U.S. Blues | 1980-10-22 | Grateful Dead

2:48:24
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
Taper Notes:
View NotesLodge Dead 
front center

Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac



Recorded by Keith Gatto & Pete Jaeger


Extracted & flac encoded by Michael Turi

Patched and Edited in Sound Forge Pro. 10.0 
Tracked in Audacity 2.0  by dusborne 

05-05-2012

----------------------------------------------------------------------------------

Patched With:

gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master 
(Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> 
Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 -> 
Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 1, 2009

Notes:
-- Recorded By Jim Wise
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction

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---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show.
---Thank You Michael Turi For extracting the files from your personal cd's.
---Thank you Charlie Miller for your work on Jim's recording.
---Thanks to germain for everything;seeding,encouragement,advice and tutelage.

-------------------------------------------------------------------------------------

-----------------------------------------------------------------------------------

Germain's original notes:

This source has significant high end energy and is thus clearer than
 circulating sources. 
There is significant crowd noise, the occasional 
mic bump and individual chat & claps 
like one would expect from the mic location. 
These isssues are far more prevelent in the 
acoustic set. 
The recorder was paused between most nonsequential songs. 
These are rather abrupt. 
Can patches from another source be added to fill missing sections 
of songs?


101 @1:45 mic bump -> cut (maybe 1 minute lost) ..... transition// 
sound improves after cut

102 transition//

103 transition//

104 transition//

105 transition//

106 transition//

107 ok

108 cut at beginning about 1:40 of music missing .....end of set//


201 muddier than preceeding set, less crowd noise. 
Is this the same recording??

202 clarity improves... transition//

203 Bobby announcement -> dead air -> FOTD ...transition// 
(The first minute should probably be 
placed at the end of the preceeding track.)

204 ok

205 transition//

206 transition//

207 transition//

208 ok

209 ok


301 Scarlet > Fire combined

302 Sailor> Saint combined

303 Drums// some of drums is missing but this source's drums/space times out longer than other 
sources in circulation

304 Drums continues into space (the placement of the track break is not quite on que)

305 ok

306 ok

307 audience at end of songs somewhat fades out then abrupt recorder shut off

308 OK

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Patch Notes:

Acoustic set:

Dire Wolf - 39 seconds
Dire Wolf-On the Road Again transition - 26 seconds
On the Road Again - beginning cut patched
On the Road Again-I've Been All Around This World transition - 18 seconds
I've Been All Around This World-Monkey & the Engineer transition - 30 seconds
To Lay Me Down-Heaven Help the Fool transition cut on both sources
Heaven Help the Fool-Bird Song transition cut on both sources
Ripple - 1:38

Electric set 2:

New Minglewood Blues-China Cat Sunflower transition - 24 seconds

Electric set 3:

Drums - 18 seconds
Crowd noise and the beginning of U.S. Blues - 45 seconds

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Tagging notes:
Show information is embedded within the header of each flac file. 
It will display on any player capable of directly playing flac 
files. If converted to wav during processing, all tags will be 
stripped, however audio data will remain unaffected. If you must 
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 5-5-2012