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July 11th
Years
1995
28.1k
49 shows
343 tapes
1994
19.9k
85 shows
460 tapes
1993
25.1k
83 shows
656 tapes
1992
26.4k
57 shows
539 tapes
1991
36.7k
78 shows
973 tapes
1990
67.8k
78 shows
1,139 tapes
1989
78.6k
78 shows
1,017 tapes
1988
45.7k
82 shows
882 tapes
1987
64k
88 shows
1,029 tapes
1986
22.8k
47 shows
686 tapes
1985
62k
73 shows
1,362 tapes
1984
46.1k
67 shows
1,081 tapes
1983
32.3k
71 shows
1,071 tapes
1982
17.8k
63 shows
753 tapes
1981
41k
92 shows
868 tapes
1980
49.3k
91 shows
794 tapes
1979
24.2k
79 shows
608 tapes
1978
53.8k
87 shows
592 tapes
1977
99.2k
64 shows
419 tapes
1976
113.2k
45 shows
298 tapes
1975
5.4k
25 shows
63 tapes
1974
94.8k
42 shows
324 tapes
1973
72.8k
75 shows
445 tapes
1972
36.4k
88 shows
361 tapes
1971
30.5k
82 shows
360 tapes
1970
21.7k
101 shows
376 tapes
1969
21.1k
112 shows
326 tapes
1968
5.7k
41 shows
125 tapes
1967
2.1k
23 shows
56 tapes
1966
5.3k
32 shows
78 tapes
1965
428
2 shows
2 tapes
1980
11/26/80
Set Up
1:29
Alabama Getaway
4:25
Greatest Story Ever Told
4:46
Friend Of The Devil
9:31
On The Road Again
4:08
Jack-a-roe
5:21
Minglewood Blues
8:47
It Must Have Been The Roses
7:24
The Race Is On
4:52
Althea
7:46
Lost Sailor
6:40
Saint Of Circumstance
5:55
Deal
7:40
Cold Rain And Snow
7:45
Samson And Delilah
8:34
China Cat Sunflower
6:16
I Know You Rider
6:00
Estimated Prophet
10:30
t19.Eyes Of The World
15:32
Eyes Of The World
9:22
Drums
5:35
Phil Lesh
11:11
Wharf Rat
4:08
Around And Around
8:40
Good Lovin
4:25
FIN
View on archive.org
Sources
Transferrer: Matrixed by Chris Chappell
2:58:17
SBD
Transferrer:
Matrixed by Chris Chappell
SHNID:
gd1980-11-26.150965.mtx.chappell.sb33a.flac16
Source:
Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38%
Lineage:
(SHN > Vegas 5 > CD Wave > Flac16)
Taper Notes:
View NotesStats: first Satisfaction [1256] although DeadBase makes reference to "since 1965" but w/o a date Notes: I've had this matrix in the can for almost four years, but I was waiting to release it with 11-28 and the infamous 11-30. The SBD has never surfaced for the Alligator Alley show on 11-29 (sick Shakedown > Franklin's), so I figured this amazing 4 show late fall run could all go in one volume, just in time for the 30th anniversary! Thanks to Scott Clugston for the SBD, to Jim Wise for taping the AUD, and to Paul B and Willy for their involvement with the AUD. Enjoy! -Chappy 11-26-10
Transferrer: Matrix by Dave Usborne
2:59:31
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1980-11-26.132344.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesMatrix by dusborne 01-14-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the headerof each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 01-14-2015
Taper: Jim Wise and Richie Stankiewicz
2:56:46
Taper:
Jim Wise and Richie Stankiewicz
Transferrer:
Jim Wise
SHNID:
gd1980-11-26.132221.aud.beyer-m160.flac16
Source:
<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise