1:20 patch in the Jam out of "Eyes Of The World" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Mason B. Taylor
2:38:49
Rating:
8.00 / 3 ratings
Taper:
Mason B. Taylor
SHNID:
gd1980-06-08.128415.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"