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July 5th
Years
1995
20.2k
49 shows
343 tapes
1994
21.4k
85 shows
460 tapes
1993
34.5k
83 shows
656 tapes
1992
35.6k
57 shows
539 tapes
1991
53.7k
78 shows
973 tapes
1990
67.3k
78 shows
1,139 tapes
1989
53.7k
78 shows
1,017 tapes
1988
44.5k
82 shows
882 tapes
1987
56k
88 shows
1,029 tapes
1986
19.8k
47 shows
686 tapes
1985
63.5k
73 shows
1,360 tapes
1984
43.7k
67 shows
1,081 tapes
1983
33.2k
71 shows
1,071 tapes
1982
19.2k
63 shows
753 tapes
1981
26.2k
92 shows
868 tapes
1980
62.2k
91 shows
794 tapes
1979
25.5k
79 shows
608 tapes
1978
36.2k
87 shows
592 tapes
1977
137.2k
64 shows
419 tapes
1976
141.7k
45 shows
298 tapes
1975
6.5k
25 shows
63 tapes
1974
101.3k
42 shows
324 tapes
1973
86.5k
75 shows
445 tapes
1972
39.3k
88 shows
361 tapes
1971
32k
82 shows
358 tapes
1970
32.6k
101 shows
376 tapes
1969
21.5k
112 shows
326 tapes
1968
6.7k
41 shows
125 tapes
1967
2.1k
23 shows
55 tapes
1966
5.4k
32 shows
78 tapes
1965
498
2 shows
2 tapes
1980
8/31/80
Alabama Getaway ->
5:50
The Promised Land
4:21
They Love Each Other
7:16
Mama Tried->
2:53
Mexicali Blues
5:14
Althea
8:30
Little Red Rooster
8:27
Tennessee Jed
9:52
Far From Me
4:40
Lazy Lightnin' ->
3:20
Supplication
6:27
Deal
4:56
Tuning
1:06
Greatest Story Ever Told ->
3:54
Uncle John's Band ->
8:57
Lost Sailor ->
6:49
Saint of Circumstance ->
7:01
Comes A Time ->
9:08
Truckin' ->
8:51
Drums ->
11:35
Space ->
4:31
The Other One ->
8:13
Stella Blue ->
9:17
I Need A Miracle ->
4:00
Good Lovin'
7:24
Brokedown Palace
7:34
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:54:51
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1980-08-31.154698.senn.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Cohen for the Nakamichi 700 source which supplies a 0:24 patch in "Promised Land", as well as from 0:41 into "Saint Of Circumstance" thru most of "Drums" (31:04 total) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Rob Eaton
2:54:51
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1980-08-31.154697.senn.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Mark Cohen for the Nakamichi 700 source which supplies a 0:24 patch in "Promised Land", as well as from 0:41 into "Saint Of Circumstance" thru most of "Drums" (31:04 total) - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Mason B. Taylor
2:45:03
Taper:
Mason B. Taylor
SHNID:
gd1980-08-31.128509.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"